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Holly Black Quotes

“Tana would sit near the door to the basement with fingers in her ears, tears and snot running down her face as she cried and cried and cried. And little Pearl would toddle up, crying, too. They cried while they ate their cereal, cried while they watched cartoons, and cried themselves to sleep at night, huddled together in Tana's little bed. 'Make her stop' Pearl said, but Tana couldn't.”

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Book:The Coldest Girl in Coldtown
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“I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.”

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Book:The Queen of Nothing
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“Cardan had grown up in the palace, a wild thing to be cosseted by courtiers and scowled at by the High King. No one much liked him, and he told himself he cared little for anyone else. And if he sometimes thought about how he might do something to win his father's favour, something to make the Court respect him and love him, he kept that to himself. He certainly asked no one to tell him stories, and yet he found it was nice to be told one. He kept that to himself, too.”

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Book:How the King of Elfhame Learned to Hate Stories
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“Opposite the bed is a cabinet built in to the wall, taking the whole length of it. It has a painted clock face on the front, with constellations instead of numbers. The arms of the clock are pointed toward a configuration of stars prophesying a particularly amorous lover. Inside, it appears merely a wardrobe overstuffed with Cardan's clothes. I pull them out, letting them fall to the floor in a pile of velvet cuffs, satin, and leather. From the bed, Cardan makes a sound of mock distress.”

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Book:The Wicked King
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“Inside the carriage, Cardan slumps. I stare at him, at the blood drying in tide lines over his body and crusting in his curls like tiny garnets. I force myself to look out the window instead. 'How long have I-' he hesitates. 'Not even three days,' I tell him. 'Barely any time at all.' I do not mention how long it has seemed. Nor do I say how he might have been trapped as a serpent for all time, bridled and bound. Or dead.”

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Book:The Queen of Nothing
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“His eyes narrow on the blood, and he points the wooden stick at me. 'You seem to have cut yourself.' I wonder if he's surprised that I'm alive. I wonder if he watched the tower the whole time during his luncheon, waiting for the amusing spectacle of me jumping to my death. I take the knife out from under my tunic and show it to him, stained a flinty red. I smile. 'I could cut you, too.”

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Book:The Cruel Prince
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“Do you have questions like that for your father?' 'Why am I the way I am?' His tone makes it clear he's proposing something I might suggest he ask, not really wondering about it. 'There are no real answers, Jude. Why was I cruel to Folk? Why was I awful to you? Because I could be. Because I liked it. Because, for a moment, when I was at my worst, I felt powerful, and most of the time, I felt powerless, despite being a prince and the son of the High King of Faerie.' 'That's an answer,' I say.”

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Book:The Wicked King
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“I see you staring at him,' Nicasia says, sitting down beside me. Tonight she wears a gown of gold lacework. Her dark tourmaline hair is pulled up with two golden combs the shape of a shark jaw, complete with golden teeth. 'Perhaps I am looking only at the trinkets and gold with which your mother thinks she can buy the Court's favour,' I say.' She picks up one of the violets from my plate and places it delicately on her tongue. 'I lost Cardan's love for Locke's easy words and easier kisses, sugared like these flowers,' she says. 'Your sister lost your love to get Locke's, didn't she? But we all know what you lost.' 'Locke?' I laugh. 'Good riddance.' Her brows knit together. 'Surely it's not the High King himself you were gazing at.' 'Surely not,' I echo, but I don't meet her eyes.”

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Book:The Wicked King
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“Vivi blows a noisemaker. 'Here,' she says, passing out paper crowns for us to wear. 'This is ridiculous,' I complain, but put mine on. Cardan looks at his reflection in the door of the microwave and adjusts his crown so it's at an angle. I roll my eyes, and he gives me a quick grin. And my heart hurts a little because we are all together and safe, and it wasn't something I'd known how to want. And Cardan looks a little shy in the face of all this happiness, as unused to it as I am. There will be struggles to come, I am certain, but right now I am equally sure we will find our way through them.”

