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Horror Fiction Quotes

Browse 311 quotes about Horror Fiction.

Horror Fiction Quotes

“O medo é o oroboro, a serpente que come a própria cauda. Cada acção ou pensamento tocado por este mecanismo autotrófico o alimenta e enraíza dentro de nós. Incapacitante, destrutivo, progenitor de almas consumidas e privadas de desígnio ou direcção, propensas a um dia darem um passeio nocturno até ao fim de um qualquer cais de madeira, onde a água é fria e funda.”

“As he drove down the claustrophobic corridor of khaki colored corn stalks the wicked witch was quickly replaced by Michael Myers. Who better to walk out into the middle of the road at that point. Ok, maybe Leatherface or even Jason Voorhees. The more he let his childhood nightmares fill his mind the faster he drove. The house kept growing in size as he got closer.”

“The lantern held aloft; brief flashes of our surroundings were all we were privy to. The masses of bones were brown now, jaws collapsed mid-scream and crammed into boxes three at a time. Wooden coffins crumbled effortlessly to time, exposing ancient, dusty remains, some crushed by metal plate armour. They nested bugs and creatures that need never know the light of day, that probed in the darkest reaches of the world, far away from human sights and sensibilities. The loose stone floor was looser than ever, the path narrower, threatening to roll ankles and cast curious wanderers into a pit of forgotten despair. Everything felt tighter around me as if the walls of skulls were closing in, but also supernaturally colder. ~ Chief Inspector Frederick Abberline, The Ripper Lives, Into the Black (4/10)”

“By evening, the Curtain household numbered seven, but joy did not arrive with the child. Neither did noise, for the child had not uttered a sound. Pa, still on the porch, strained his ears for any resonances of new life, but none came. He lit a lantern, around which nocturnal insects bashed into each other sadistically, hopelessly attempting to get near the fire that would certainly kill them if they were successful.”

“Ego-death is the loss of all anchoring to self,” May said, and as she took another hit of the bowl, she looked as though she were coming to some impossible realization. She spoke as if on autopilot while the rest of her seemed to contemplate the fringes of some great madness that had just clicked in her mind. “During ego-death, there is no more separation between the atoms composing the countless eukaryotic and prokaryotic cells of your body or the atoms composing the air exhausted by the eukaryotic bundles we call plants. There is just the field – the system itself. There is no more you. It’s...it’s not really possible to relate through language because it’s beyond language,” she said with a hint of sorrow, and as she turned to Matt, he noted that her eyes looked distant and afraid suddenly. “I’m sorry if this isn’t making sense,” she finished.”

“There's a vibration, a subtle and fragile heat, that makes a living being particularily delicious. You're extracting life by the mouthful. It's the pleasure of knowing that because of your intent, your actions, this being has ceased to exist. It's the feeling of a complex and precious organism expitring little by little, and also becoming part of you. For always, I fine this miracle fascinating. This possibility of an indissoluble union.”

“Finalmente, los monstruos, con sus extrañas y extraordinarias apariencias, niegan la perfección del mundo y del orden establecido. En definitiva, los monstruos proyectan lo que los individuos y las sociedades niegan y temen de ellos mismos y, por lo tanto, mirando al monstruo, nos vemos a nosotros mismos y los defectos individuales y sociales que consideramos despreciables".”

“BECKONED to the square to listen to a representative of the Virginia Company of London. He seemed an unpretentious man, a clerk, if you will, who had some important points to make before the Jamestown colonists started mingling with the new members. The man stepped up on a makeshift wooden box and spoke to the good people gathered for the day’s celebration. As he looked out at the more delicate gender, he released a sigh of satisfaction. The bride ship had come through, and it was hoped these ninety women would secure the colony’s growth. The clerk waved a document in the air and the crowd hushed, anxious to hear what he would say. “Each woman,” he called out, to reach the hearing of those standing furthest away. “Each woman, upon entering into marriage with a man of Jamestown, will receive as promised, one new apron, two new pairs of shoes, six pairs of sheets…” He droned on, reciting the promises made by the Virginia Company of London. As each new item was listed, gasps of delight flickered in the air. The gifting lent the day even more enjoyment for these items were needed to set up a good home and many of the women were arriving with few possessions. The representative talked at length about marriage licenses and how each couple would be married, one after the other, until all were satisfied. When all was said, and done, there would be a lot of paperwork, but these contracts were the foundation of the colony, the building blocks that would ensure the birth of children on this new soil. It wasn’t just the Virginia Company of London who wanted the population to grow in the colony, it was also the wish of Scarlett. These people who would be her neighbours, these men who would make business deals with her husband, these children who would grow by her child’s side, were the herd. From these people, would she harvest, and as they prospered, so would she.”

“No. No… No!’ the fear ebbed my voice, cut through me like a knife. I ran, bare feet slipping and sliding over the floorboards. I turned the corner and headed for the backdoor. Run. Run. I must run. As soon as I reached the backdoor in the kitchen, pulling the barn door from the hinges, I felt his gaze upon me. Cinders and kindling crunched at my feet; what had once been my lovely mahogany kitchen furniture was now little more than firewood. My crockery and china splintered in shards and as I turned to face him, I felt them dig into my skin, cut me with every shiver that bolted through my frame. ‘You wanted Hemlock House. You have, Hemlock House.’ His voice was dark, cruel and yet hauntingly light. As if cooing, whispering to a newborn. He was lounging against the countertop as if waiting for breakfast, as if waiting for something so meaningless.”

“In seconds the trickles had turned to rivulets, each red line running a race against the other. Meandering through the grooves of her wrinkled skin, slowed by puckered lips, the winner reaching her haired chin then it dropped into her lap. A single red dot, followed by another, then another, till her pinafore dress became patterned with bright red poppies.” From - Hunted: The Abarath Trilogy”

“Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y’all, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let’s have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.”

“There was a dreadful logic here - so obvious he had overlooked it. The real need was for a different kind of book altogether, a book for the times. Very well then, he would explore that infernal map, transcribe its morbid cartography; record the tale of a realm that was at once a city and Hell and himself. In this way Owen Maddock turned his back on the light and sought out the oracles that lurk in darkness. A feverish energy possessed him. He laboured as never before upon his given work. Now he would strive to be obscure, to lead his readers by crooked paths, baffle them with indecipherable mysteries. There would no delicacy of style, only 'thunder at midnight'. Little by little there rose up before his inner eye a new vision to replace that of the White Road that had led him nowhere: a Kingdom of Darkness, a crepuscular domain of monstrous cults that chanted, to the tolling of iron bells and the beating of brazen gongs, unpronounceable demonic litanies. He must familiarise himself with every aspect of this world, its endless roll-calls of Hell, the spells by which the doors of the pit might be opened. He must cast in awful detail the laws by which tortures were administered. He would write for days in a frenzy, his mind ranging on raven's wings through skies black as pitch. "The White Road”

“Tentatively, Peter Armstrong levered his fingers into the groove in the section of floorboards that had been fashioned into the secret door and lifted. He shone his flashlight down into the opening to see the ghoulish girls living in the floor, staring up at him. That mental snapshot would stay with the boy indefinitely. It was the strangest of strange notions, but the girls’ malformations and deformities had turned them into twin phantoms of nightmare”