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Fairy Tales Quotes

Browse 372 quotes about Fairy Tales.

Fairy Tales Quotes

“Groups of children gathered around them and gave them flowers and placed colored ribbons at their feet. After they were blessed at the wedding, they had a merry celebration, but the false mother and false bride had to leave. And the lips are still warm on the last person who told this tale. -The Children Of The Two Kings”

Fairy TalesBrothers Grimm
Book:The Original Folk and Fairy Tales of the Brothers Grimm
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“Then I saw two greyhounds dragging a mill out of the water, and an old-worn-out horse stood there and said it was all right. And in the courtyard there were four horses threshing grain with all their might, and two goats were heating the stove, and a red cow shoved the bread into the oven. Then a chicken crowed, 'Cock-a-doodle doo! The tale is done, cock-a-doodle-doo!' -The Tale About The Land of Cockaigne”

PoemFairy TalesGermanBrothers Grimm
Author:Jack Zipes (translator), John B. Gruelle (illustrator)
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“Clearly it is simplest never to marry at all,’ I said, trying to keep my voice light. These stories, ridiculous fairy tales though they were, had tainted the evening. Like Vivian, I preferred to think of The Sleeping Princess as a magical spectacle of fairy godmothers and characters from folklore. But then we had both learned the hard way about heartbreak and loss.”

BalletGothicFairy TalesFairytale RetellingFairy GodmotherWw2 BooksHistorical ThrillerThe Sleeping Beauty
Book:The Sleeping Beauties
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“Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.”

StoriesTransformationFairy TalesSwansFolk TalesHans Christian AndersenThe Wild Swans
Book:The Faraway Nearby
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“Silence is another element we find in classic fairy tales — girls muted by magic or sworn to silence in order to break enchantment. In "The Wild Swans," a princess is imprisoned by her stepmother, rolled in filth, then banished from home (as her older brothers had been before her). She goes in search of her missing brothers, discovers that they've been turned into swans, whereupon the young girl vows to find a way to break the spell. A mysterious woman comes to her in a dream and tells her what to do: 'Pick the nettles that grow in graveyards, crush and spin them into thread, then weave them into coats and throw them over your brothers' backs.' The nettles burn and blister, yet she never falters: picking, spinning, weaving, working with wounded, crippled hands, determined to save her brothers. All this time she's silent. 'You must not speak,' the dream woman has warned, 'for a single world will be like a knife plunged into your brothers' hearts.' You must not speak. That's what my stepfather said: don't speak, don't cry, don't tell. That's what my mother said as well, as we sat in hospital waiting rooms -- and I obeyed, as did my brothers. We sat as still and silent as stone while my mother spun false tales to explain each break and bruise and burn. Our family moved just often enough that her stories were fresh and plausible; each new doctor believed her, and chided us children to be more careful. I never contradicted those tales. I wouldn't have dared, or wanted to. They'd send me into foster care. They'd send my young brothers away. And so we sat, and the unspoken truth was as sharp as the point of a knife.”

Fairy TalesSwansFolk TalesHans Christian AndersenTranformationThe Wild Swans
Book:Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales
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“In the colored fairy books of Andrew Lang (The Red Fairy Book, The Blue Fairy Book, etc.), there is a figure who has always intrigued me: the Hen Wife, related to the witch, the seer, and the herbalist, but different from them too: a distinct and potent archetype of her own, an enchanted figure beneath a humble white apron. We find her dispensing wisdom and magic in the folk tales of the British Isles and far beyond (all the way to Russia and China): a woman who is part of the community, not separate from it like the classic "witch in the woods"; a woman who is married, domesticated like her animal familiars, and yet conversant with women's mysteries, sexuality, and magic.”

Fairy TalesFolk TalesHen Wife
Author:Terri Windling
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“Ultimately, the definition of both the wonder tale and the fairy tale, which derives from it, depends on the manner in which a narrator/author arranges known functions of a tale aesthetically and ideologically to induce wonder and then transmits the tale as a whole according to customary usage of a society in a given historical period. The first stage for the literary fairy tale involved a kind of class and perhaps even gender appropriation. The voices of the nonliterate tellers were submerged, and since women in most cases were not allowed to be scribes, the tales were scripted according to male dictates or fantasies, even though they may have been told by women. Put crudely, it could be said that the literary appropriation of the oral wonder tales served the hegemonic interests of males within the upper classes of particular communities and societies, and to a great extent this is true. However, such a statement must be qualified, for the writing down of the tales also preserved a great deal of the value system of those deprived of power. And the more the literary fairy tale was cultivated and developed, the more it became individualized and varied by intellectuals and artists, who often sympathized with those society marginalized or were marginalized themselves. The literary fairy tale allowed for new possibilities of subversion in the written word and in print, and therefore it was always looked upon with misgivings by the governing authorities in the civilization process.”

Fairy TaleFairy TalesAppropriation
Book:Spells of Enchantment: The Wondrous Fairy Tales of Western Culture
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“Fairy tales are full of girls who wait, who endure, who suffer. Good girls. Obedient girls. Girls who crush nettles until their hands bleed. Girls who haul water for witches. Girls who wander through deserts or sleep in ashes or make homes for transformed brothers in the woods. Girls without hands, without eyes, without the power of speech, without any power at all. But then a prince rides up and sees the girl and finds her beautiful. Beautiful, not despite her suffering, but because of it. And when I saw that note in my bag, I thought that maybe I was no longer stuck in a fairy tale, maybe I could be the hero of one.”