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Book:The Queen of Nothing
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“The mortals no longer want you.' Wren shook her head, because that couldn't be true. Her mother and father loved her. Her mother cut the crusts off her sandwiches and kissed her on the tip of her nose to make her giggle. Her father cuddled up with her to watch movies and then carried her to bed when she fell asleep on the couch. She knew they loved her. And yet the certainty with which Lord Jarel spoke plucked at her terror”

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Book:The Stolen Heir
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“His smile dimmed, and he dropped his voice to a whisper. 'This is a real secret. You can't tell anyone. When I was little, I glamoured my mortal sister. I made her hit herself, a lot of times, over and over, and I laughed while she did. It was awful of me, and I never told her that I regretted it. I am afraid of making her remember. She might get really mad.”

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Book:The Stolen Heir
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“I take another step toward the serpent. And then another. This close, I am stunned all over again by the creature's sheer size. I raise a wary hand and place it against the black scales. They feel dry and cool against my skin. Its golden eyes have no answer, but I think of Cardan lying beside me on the floor of the royal rooms. I think of his quicksilver smile. I think of how he would hate to be trapped like this. How unfair it would be for me to keep him this way and call it love. You already know how to end the curse. 'I do love you,' I whisper. 'I will always love you.' I tuck the golden bridle into my belt. Two paths are before me, but only one leads to victory. But I don't want to win like this. Perhaps I will never live without fear, perhaps power will slip from my grasp, perhaps the pain of losing him will hurt more than I can bear. And yet, if I love him, there's only one choice. I draw the borrowed sword at my back. Heartsworn, which can cut through anything. I asked Severin for the blade and carried it into battle, because no matter how I denied it, some part of me knew what I would choose. The golden eyes of the serpent are steady, but there are surprised sounds from the assembled Folk. I hear Madoc's roar. This wasn't supposed to be how things ended. I close my eyes, but I cannot keep them that way. In one movement, I swing Heartsworn in a shining arc at the serpent's head. The blade falls, cutting through scales, through flesh and bone. Then the serpent's head is at my feet, golden eyes dulling. Blood is everywhere. The body of the serpent gives a terrible coiling shudder, then goes limp. I sheath Heartsworn with trembling hands. I am shaking all over, shaking so hard that I fall to my knees in the blackened grass, in the carpet of blood. I hear Lord Jarel shout something at me, but I can't hear it. I think I might be screaming.”

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Book:The Queen of Nothing
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“The brugh is full of turned-over tables and rotting fruit. A crack runs through the ground to the split throne, with its wilted flowers. Cardan spreads his hands, and the earth heals along the seam, rock and stone bubbling up to fill it back in. Then he twists his fingers, and the divided throne grows anew, blooming with briars, sprouting into two separate thrones where there was once only one. 'Do you like it?' he asks me, which seems a little like asking if someone enjoys the crown of stars they conjured from the sky. 'Impressive,' I choke out.”

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Book:The Queen of Nothing
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“I missed you," I whisper against his skin and feel dizzy with the intimacy of the admission, feel more naked than when he could see every inch of me. "In the mortal world, when I thought you were my enemy, I still missed you." "My sweet nemesis, how glad I am that you returned." He pulls my body against his, cradling my head against his chest. We are still lying on the floor, although a perfectly good bed is right next to us.”

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Book:The Queen of Nothing
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“I hate you," I whisper before he can speak. He tilts my face to his. "Say it again," he says as the imps comb my hair and place the ugly, stinking crown on my head. His voice is low. The words are for me alone. I pull out of his grip, but not before I see his expression. He looks as he did when he was forced to answer my questions, when he admitted his desire for me. He looks as though he's confessing.”

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Book:The Wicked King
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“What was it like?" I ask. "Being a serpent." He hesitates. "It was like being trapped in the dark," he says. "I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings--hatred and terror and the desire to destroy." I start to speak, but he stops me with a gesture. "And you." He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. "I knew little else, but I always knew you." And when he kisses me, I feel as though I can finally breathe again.”

