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Holly Black Quotes

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Holly Black Quotes

“In a moment, I am going to ask you to put the blade through your hand. When I ask you to do that, I want you to remember where your bones are, where you veins are. I want you to stab through your hand doing the least damage possible.' His voice is lulling, hypnotic, but my heart speeds anyway. Against my will, I aim the sharp point of the knife. I press is lightly against my skin. I am ready. I hate him, but I am ready. I hate him, and I hate myself. 'Now,' he says, and the glamour releases me. I take a half step back. I am in control of myself again, still holding the knife. ... My eyes on him, I slam the knife in to my hand. The pain is a wave that rises higher and higher but never crashes. I make a sound low in my throat. I may not deserve punishment for this, but I deserve punishment. Dain's expression is odd, blank. He takes a step back from me, as though I am the one who did the shocking thing instead of merely doing what he ordered.”

“No geas can save you from the effects of our fruits and poisons. Think carefully. I could grant you the power to enrapture all who looked upon you instead. I could give you a spot right there.' He touches my forehead. 'And anyone who saw it would be struck with love. I could give you a magical blade that cuts through starlight.”

“In a moment, I am going to ask you to put the blade through your hand. When I ask you to do that, I want you to remember where your bones are, where you veins are. I want you to stab through your hand doing the least damage possible.' His voice is lulling, hypnotic, but my heart speeds anyway. Against my will, I aim the sharp point of the knife. I press it lightly against my skin. I am ready. I hate him, but I am ready. I hate him, and I hate myself. 'Now,' he says, and the glamour releases me. I take a half step back. I am in control of myself again, still holding the knife. ... My eyes on him, I slam the knife in to my hand. The pain is a wave that rises higher and higher but never crashes. I make a sound low in my throat. I may not deserve punishment for this, but I deserve punishment. Dain's expression is odd, blank. He takes a step back from me, as though I am the one who did the shocking thing instead of merely doing what he ordered.”

“When it is time to sleep, Tiernan and Oak wrap themselves in bearskins. Oak drapes one over my shoulders. I say nothing to indicate that I don't need it, that I am never too cold. When we lie down by the fire, he watches me. The light dances in his eyes. 'Come here,' he says, beckoning with a hand. I am not sure I know the me who moves, who shifts so that I am resting my head against his shoulder. The me who feels his breath against my hair and the pressure of his splayed fingers at the small of my back. His feet tangle with mine, my toes brushing against the fur just above his hooves. My fingers are resting against his stomach, and I cannot help feeling the hard planes of him, the muscles and the scars. When I move my hand, his breath catches. We both go still. Tiernan, close to the fire, turns in his sleep. In the firelight, the prince's amber eyes are molten gold. I am aware of my skin in a way I have never been before, of the slight movements of my limbs, of the rise and fall of my chest. I can hear the beat of his heart against my cheek. I feel as though I am shouting kiss me with every restless shift of my body. But he does not, and I am too much of a coward to do more than lie there and yearn until my eyes drift closed at last.”

“I guess I don't know my daughter very well. Because the Jude I knew would cut out that boy's heart for what he did to you tonight.' At the shame of having the revel thrown in my face, I snap. 'You let me be humiliated in Faerie from the time I was a child. You've let Folk hurt me and laugh at me and mutilate me.' I hold up the hand with the missing fingertip, where one of his own guards bit it clean off. Another scar is at its centre, from where Dain forced me to stick a dagger through my hand. 'I've been glamoured and carried in to a revel, weeping and alone. As far as I can tell, the only difference between tonight and all the other nights when I endured indignities without complaint is that those benefited you, and when I endure this, it benefits me.' Madoc looks shaken. 'I didn't know.' 'You didn't want to know,' I return.”

“And if I am particularly kind that evening, particularly deferential, if I laugh particularly loudly, it is because I know I will never do this again. I will never have him behave like this with me again. But for one final night, he's the father I remember best, the one in whose shadow I have- for better or worse- become what I am.”

