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Form Quotes

“I've never forgotten what it's like to be in your early twenties, which is not a particularly easy time. You've left your family, you've left the strictures of high school, and you're trying to break free and form yourself but you have to support yourself as well. We don't really give enough credence to that time of life and to its troubles.”

GivingTryingWellsEnoughSchoolFormLeftEasyBreakSupportTroubleHigh SchoolTwentiesForgottenOur FamilyCredence
Author:Julia Leigh
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“In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.”

PeopleWayGivingTryingFirstsStillsImportantHardHelpingFormThreeUnderstandingBreakMissingFiguresObjectsMaterialsToolsDirectPressesBehaveDigitalQuestsImpressiveRendering
Author:Jonathan Ive
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“What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and shape in architecturalcontinuity - the rhythm across their paintings. When I paint a landscape, Iget the greatest pleasure out of composing it. As I paint, I try to work outa visual sonata form or a fugue, with realistic images.”

WayTryingFormSpacePleasurePaintingShapesOrganizationPaintWork OutRhythmLandscapeVisualsRealisticComposingGreatest PleasuresFugueSonatasCezanne
Author:Ian Hornak
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“When you see evil do not form ideas that are in the likeness of that evil; do not think of the evil as bad, but try to understand the forces that are back of that evil—forces that are good in themselves, though misdirected in their present state. By trying to understand the nature of the power that is back of evil or adversity, you will not form bad ideas, and therefore will feel no bad effects from experiences that may seem undesirable. At the same time, you will think your own thought about the experiences, thereby developing the power of the master mind.”

ThinkingFeelsTryingMindMayIdeasStatesSeemsFormEvilForceEffectsMastersAdversityDevelopingBad IdeasUndesirable
Book:Your Forces and How to Use Them
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“I want to try to come away from that one directional, clear rectangular form. It's not used because it's the most beautiful form; it's just the practical thing. That's why our TVs are rectangles. Even in modern architecture, they want us to believe, "That's the nicest, most beautiful thing." I love modern architecture, but actually it's that they cannot afford amorphous shapes or ornaments.”

WantTryingBelieveBeautifulFormUsedClearModernTvsShapesArchitecturePracticalsBeautiful ThingsWant UOrnamentsThings I LoveModern ArchitectureRectanglesPractical Things
Author:Pipilotti Rist
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“Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.”

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Author:Philip Guston
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“What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.”

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Author:Antonella Gambotto-Burke
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“It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.”

ThinkingTryingHas BeensImportantRealMightFormArtistLostStrongJusticeMistakeDoubtReaderCostSafeCriticismSticksTongueStrongestTemptedBest WorkFallacyReviewersWhen In DoubtSneerImportant Work
Author:Wilfrid Sheed
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“Natural writers will often try to force themselves into a form - novel, story, screenplay, or poem - that is not necessarily the appropriate form for the way they see the world... if, in fact, they are writing from the artist's impulse, which is a deep, inchoate vision of some sort of order behind the apparent chaos of life on planet earth, they'll be driven then to express that vision in the creation of the object - the art object.”

IfsWorldWayWritingTryingArtFactsStoriesEarthFormArtistOrderForceNaturalBehindsVisionNovelCreationObjectsPlanetsChaosDrivenImpulseAppropriateScreenplaysPlanet Earth
Author:Robert Olen Butler
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“Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.”

KnowsWayWantFeelsTryingArtSaidI CanAblePainFormSongHavensFiguresTrialsArtisticTribulationClumsyHamTrials And TribulationsMarvin
Author:Will Smith
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“Study the great brush drawings of the Chinese and Japanese... When we try to imitate their conventions for perspective, form and texture we lose the content, because those artists were part of an ancient tradition. Our tradition changes rapidly, our schools of thought come to fruition quickly and decay again. We see differently.”

TryingSchoolFormArtistLosesStudyPerspectiveTraditionAncientDrawingChineseConventionsDecayBrushesTextureFruition
Author:John French Sloan
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“I feel my disease, and I feel that my want of alarm and lively affecting conviction forms its most obstinate ingredient; I try to stir up the emotion, and feel myself harassed and distressed at the impotency of my own meditations. But why linger without the threshold in the face of a warm and urgent invitation? "Come unto me." Do not think it is your office to heal one part of the disease, and Christ's to heal the remainder.”

ThinkingWantFeelsTryingFacesFormChristMy OwnEmotionMeditationOfficeDiseaseConvictionWarmHealIngredientsUrgentInvitationsAlarmsLivelyThresholdObstinate
Author:Thomas Chalmers
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“Religions, creeds and forms are only a characteristic outward sign of the spiritual impulsion and religion itself is the intensive action by which it tries to find its inward force. Its expansive movement comes in the thought which it throws out on life, the ideals which open up new horizons and which the intellect accepts and life labours to assimilate.”

TryingActionSpiritualFormForceAcceptingMovementIdealsIntellectCharacteristicsLabourHorizonCreedsInwardNew Horizons
Book:Bulletin
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“I have added some ploughmen to the landscape form the park pales which is a great help, but I must try and warm the picture a little more if I can... but I look to do a great deal better in future. I am determined to finish a small picture in the spot for every one I intend to make in future. But this I have always talked about but never yet done - I think however my mind is more settled and determined than ever on this point.”

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Author:John Constable
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