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Holly Black Quotes

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Holly Black Quotes

“We learned something of her capabilities.' 'And you want me to tell you that was worth you being poisoned?' the knight demands. 'I'm always being poisoned. Alas, that it wasn't blusher mushroom,' the prince said nonsensically. Tiernan nods his chin at me. 'That girl thinks you're a fool for even being here.' I scowl, because that's not what I meant. 'Ah, Lady Wren,' Oak says, a lazy smile on his mouth. Marigold hair brushing his forehead, half-hiding his horns. 'You wound me.”

“You have an unusual voice,' he says. 'Raspy. Quite fetching, really.' 'I damaged my vocal cords a long time ago,' I inform him. 'Screaming.' Oak steps between us, and I am grateful for the reprieve. 'What a fine gentleman you make, Jack.' Jack turns to the prince, his sinister smile dropped back into place. 'Oak and Wren, Wren and Oak. Delightful. Named for woodland creatures, but neither of you so simple.' He glances at Tiernan and Hyacinthe. 'Not nearly as simple as these two.”

“Once, the thing I am wearing was a sundress, with fluttery sleeves. A diaphanous white gown that flowed around me when I spun. I found it in a shop late one night. I'd stripped off the clothes given to me in the Court of Teeth, left them behind, and put them on instead. I liked the dress so much that I wove myself a crown of hellebores and danced through the night streets. I stared at myself in puddles, convinced that so long as I didn't smile, I might even be pretty. I know it doesn't look like that anymore, but I can no longer picture myself in anything else. I wish Oak could have seen the dress as it was, even though it hasn't looked that way in a long time.”

“I stomp back through the hall to my room and swing open the door, only to find Oak lounging in one of the chairs, his long limbs spread out in shameless comfort. A flower crown of myrtle rests just above his horns. With it, he wears a new shirt of white linen and scarlet trousers embroidered with vines. Even his hooves appear polished. He looks every bit the handsome faerie prince, beloved by everyone and everything. Rabbits probably eat from his hands. Blue jays try to feed him worms meant for their own children.”

“Wren, you have plenty of reasons not to trust me right now, but I do intend to stop Lady Nore. And I believe we can. Though I plan on bringing back Madoc, we will still have gone a deed no one can deny was of service to Elfhame. Whatever trouble I will be in, you'll be a hero.' I am not sure anyone has considered me that, not even the people I've saved. 'And if I decide to part ways? Are you going to tie my hands and drag me along with you?' He looks at me with trickster eyes beneath arched golden brows. 'Not unless you scratch me again.' 'Why do you want to help him?' I ask. Madoc had been willing to use Oak as a path to power, at the least. 'He's my father,' he says, as though that should be enough.”

“Behind the abandoned house, two faerie horses chew on dandelions as they wait for their riders. Slight as deer, with a soft halo of light surrounding their bodies, they glide between the trees like ghosts. Oak goes to the first. Her coat a soft grey, her mane braided into something that looks like netting, and which is hung with gold beads. Tooled leather saddlebags rest against her flanks. She nuzzles into his hand.”

“At seventeen, he has grown tall, towering over me, lithe and finely muscled. His hair catches the moonlight, warm gold threaded with platinum, bangs parting around small goat horns, eyes of shocking amber, and a constellation of freckles across his nose. He has a trickster's mouth and the swagger of someone used to people doing what he wanted.”

“A young man with goat feet and horns, wearing a shirt of golden scale mail and holding a thing-bladed rapier, steps in the pool of light near a building. His face is expressionless, like someone in a dream. I note the curls of his tawny blond hair tucked behind his pointed ears, the garnet-coloured cloak tossed over wide shoulders, the scar along one side of his throat, a circlet at his brow. He moves as though he expects the world to bend to his will. ... His amber eyes are bright, like those of a fox, but there is nothing warm in them.”

“Do you want to play a game?' He shuffled closer, eyes bright. Reaching into his pocket, he produced some little metal figures. Three silver foxes resting in the middle of his callused palm. Inset chips of peridot sparkled in their eyes. ... 'How do we play?' 'You throw them.' He formed a cage of his hands with the foxes inside, shook it up, and then tossed them into the grass. 'If they land standing, you get ten points. If they land on their backs, you get five points. If they land on their side, no points.”

“All stories are lessons. Fairy tales have a moral: Stay on the path. Don't trust wolves. Don't steal things, not even things you think no normal person would care about. Share your food but don't trust people who want to share their food with you; don't eat their shiny red apples, nor their candy houses, nor any of it. Be nice, always nice, and polite to everyone: kings and beggars, witches and wounded bears. Don't break a promise. Be bold, be bold, but not too bold.”

“Faeries despise humans as liars, but there are different kinds of lying. Since you and I first came to Faerie, Jude, we've lied to each other plenty. We've pretended to be fine, pretended the possibility of being fine into existence. And when pretending seemed like it might be too hard, we just didn't ask each other the questions that would require it. We smiled and forced laughter and rolled our eyes at the Folk, as though we weren't afraid, when we were both scared all the time. And if there were hairline cracks in all that pretending, we pretended those away, too.”

“Some afternoons we sit in groves carpeted with emerald moss, and other evenings we spend in high towers or up in trees. We learn about the movements of constellations in the sky, the medicinal and magical properties of herbs, the language of birds and flowers and people as well as the language of the Folk (though it occasionally twists in my mouth), the composition of riddles, and how to walk soft-footed over leaves and brambles to leave neither trace nor sound. We are instructed in the finer points of the harp and the lute, the bow and the blade. Taryn and I watch them as they practice enchantments. For a break, we all play at war in a green field with a broad arc of trees.”