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Fairy Tales Quotes

Browse 372 quotes about Fairy Tales.

Fairy Tales Quotes

“I fell in love with the idea that a story could have places of origin and its own lineage, not entirely unlike a person. A fairy tale could move from one region to another, and it would change clothes. It could adopt the customs and beliefs of its new home, and it would still retain much of its core. The notion that a story could adjust to suit a new home was such a hopeful one for an immigrant kid who grew up knowing that he and his parents didn't come from the same places.”

“These days when you kiss a prince you often run the risk of turning him into a frog. But don't let the ogres in shining armor get you down. There is no need for distress - you don't want to be anyone's damsel anyway. Simply remind yourself that you are busy racking up those 'frequent failure points' that will eventually pay for an all expenses paid trip to Mr Right.”

“Science has never killed or persecuted a single person for doubting or denying its teaching, and most of these teaching have been true; but religion has murdered millions for doubting or denying her dogmas and most of these dogmas have been false. All stories about gods and devils, of heavens and hells, as they do not conform to nature, and are not apparent to sense, should be rejected without consideration. Beyond the universe there is nothing and within the universe the supernatural does not and cannot exist. Of all deceivers who have plagued mankind, none are so deeply ruinous to human happiness as those imposters who pretend to lead by a light above nature. The lips of the dead are closed forever. There comes no voice from the tomb. Christianity is responsible for having cast the fable of eternal fire over almost every grave.”

“The eternal child. - We think that play and fairy tales belong to childhood: how shortsighted that is! As though we would want at any time of life to live without play and fairy tales! We give these things other names, to be sure, and feel differently about them, but precisely this is the evidence that they are the same things - for the child too regards play as his work and fairy tales as his truth. The brevity of life ought to preserve us from a pedantic division of life into different stages - as though each brought something new - and a poet ought for once to present a man of two hundred: one, that is, who really does live without play and fairy tales.”

“Vane grabbed me. “DuLac, let’s chat.” Chat. British-speak for “Stand still while I yell at you.”

“I caught his hand. “What do you want me to do?” Leaning down, he kissed the pulse beating on my neck just above the damaged skin. “Tomorrow, I need you to die.”

“Vane’s lips tightened to suppress a smile. “Why so hostile, love?” “You whacked me on the head with a ball!” “You deserved it.”

“He’d used the amulet to read my thoughts again. I pictured smacking him in the face.”

“Once upon a time in faraway land, a young prince lived in a shining castle... It was a very good story. It often entertained the women who lay in her black hole of a room, manacled to a hard, cold bed. She had enjoyed its repetition in her mind for years. Sometimes she remembered bits differently: sometimes the rose was pink as a sunset by the sea. But that never resonated as well as red as blood....”

“Do you think we can be friends?” I asked. He stared up at the ceiling. “Probably not, but we can pretend.”

“I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.”

“In some real life situations there is something of the Fairy Tale. Sometimes, we forget, that magic is there for the making, and the makers are ourselves. Sometimes, it is our enemies who spur us on. For a challenge is nothing without striving. We admire a hero who earns good fortune, who strives to be a better person, who acts in the interests of others against dark forces that would bring them down. In Fairy Tales, the ultimate winners are good and true.”

“I... lost somebody important to me. That’s when I realised reality doesn’t always end happy like the stories... No one’s going to show up in the nick of time. No one’s going to save you. So instead of being sad... and waiting for help to arrive... I decided I would be the hero. And I will. I’ll turn tragedies into happy endings. That’s why I’m here.”

“Rough palms cradled my face while my fingers gripped the pillow on either side of his. Lips, teeth, tongue, mingled together. I ate him up and didn’t let go until I had to come up for air.”

“Soft sun shone down on a misty cathedral at the opposite end of a football-field length courtyard. The cathedral had a long pointed tower with beautiful rose and ivory stained glass windows. Pink-petal flowers and deep green ivy climbed the stones from the ground to it’s roof. A large fountain stood in the middle of the courtyard with water falling from several lion’s heads. Between the misty air and rolling slope of the earth, the grounds reminded me of a long lost fairy tale.”

“Marilynn...passed out black cases to everyone. I opened mine to find an iPad inside. Several candidates whistled. Despite my agitated state, it impressed me too. Maybe wizard school wasn’t going to be as lame as I had thought. “All of your schedules and assignments will be done on these,” Marilynn explained. “The whole school is on these. We’ve had them for awhile now.”

“The Fey's Captive by Stewart Stafford Sprite music in moonlit sway, Her song turned azaleas grey, A haunting lilt that carried far; Charmed ear to shimmering star. Hornpipe down, melody went on, Lovelight flickered, then it shone, Claimed me then on yearly shore, Dragged me behind the fairy door. An enchanted hostage kept there, Gossamer glowed her flaxen hair, Made me pledge to be her slave, This regal man, reduced to knave. A year and a day passed, comet swift, My sentence over, her parting gift, Conditions met by kith and kin, Woke to bedroom light with a grin. © Stewart Stafford, 2024. All rights reserved”

“Myths are different than fairy tales or legends. Legends are stories based in history and are more or less true. Myths, on the other hand, are stories containing a deeper truth—stories that transcend time. If you were to travel the world, you would find myths that are remarkably similar to one another—stories of heroes fighting the darkness with the light.”

“What do you know of the Knights?” he asked. Fin shrugged. “I thought knights were only in children’s stories until a few days ago.” Jeannot smiled. “A man could do worse than to live in the stories of a child. There is, perhaps, no better remembrance.” “Until the child grows up and finds out the stories aren’t true. You might be knights, but I don’t see any shining armor,” Fin said. Jeannot stopped near the gate of the auberge and faced her. “Each time a story is told, the details and accuracies and facts are winnowed away until all that remains is the heart of the tale. If there is truth at the heart of it, a tale may live forever. As a knight, there is no dragon to slay, no maiden to rescue, and no miraculous grail to uncover. A knight seeks the truth beneath these things, seeks the heart. We call this the corso. The path set before us. The race we must run.”

“All of the great mythologies and much of the mythic story-telling of the world are from the male point of view. When I was writing The Hero with a Thousand Faces and wanted to bring female heroes in, I had to go to the fairy tales. These were told by women to children, you know, and you get a different perspective. It was the men who got involved in spinning most of the great myths. The women were too busy; they had too damn much to do to sit around thinking about stories. [...] In the Odyssey, you'll see three journeys. One is that of Telemachus, the son, going in quest of his father. The second is that of the father, Odysseus, becoming reconciled and related to the female principle in the sense of male-female relationship, rather than the male mastery of the female that was at the center of the Iliad. And the third is of Penelope herself, whose journey is [...] endurance. Out in Nantucket, you see all those cottages with the widow's walk up on the roof: when my husband comes back from the sea. Two journeys through space and one through time.”