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Hey Quotes

“I rebelled during my high school years really bad. I started messing around with drugs and having relationships with girls and partying. And I used to tell God, "Hey God, after college I'm going to serve You because I know that's what I want to do with my life. I know that's the best way. I know that's why I was created. But right now I want to sin because I love it. I want to have a lot of fun."”

“The majority of Latinos in this country are 28 years old or younger. All of those people out there attacking the Latino community, when you see a Latino going down the street with a baby carriage and a couple of children walking beside them, they should say 'Hey, there goes my social security and my Medicare.' Those are the people that are going to contribute to keep our social security system funded and our medical system funded.”

“I remember once Prince dropped by to see me when I was in Minneapolis and I was sick, with a bag of cough drops and a spoon of cough medicine. I said to him, "Hey, can I have another spoon of that? It's just over the counter," and he'd go, "No, I didn't come here to start up new drug addictions for you." And I was like, "C'mon, give me that bottle!" He was very watchful over me.”

“I'm neurotic in the sense that I can have a crowd of 300 people cheering you, applauding you, standing O, but one guy come out of the audience and go, "Hey man, you should have cut 20 minutes. That wasn't so good." And I'll just obsess on that one guy. After all this love, I'll obsess on him and want to smash his face in and strangle him and kick him down the stairs and I'll be pouting about that one guy all night.”

“I spend a lot of time going over old conversation summaries. A lot of the old ones are about ideas that ended in failure, the project didn't work. But hey, you know what? That was five years ago, and now computers are faster, or some new information has come along, the world is different. So we're able to reboot the project.”

“One night around that time, at Hammersmith, Bob Dylan was about to go into [his 1963 classic] 'Don't Think Twice, It's Alright.He said, 'Hey, Bucky! Play mandolin on this.' I am not really a mandolin player; I could only play in certain keys. Halfway through, he stops the band, turns to the audience and points to me. He says: 'He isn't playing, he's miming.' And then: 'Should I fire him?' The whole audience yells.”

“Somebody realized, hey, students are printing dummy ads and dummy news stories, why don't they really print something. So there was the Shortridge Daily Echo, and a hell of a lot of writers have come out of Shortridge on that account. The head writer of the I Love Lucy show, Madelyn Pugh, was a schoolmate of mine. Dan Wakefield. Writing was a perfectly reasonable thing to do.”

“When you think about normal advertising, it's just like, hey, here's a car and, you know, we don't know if you're looking for a car or not. So Google promised that mental state, and then were able to prove that delivering the message at the exact right moment would make someone click on something. So they pioneered the idea that advertising could be profitable on the internet, that a specific, very micromental state could be targeted. And they established the primacy of the click, which has haunted us ever since.”

“[Romeo + Juliet] is relevant when Hamlet and all of that was out, when [William] Shakespeare wrote it. It's relevant now. It's not a shocker, but then it is. I guess so because I'm in it, so it's shocking that it's still on TV. People are still talking about it. Hey, I'm still getting royalty checks from it. It's amazing to me and I hope it continues forever.”

“What I didn't really understand, but then I thought this makes perfect sense, as well - was how many people responded to it by being like, "It was just so nice to take a break." Because even the humor - the great stuff that Samantha Bee and John Oliver and Seth Meyers are doing - it's all anger humor. And for somebody to say, "Hey, we're all idiots," and just be able to laugh at ourselves and be able to connect through that. It's always about connecting with someone, never about scolding them. The only thing I knew right upfront is we're not going after [Donald] Trump supporters.”

“I remember after one of my dreadful moments on Real Time, where I was ganged up on by everybody, and I went to Starbucks the next day, and the typical liberal tattooed and pierced barista said "Hey, you were on Bill Maher last night. I'm a liberal, but I really admired that you had the courage to stand up to that rude audience."”

“I have tried to emphasize to people that, hey, just like President Obama was a really good president, and the fact that he was black I think was historic and unprecedented, but he also claimed and owned his excellence, and that's why I'm saying, okay - I think it's really exciting and historic that I would be the first woman president, but I have a lot of work I want to do. And I hope that people will say, "Hey, she's getting it done." That's how I think about it.”

“We [with John Logan] started talking about The Searchers, and then he went on to tell me a story about when he first met John Wayne, and he said, "Hey, you be me and I'll be Wayne," and I said, "No, let me be Wayne!" Anyway, it was a very pleasant conversation, it was clear to him that I was a big movie fan, and by the time I got home, there was a phone call, asking if I'd mind doing one scene in the movie [The Aviator].”

“When I first came to the U.S. - because I do accents and I've traveled the world. I have friends of almost every single ethnicity, and I would mimic them. And when I came to the U.S., I remember one day we're at "The Daily Show." And I mimicked my Chinese friend. And the guys at the show were like, oh, hey, don't ever do that again. That's really racist.”

“I called the guys from Promise of the Real, whom I've been playing with, and they were all on the road. Right after I hung up the phone, I wrote another song and started writing another, and I'm going, "Hey, I can't wait. I should be doing this now!" My experience tells me that when it's there, it's there, and you can't make it wait. So I got Jimmy Keltner and Paul Bushnell, two good guys, and went in and did this record ["Peace Trail"].”

“What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.”

“I think the one advantage to a failed - recovering, but a pretty broken - economy, and a lot of broken promises, is that we've pulled the veils from our eyes way earlier than most people do, and realize "Hey, you know what, maybe I should try do this thing that I really care about, and why not spend the time now during my best years to get into knitting, or coding, or swamp boat sailing." And there's this resource called the Internet that's going to provide you with a stage and a library for all of those things.”

“We went down [Folsom Prison] and there's a rodeo at all these shows that the prisoners have there. And in between the rodeo things, they asked me to set up and do two or three songs. So that was what I did. I did "Folsom Prison Blues," which they thought was their song - you know? - and "I Walk The Line," "Hey Porter," "Cry, Cry, Cry." And then the word got around on the grapevine that Johnny Cash is all right and that you ought to see him.”