HeroHopefulHolly BlackThe Folk Of The AirFairy TalesLockeTaryn DuarteTarynThe Lost SistersGirls Who Endure
Book:The Lost Sisters
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“All stories are lessons. Fairy tales have a moral: Stay on the path. Don't trust wolves. Don't steal things, not even things you think no normal person would care about. Share your food but don't trust people who want to share their food with you; don't eat their shiny red apples, nor their candy houses, nor any of it. Be nice, always nice, and polite to everyone: kings and beggars, witches and wounded bears. Don't break a promise. Be bold, be bold, but not too bold.”

StoriesMoralLessonsHolly BlackFairy TalesFairytalesTaryn DuarteTarynWarningsThe Lost Sisters
Book:The Lost Sisters
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“I love the fact that Perrault's princess goes on living and struggling after she finds her prince, and that Perrault doesn't shrink from the weirdness of Sleeping Beauty being over a hundred years old but having the body of a lithe young thing. When the prince wakes her, he considers telling her she's wearing the kind of clothes his grandmother used to wear, but decides it's best not to mention it just yet.”

Fairy TalesHeroinesSleeping Beauty
Book:How to Be a Heroine
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“The magic of Faërie is not an end in itself, its virtue is in its operations: among these are the satisfaction of certain primordial human desires. One of these desires is to survey the depths of space and time. Another is (as will be seen) to hold communion with other living things. A story may thus deal with the satisfaction of these desires, with or without the operation of either machine or magic, and in proportion as it succeeds it will approach the quality and have the flavour of fairy-story.”

WritingFairy TalesLiterary CriticismFairytalesFairy StoriesFaerie Tale
Book:The Monsters and the Critics and Other Essays
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“Somewhere in the far away distance, the briny, laughing sees of Cadoett rejoiced with a new heart-filled tune and beckoned sleepy eternity. Like intrepid, passionate sailors, two new lovers boldly faced everlasting, silver oceans of unfathomable mystique and sailed away toward love’s sweet shores.”

Fairy TaleFantasy RomanceFairy TalesFantasy BooksFairytalesFantasy Romance BooksChristian BooksChristian AuthorChildrens FantasyFairy Tale Romance
Book:A Long Lost Fantasy
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“I know now that all people hunger for a noble, unsullied past, that as sure as the black nationalist dreams of a sublime Africa before the white man's corruption, so did Thomas Jefferson dream of an idyllic Britain before the Normans, so do all of us dream of some other time when things were so simple. I know now that that hunger is a retreat from the knotty present into myth and that what ultimately awaits those who retreat into fairy tales, who seek refuge in the mad pursuit to be made great again, in the image of greatness that never was, is tragedy.”

Fairy TalesMythsMagaMake America Great AgainRevisionist HistoryBill CosbyCultural MythsPound Cake Speech
Book:We Were Eight Years in Power: An American Tragedy
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“It is only recently that fairy tale, fantasy, myth, have been thought of as being exclusively for children... These so-called children's stories are aware of what many adults have forgotten- that the daily, time-bound world of provable fact is the secondary world, the shadow world, and it is story, painting, song, which give us our glimpses of reality.”

RealityTruthSpiritualityImaginationFantasyLongingStorytellingFairy TalesChildren S LiteratureStory As Truth
Book:The Rock That Is Higher: Story as Truth
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“It's an invention, a fairy tale devoid of any sense, like all the legends in which good spirits and fortune tellers fulfill wishes. Stories like that are made up by poor simpletons, who can't even dream of fulfilling their wishes and desires themselves. I'm pleased you're not one of them, Geralt of Rivia. It makes you closer in spirit to me. If I want something, I don't dream of it—I act. And I always get what I want.”

Fairy TalesGeniesThe WitcherThe Last WishAndrzej SapkowskiDjinns
Book:The Last Wish
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“This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him: 1. I’m sorry that I forgot to water your ferns while you were away that time. 2. When you said that I reminded you of your mother, was that a good thing? 3. I never really liked your friends all that much. 4. None of my friends ever really liked you. 5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway. 6. I never liked your mother. 7. After you left, I didn’t water your plants on purpose. They’re all dead. 8. Goodbye. 9. Were you ever really in love with me? 10. Was I good in bed, or just average? 11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound? 12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once. 13. So maybe I’m an idiot, but I used to be in love with you. 14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know. 15. My feet hurt, and it’s all your fault. 16. I mean it this time, goodbye.”

RelationshipsFairy Tales
Book:Stranger Things Happen
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“Maybe the witch thought she was protecting Rapunzel, not punishing her. Maybe she thought that if Rapunzel was locked away, no one could ever hurt her. Maybe the witch kept Rapunzel because she loved her, because she was scared that if other people could get to Rapunzel, they would hurt her. And maybe Rapunzel didn't understand the witch; maybe she was angry at her - but maybe she loved her too.”

WitchFairy TalesRapunzel
Book:The Beautiful Between
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“You've honey on your tongue, ma fifille," Maman once said. "If you'd lived in earlier times, you could have been a troubadour." "...There aren't any troubadours any more, are there, Maman?" Marie said. "And if there were, girls wouldn't be allowed to be one." "Probably not," Maman agreed sadly. "I'll be one anyway," I said with determination. Maman smiled and gently pulled on my hair. "I'm sure you will, ma fifille, a clever girl like you. You can do whatever you like in this world if you just have courage enough.”

InspirationalWomenFairy TalesRapunzelKate Forsyth
Book:Bitter Greens
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“How would I feel about hearing that the plague killed another nearby village a month later? Didn’t I tell you stupidity is the eighth sin? Excerpt From: Cameron Jace. “.”

RomanceDarkFictionParanormal RomanceYoung Adult FictionFairy TalesFantasy FictionParanormal ThrillerRetellingsGrimm Fairy Tales
Book:Happy Valentine's Slay, Children of Hamlin, Tooth & Nail & Fairy Tale, Ember in the Wind, Jar of Hearts, Welcome to Sorrow
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