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“In my photographic work I'm generally attracted to places that contain memories, history, atmospheres and stories. I'm interested in the places where people have lived, worked and played. I look for traces of the past, visual fingerprints, evidence of activities - they fire my imagination and connect into my own personal experiences. Using the analogy of the theater, I would say that I like to photograph the empty stage, before or after the performance, even in between acts. I love the atmosphere of anticipation, the feeling in the air that events have happened, or will happen soon.”

“the explanation of the ebb and flow of the women's movement ... is partly psychological. During those early post-war years when successes came thick and fast and were almost thrust upon us, the nation was still under the influence of the reconstruction spirit, when everything seemed possible ... A few years later the nation had reached the stage which follows a drinking bout. It was feeling ruefully in its empty pockets. It did not want to part with anything to anybody. Its head ached. Noble sentiments made it feel sick. It wanted only to be left alone.”

“I wondered whether the scientific modern brain could not get to the stage of realising that Space is not an empty homogeneous medium, but full of intricate differences, intelligible and real, though not with our common reality.”

“There is a certain unique and strange delight about walking down an empty street alone. There is an off-focus light cast by the moon, and the streetlights are part of the spotlight apparatus on a bare stage set up for you to walk through. You get a feeling of being listened to, so you talk aloud, softly, to see how it sounds.”

“For a long time I found the celebrities of modern painting and poetry ridiculous. I loved absurd pictures, fanlights, stage scenery, mountebanks backcloths, inn-signs, cheap colored prints; unfashionable literature, church Latin, pornographic books badly spelt, grandmothers novels, fairy stories, little books for children, old operas, empty refrains, simple rhythms.”