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Grief Quotes

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Grief Quotes

“What we grieve for is not the loss of a grand vision, but rather the loss of common things, events and gestures.... ordinariness is the most precious thing we struggle for, what the Jews of the Warsaw Ghetto fought for. Not noble causes or abstract theories. But the right to go on living with a sense of purpose and a sense of self-worth--an ordinary life.”

“We hold death, poverty, and grief for our principal enemies; but this death, which some repute the most dreadful of all dreadful things, who does not know that others call it the only secure harbor from the storm and tempests of life, the sovereign good of nature, the sole support of liberty, and the common and sudden remedy of all evils?”

“Miss Havisham is a glitch in the smooth functioning of the Patriarchy, enforcing awareness of a moment of social disaster and personal shame, something it seems she would want us to forget (but no one would forget). (Maybe an interesting "discussion question" for readers of Complicated Grief might be, "What do Terry Barton and Miss Havisham have in common?"?)”

“Grief knits two hearts in closer bonds than happiness ever can; and common sufferings are far stronger links than common joys.”

“Man is subject to innumerable pains and sorrows by the very condition of humanity, and yet, as if nature had not sown evils enough in life, we are continually adding grief to grief and aggravating the common calamity by our cruel treatment of one another.”

“He didn't know of course. Not really. And yet that was what he said, and I was soothed to hear it. For I knew what he meant. We all have our sorrows, and although the exact delineaments, weight, and dimensions of grief are different for everyone, the color of grief is common to us all. "I know," he said, because he was human, and therefore, in a way, he did.”

“In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart. Not for the proud man apart From the raging moon I write On these spindrift pages Nor for the towering dead With their nightingales and psalms But for the lovers, their arms Round the griefs of the ages, Who pay no praise or wages Nor heed my craft or art.”

“They carried all the emotional baggage of men who might die. Grief, terror, love, longing--these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight. They carried shameful memories. They carried the common secret of cowardice.... Men killed, and died, because they were embarrassed not to.”

“Spiritual Love is born of sorrow. . . . For men love one another with spiritual love only when they have suffered the same sorrow together, when through long days they have ploughed the stony ground buried beneath the common yoke of a common grief. It is then that they know one another and feel one another and feel with one another in their common anguish, and so they pity one another and love one another.”

“It is commonly supposed that the uniformity of a studious life affords no matter for narration: but the truth is, that of the most studious life a great part passes without study. An author partakes of the common condition of humanity; he is born and married like another man; he has hopes and fears, expectations and disappointments, griefs and joys, and friends and enemies, like a courtier or a statesman; nor can I conceive why his affairs shuld not excite curiosity as much as the whisper of a drawing-room, or the factions of a camp.”

“Where the good begins.- Where the poor power of the eye can no longer see the evil impulse as such because it has become too subtle, man posits the realm of goodness; and the feeling that we have now entered the realm of goodness excites all those impulses which had been threatened and limited by the evil impulses, like the feeling of security, of comfort, of benevolence. Hence, the duller the eye, the more extensive the good. Hence the eternal cheerfulness of the common people and of children. Hence the gloominess and grief - akin to a bad conscience - of the great thinkers.”