“He wants me to be charmed by him so that I will stay by his side and do what he asks of me. No doubt he believes that a little attention and a few smiles will be all it requires of him. He expects me to be as malleable as one of the ladies of the Court. So much of me wants to give in and pretend with him that it makes me hot with rage. If he wants to charm me, the least I can do is make it cost him. I won't settle for smiles and a dance. I am going to call his bluff, I am going to prove to myself- prove to us both- that his flirtation isn't sincere.”

“A passerby discovered a toddler sitting on the chilly concrete on an alley, playing with the wrapper of a cat food container. By the time she was brought to the hospital, her limbs were blue with cold. She was a wizened little thing, too thin, made of sticks. She knew only one word, her name. Wren. As she grew, her skin retained a slight bluish cast, resembling skimmed milk. Her foster parents bundled her up in jackets and coats and mittens and gloves, but unlike her sister, she was never cold. Her lip colour changed like a mood ring, staying bluish and purple even in summer, turning pink only when close to a fire. And she could play in the snow for hours, constructing elaborate tunnels and mock-fighting with icicles, coming inside only when called. Although she appeared bony and anaemic, she was strong. By the time she was eight, she could lift bags of groceries that her adoptive mother struggled with. By the time she was nine, she was gone.”

“After every battle, he ritually dips his hood into the blood of his enemies. I’ve seen the hood, kept under glass in the armory. The fabric is stiff and stained a brown so deep it’s almost black, except for a few smears of green. Sometimes I go down and stare at it, trying to see my parents in the tide lines of dried blood. I want to feel something, something besides a vague queasiness. I want to feel more, but every time I look at it, I feel less.”

“In ballads, love is a disease, an affliction. You contract it as a mortal might contract one of their viruses. Perhaps a touch of hands or a brush of lips, and then it is as though your whole body is fevered and fighting it. But there's no way to prevent it from running its course.”

“Much of the clothing is moth-eaten, but I can see what they once were. A skirt with a beaded pattern of pomegranates, another that pulls up, like a curtain, to show a stage with jewelled mechanical puppets underneath. There is even one stitched with the silhouette of dancing fauns as tall as the skirt itself. I've admired Oriana's dresses for their elegance and opulence, but these awaken in me a hunger for a dress that's riotous. They make me wish I'd seen Locke's mother in one of her gowns. They make me think she must have liked to laugh.”

“Taryn is beautiful in her heavily embroidered dress, and Vivi radiant in soft violet grey with artfully sewn moths seeming to fly from her shoulder across her chest to gather in another group on one side of her waist. I realise how rarely I've seen her in truly splendid clothes. Her hair is up, and my earrings glitter in her lightly furred ears. Her cat eyes gleam in the half light, twin to Madoc's. For once, that makes me smile.”

“While the exterior of the Citadel is formed of giant slabs of clear, bright ice, some of the interior walls are enhanced by having things frozen inside the ice, resulting in something like wallpaper. Stones suspended, as though forever in midfall. Bones, picked cleaned, occasionally used to form sculptures. Roses, their petals forever preserved in their full flowering. The room's walls have two faerie women frozen inside them, preserved so that they never decayed into moss and stone, like the rest of the Folk. Two faerie women, dressed in finery, crowns on their heads. The Hall of Queens.”

“...she speculates about all the aspects of the mortal world she's going to have to explain to Dad. 'Like cell phones,' she says. 'Or self-checkout in the grocery store. Oh, this is going to be amazing. Seriously, his exile is the best present you ever got me.' 'You know that he's going to be so bored that he's going to try to micromanage your life,' Taryn says. 'Or plan your invasion of a neighbouring apartment building.' At that, Vivi stops smiling. It makes Oak giggle, though.”

“Lulled by his conversation, I let myself believe I had fooled him at the very moment he was fooling me. He was as deceptive as the rest of his family. More, maybe. He never let down his guard with me, not once. Too late, I understand what's terrifying about his charm. He seems entirely open when he is unknowable. Every smile is painted on, a mask.”