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Book:The Queen of Nothing
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“Though I would not delight to see the straps sink into your skin, neither would I mourn.' 'Enough blustering,' he says. 'You've already won. Look.' He takes me by the shoulders and turns me so that I can see where the great body of the serpent lies. A jolt of horror goes through me, and I try to wrench out of his grip. And then I notice the fighting has ebbed, the Folk are staring. From within the body of the creature emanates a glow. And then, through that, Cardan steps out. Cardan, naked and covered in blood. Alive. Only out of his spilled blood can a great ruler rise. ... Cardan takes a step forward and little cracks appear from his footfalls. Fissures in the very earth. He speaks with a boom that echoes through everyone gathered there. 'The curse is broken. The king is returned.' He's every bit as terrifying as any serpent. I don't care. I run into his arms.”

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Book:The Queen of Nothing
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“You didn't hear the story I told," he goes on. "A shame. It featured a handsome boy with a heart of stone and a natural aptitude for villainy. Everything you could like." She laughs. "You really are terrible, you know that? I don't even understand why the things you say make me smile." He lets himself lean against her, lets himself hear the warmth in her voice. "There is one thing I did like about playing the hero. The only good bit. And that was not having to be terrified for you." "The next time you want to make a point," Jude says, "I beg you not to make it so dramatically." His shoulder hurts, and she may be right about the iron poisoning. He certainly feels as though his head is swimming. But he smiles up at the trees, the looping electrical lines, the streaks of clouds. "So long as you're begging," he says.”

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Book:How the King of Elfhame Learned to Hate Stories
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“And I decided to play the hero. See how it felt. To try." "And?" she asks. "I didn't like it," he admits. "Henceforth, I think we should consider our roles as monarchs to be largely decorative. It would be better for the low Courts and the solitary Folk to work things out on their own." "I think you have iron poisoning," she tells him, which could possibly be true but is still a hurtful thing to say when he is making perfect sense.”

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Book:How the King of Elfhame Learned to Hate Stories
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“,,,I decided to play the hero. See how it felt. To try.' 'And?' she asks. 'I didn't like it,' he admits. 'Henceforth, I think we should consider our roles as monarchs to be largely decorative. It would be better for the low Courts and the solitary Folk to work things out on their own.' 'I think you have iron poisoning,' she tells him, which could possibly be true but is still a hurtful thing to say when he is making perfect sense.”

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Book:How the King of Elfhame Learned to Hate Stories
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“I didn't enjoy being a snake, and yet I appear to be doomed to be reminded of it for all eternity,' Cardan was saying, black curls falling across his face. He held a three-pronged fork aloft, as though to emphasise his point. 'The excess of songs hasn't helped, nor has their longevity. It's been what? Eight years? Nine? Truly, the celebratory air about the whole business has been excessive. You'd think I never did a more popular thing than sit in the dark on a throne and bite people who annoyed me. I could have always done that. I could do that now.' 'Bite people?' echoed Jude from the other end of the table. Cardan grinned at her. 'Yes, if that's what they like.' He snapped his teeth at the air as though to demonstrate. 'No one is interested in that,' Jude said, shaking her head.”

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Book:The Prisoner’s Throne
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“It is said that faerie children are not like mortal children. They need little in the way of love. They need not be tucked in at night, but may sleep just as happily in a cold corner of a ballroom, curled up in a tablecloth. They need not be fed; they are just as happy lapping up dew and skimming bread and cream from the kitchens. They need not be comforted, since they seldom weep. But if faerie children need little love, faerie princes require some counsel.”

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Book:The Queen of Nothing
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“Have I ever told you how much you sound like Madoc when you talk about murder?' Cardan said, opening one eye. 'Because you do.' Oak expected his sister to be angry, but she only laughed. 'That must be what you like about me.' 'That you're terrifying?' he asked, his drawl becoming exaggeratedly languorous, almost a purr. 'I adore it.”

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Book:The Prisoner’s Throne
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