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“It should also be born in mind that the research on 'movement' and the dynamic outlook on the world, which were the basis of Futurist theory, in no way required one to paint nothing but speeding cars or ballerinas in action; for a person who is seated, or an inanimate object, though apparently static, could be considered dynamically and suggest dynamic forms. I may mention as an example the 'Portrait of Madame S.' (1912) and the 'Seated Woman' (1914).”

“I am fully assured, that no general method for the solution of questions in the theory of probabilities can be established which does not explicitly recognize, not only the special numerical bases of the science, but also those universal laws of thought which are the basis of all reasoning, and which, whatever they may be as to their essence, are at least mathematical as to their form.”

“The history of science should not be an instrument to defend any kind of social or philosophic theory; it should be used only for its own purpose, to illustrate impartially the working of reason against unreason, the gradual unfolding of truth, in all its forms, whether pleasant or unpleasant, useful of useless, welcome or unwelcome.”

“O, let us understand that the power of Christianity lies not in a hazy indefiniteness, not in shadowy forms, not so much even in definite truths and doctrines, but in the truth and the doctrine. There is but one Christ crucified. All the gathered might of the infinite God is in that word.”

“Capital can seldom be made productive, without undergoing several changes both of form and of place, the risk of which is always more or less alarming to persons unaccustomed to the operations of industry; whereas, on the contrary, landed property produces without any change of either quality or position.”

“Historically, labor unions arose when people had gotten a taste of a different lifestyle and were willing to pay a lot more for their basic livelihood and had gotten into a fix they couldn't get out of - because they had accepted the unacceptable to begin with. Accepting something you have to form a labor union to fight after the fact only tells me that people were acting against their own best (or even good) interests for a long time. I don't see any rational, coherent explanation for this sort of behavior in humans, but it's all over the place.”

“In their pure form, the martial arts demand the intense awareness of the meditative mind, and have nothing to do with anger or wanton aggression. A practitioner is taught from the outset that the skills must never be used for personal gain, but only in self-defence or in the protection of others -- and even then only enough force as is absolutely necessary should be used.”

“To sum up: numbers appear to represent both an attribute of matter and the unconscious foundation of our mental process. For this reason, number forms, according to Jung, that particular element that unites the realms of matter and psyche. It is "real" in a double sense, as an archetypal image and as a qualitative manifestation in the realm of outer-world experience.”

“To be a housewife is to be a member of a very peculiar occupation, one with characteristics like no other. The nature of the duties to be performed, the method of payment, the form of supervision, the tenure system, the market in which the workers find jobs, and the physical hazzards are all very different from the way things are in other occupations.”

“The ideal is to be obtained by selecting and assembling in one whole the beauties and perfections which are usually seen in different individuals, excluding everything defective or unseemly, so as to form a type or model of the species.”

“There is some other form that you contain within yourself that is not will or purpose and, when applied to art, serves you best. If you systematically apply to the art that you create the aggression of the world that turned you towards art in the first place; if you, in turn, become the aggressor towards your canvas, the thing that you're doing; if you, in turn, work your will upon this thing that you want - you will then cause a dissatisfaction in this life that you create.”

“So now, how did God produce this world?... The fable is that he breathed upon us. In his breath, his wind, came moisture and things began to grow... a message of hope. Nothing physical. How do you intend for your breath to become a work of art? The only way I can see it is that you prevent your breath from becoming a structure. As soon as your breath takes on the form of a room, you are a carpenter; you're not God.”