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Feminist Authors Quotes

Browse 48 quotes about Feminist Authors.

Feminist Authors Quotes

“But art can abstract us from the demands placed on our bodies at any given time. It can remind us that we do not only exist in relation to our gendered responsibilties: we are not only someone’s mother or sister, or carer — we are individuals brimming with sophisticated ideas. Creativity is at the heart of any new world we seek to build.”

“I read about how freedom requires upheaval and must be fought for, not romanticised. It was during this period that I realised that feminism was not simple. There were no pre-given solutions. The ‘answer’, if there was one, required us to place different feminisms in conversation and necessitated a radical flexibility in our organising. Feminism was complicated and messy in ways that made me reconsider my foundational political beliefs: equality versus liberation, reform versus abolition. Feminism meant hard work, the kind done without reward or recognition, the kind that requires an unshakeable belief in its importance, the kind that is long and tiresome, but that creates a sense of purpose. It proposed a new way of being that transformed the way I looked at the world.”

“We all begin somewhere. A feminist understanding is not inherent; it is something that must be crafted. Theory does not only mean reading dense academic texts. Theory can be lived, held, shared. It is a breathing, changeable thing that can be infused in many political and artistic forms. Learning requires the patience and empathy of those around you and an investment in the importance of radical education.”

“Perhaps a hopeful pessimism is our best chance — we organise across difference not because it solves our problems, but because the visions we seek to enact must be able to account for everyone. We are too involved in one another’s lives, for better or worse. Chandra Mohanty argued ‘the practice of solidarity foregrounds communities of people who have chosen to work and fight together.’ She cites Jodi Dean, who argies that ‘reflectice solidarity’ is crafted by an interaction involving three persons: ‘I ask you to stand by me over me and against a third.’ Solidarity is a belief in one another that should be extended and rescinded accordingly. At the very least, it helps sharpen our focus on that third, who threatens our attempts to build a feminist future.”

“We are not built to be weapons, Kasara. But to build and renew, to lead with empathy and compassion, that is a woman’s job. Think of the other leaders, think of how their factions run on hate and greed. That is why I am here, that is why I took up the VO, because women are supposed to change the world. My father didn’t have only daughters as punishment from some distant god. No, he had daughters because some distant god knew what we could do.”

“You can hack the system once you understand the system. And once you’re in, you can be one of the disrupters to the system. Break the system. Create a new system that works to the benefit of everyone—an even playing field.”

“We need to get as many Real-World Feminists into corporate America as we can, so that we can get on with building that new system we all know is possible.”

“I resisted feminism in my late teens and my twenties because i worried that feminism wouldn't allow me to be the mess of a woman i knew myself to be. But then i began to learn more about feminism. i learnt to separate feminism from Feminism or Feminists or the idea of an Essential Feminism - one true feminism to dominate all of womankind.”

“While men had the right to obey their biological urges, women had to suppress theirs until the perfect moment. From television, movies, books, magazines, my peers, and even some of my relatives, I was taught that if a woman allowed a man to penetrate her too soon, she was too easy of a conquest for him. He would move on to pursue greater challenges after he was finished using her body to relieve his sexual urges. If the woman waited too long to let the man enter her body, she was a prude and the man would eventually give up on her. Women needed to time this process perfectly so that she could “keep” a man in her life at all times. It was the man’s goal to catch the woman and the woman’s goal to keep the man.”

“As a child of the millennial generation, I was raised in a society in which we were under the misconception that women and men had reached equality. With the exception of very few matriarchal societies, women were more liberated than they had ever been in history. In America’s middle class, basic education was practically handed to us. We have the ability to obtain a higher education and career without men. So it took me nearly a decade after becoming sexually active to realize that, as a woman, I was socially oppressed. I grew up in a world where a woman’s abstinence until marriage was highly praised and if she must participate in premarital sex, to limit that activity to as few partners as possible. It was considered tacky to openly discuss my sexual encounters. I was also taught that, as a woman, I was hormonally programmed to be more emotional than men. If I had sex with a man, I was supposed to feel some sort of intimate attachment. If I didn’t, I was a cruel-hearted slut.”

“The biggest takeaway from my long-distance relationship with Floyd Byars was that I optioned an original screenplay he had co-written with his writing partner, Laurie. Another takeaway was a case of crabs picked up on our only vacation together in Zihuatanejo, Mexico. I noticed a crab in my eyelashes when I was in the airplane bathroom on my way back to JFK. I feared these little critters might be other places as well, so I spent the next four hours squirming in my seat, itchy and miserable. On the taxi ride home, I made the driver stop at an all-night pharmacy so I could buy a bottle of Kwell. But despite the footsies and the crabs, I liked the premise of his (their) Making Mr. Right script.”

“La poesía tiene que ser escuchada con lo que traiga, y eso implica ponerse inocente, tierna, como si se escuchara música, como si se viera un sueño, como si se oliera un aroma. Poetry needs to be listened to with whatever it brings, and this means listening with all your innocence, tenderly, as if you were listening to music, as if you were journeying in a dream, as if you were smelling a scent.”