“The secret of 'fusion' is the fact that the artist's eye sees in nature... an inexhaustible wealth of tension, rhythms, continuities, and contrasts which can be rendered in line and color.” FactsEyeArtistLinesWealthSecretColorRhythmTensionContrastContinuityFusion Author:Susanne Katherina Langer
“In sharp contrasts to traditional art, modern art does not hide the fact that it is something made and produced: on the contrary, it underscores the fact.” DoeArtMadeFactsModernContraryTraditionalContrastModernismModern Art Author:Theodor Adorno
“How much reverence has a noble man for his enemies!--and such reverence is a bridge to love.--For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture "the enemy" as the man of ressentiment conceives him--and here precisely is his deed, his creation: he has conceived "the evil enemy," "the Evil One," and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a "good one"--himself!” MenFactsDesireEvilEnemyCreationHe ManHonorConceptsMarkEndureDeedsNobleEvolveBridgesDistinctionDespiseReverenceContrastAfterthoughtNoble ManPendants Book:Basic Writings of Nietzsche Source: Basic Writings of Nietzsche
“[Vathek] has, in parts, been called, but to some judgments, never is, dull: it is certainly in parts, grotesque, extravagant and even nasty. But Beckford could plead sufficient "local colour" for it, and a contrast, again almost Shakespearean, between the flickering farce atrocities of the beginning and the sombre magnificence of the end. Beckford's claims, in fact, rest on the half-score or even half-dozen pages towards the end: but these pages are hard to parallel in the later literature of prose fiction.” EndsHardFactsLiteratureHalfFictionJudgmentPagesClaimsLocalsSufficientColourDullProseScoreDozenContrastNastyParallelsAtrocitiesExtravagantGrotesqueMagnificenceFarce Author:William Thomas Beckford
“The leap of faith is a strategic impasse that confronts every Christian in search of converts; and, as he sees the matter, there is no wrong way to become a Christian. It is the end that is importnat, not the means; it does not matter why you believe, so long as you believe. For the philosopher, in contrast, the paramount issue is the justification of belief, not the fact of belief itself.” WayBelieveMeanLongDoeEndsMatterFactsChristianBeliefIssuesAtheismPhilosopherPositive AtheismLeapContrastJustificationStrategicWrong WayParamountLeap Of FaithImpasse Author:George H. Smith
“In contrast we let go of existence, meaning, and the sublime as categories to describe the object “God.” Instead these become ways in which we engage with the world. Yet, as we affirm the world in love, we indirectly sense that in letting go of God we have, in fact, found ourselves at the very threshold of God.” WorldWayFactsFoundExistenceObjectsLetting GoCategoriesContrastSublimeThreshold Book:The Idolatry of God: Breaking Our Addiction to Certainty and Satisfaction Source: The Idolatry of God: Breaking Our Addiction to Certainty and Satisfaction