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“I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.”

“[It is hard to know what is good luck and what isn't and therefore whether we should be happy or sad about it. Only time will tell. For example...] The Talmud relates a story about two people who wanted to travel by boat. One broke his foot and was unable to make the trip, while his friend got on the boat. The one who missed the boat cursed his misfortune. A few days later, however, he heard that the boat sank and all the passengers drowned.”

“The hippies had in mind something that they wanted, and were calling it freedom, but in the final analysis freedom is a purely negative goal. It just says something is bad. Hippies weren't really offering any alternatives other than colorful short-term ones, and some of these were looking more and more like pure degeneracy. Degeneracy can be fun but it's hard to keep up as a serious lifetime occupation.”

“I had a hard time watching "Wolf Creek." It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women. When the killer severs the spine of one of his victims and calls her "a head on a stick," I wanted to walk out of the theater and keep on walking.”

“I never wanted to be a celebrity; I never wanted to be famous. And in my daily life, I work really hard to not trade on it in any way. I am so desperately worried about anybody saying, "She cut in line," or "She took our table," or "She doesn't do her own grocery shopping." It's not like it's hard to be decent and respectful and well behaved. I do wait in line, and I do take the subway, and I do my own grocery shopping, and I do take the kids to school. But it almost doesn't matter to a certain segment of the populace.”

“I was never on a mission to be an NFL quarterback. I wanted to be a good high school player, and I worked hard at that. That made me good enough to play in college and then I wanted to be a good college quarterback. During college I played well enough to make it into the NFL. I never took it for granted and really wanted to play hard at each level and I have always had a lot of fun doing what I wanted to do.”

“People seem to have acquired the idea that they have the inalienable right to stroll through life without either having sweated, picked up anything heavy, worked hard, or eaten less than they wanted at every meal. This approach is, of course, wrong. And it has resulted in a lot of expensive, unattractive, and entirely preventable problems amongst people who seem puzzled about why things aren't going well.”

“I wanted my friends in the video because to leave a hard place, you need the support of your loved ones. My friends have always done that for me. I had my best girlfriends there, my brother, my guy friends who are like brothers to me and my team who's had my back through my journey. My lead guy was a good friend of mine and a talented artist named Quincy. He's such a cool guy and I felt he would be perfect for the video along with a cameo from Don Benjamin.”

“I was always a feminist. My mother was a feminist; my grandmother was a feminist. I always understood women had to fight very hard to do what they wanted to do in the world - that it wasn't an easy choice. But I think the most important part is that we all want the right to be taken seriously as human beings, and to use our talents without reservation, and that's still not possible for women.”

“great artists can be uncertain. Of course they are while strugggling to find solutions. Tolstoi's scripts are almost indecipherable. Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession. But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage. What they wanted was something newly experienced, and therefore unknown and hard to attain.”