“I wanted to make photographs in which everything was so complex and detailed that you could look at them forever and never see everything.” LooksWantedForeverComplexesPhotograph Author:Thomas Struth
“My pictures are complex and so am I. When I am almost symbolistic in writing, there is a more limiting difference’s of accepting, while I can be even more complex in the photographs and people can usually accept them within the framework of their own limitations or lack of limitations – there is no dictionary meaning… they can look up for the photographic image and allow it to confuse them.” PeopleWritingLooksI CanDifferencesAcceptingComplexesPhotographLimitationLook UpFrameworkDictionary Author:W. Eugene Smith
“Look at the things around you, the immediate world around you. If you are alive, it will mean something to you, and if you care enough about photography, and if you know how to use it, you will want to photograph that meaningness. If you let other people's vision get between the world and your own, you will achieve that extremely common and worthless thing, a pictorial photograph.” PeopleIfsKnowsWorldWantLooksMeanEnoughUseCareCommonVisionKnow HowAliveAchievePhotographyPhotographWorthlessIf You CarePictorial Author:Paul Strand
“When a person looks at a photograph you've taken, they will always think of themselves, their own life experience. They will relate your photograph to their memories. That interplay is where a picture comes alive and grows into something. They function like invitations.” ThinkingLooksPersonsGrowsMemoriesTakenAlivePhotographyFunctionPhotographRelateLife ExperienceInvitations Author:Jason Fulford
“The photographic enthusiast likes to lure us into a darkened room in order to display his slides on a silver screen. Aided by the adaptability of the eye and by the borrowed light from the intense projector bulb, he can achieve those relationships in brightness that will make us dutifully admire the wonderful autumn tints he photographed on his latest trip. As soon as we look at a print of these photographs by day, the light seems to go out of them. It is one of the miracles of art that the same does not happen there.” LooksDoeArtLightSeemsHappensEyeOrderRoomsWonderfulAchieveMiraclePhotographScreensLikesIntenseAdmireSilverAutumnPrintDisplaySlidesBorrowedBrightnessAdaptabilityLureBulbsProjectors Author:Ernst Gombrich
“To enter Europe, you must have a valid passport with a photograph of yourself in which you look like you are being booked on charges of soliciting sheep.” LooksLike YouEuropePhotographSheepPassports Book:Dave Barry's Only Travel Guide You'll Ever Need Source: Dave Barry's Only Travel Guide You'll Ever Need
“I like to capture moments. It's like a photograph. Ten years from now you look at the photograph and you don't remember it but rather the whole week or month around the photo.” YearsLooksWholeMomentsRememberMusicWeekMonthsTenPhotographCapture Author:Keren Ann
“A photograph to me is always a reminder of how the person was on a certain day in that certain light fixed. When I look at a watercolor of that same person, it seems to me alive, more open than a photograph.” LooksPersonsLightSeemsCertainAlivePhotographFixedRemindersWatercolors Author:Francesco Clemente
“There were times when I asked myself whether I was being principled or simply a coward.... I was wrapped in the cocoon of tennis early in life, mainly by blacks like my most powerful mentor, Dr. Robert Walter Johnson of Lynchburg, Virginia. They insisted that I be unfailingly polite on the court, unfalteringly calm and detached, so that whites could never accuse me of meanness. I learned well. I look at photographs of the skinny, frail, little black boy that I was in the early 1950s, and I see that I was my tennis racquet and my tennis racquet was me. It was my rod and my staff.” WellsLooksLittlesBlackPowerfulBoysCourtPhotographCalmTennisMost PowerfulCowardMentorStaffDrsPoliteSkinnyJohnsonVirginiaDetachedMeannessFrailCocoonsPrincipledBlack Boy Author:Arthur Ashe
“MAC allowed me to have complete freedom on the collaborations—from the shades, the look-and-feel, to the campaign visuals. I have to admit that the visual aspect of the collection excites me most. For designers, we care about the photographs much more than a Ferrari.” FeelsLooksCareAspectPhotographCampaignsDesignerVisualsCollectionsCollaborationShadeMacsFerrariComplete Freedom Author:Philip Treacy
“I don’t have a philosophy. I have a camera. I look into the camera and take pictures. My photographs are the tiniest part of what I see that could be photographed. They are fragments of endless possibilities.” LooksPhilosophyPossibilityCamerasPhotographEndlessFragmentsEndless Possibilities Author:Saul Leiter
“I think I’ve said this before many times—that photography allows you to learn to look and see. You begin to see things you had never paid any attention to. And as you photograph, one of the benefits is that the world becomes a much richer, juicier, visual place. Sometimes it is almost unbearable — it is too interesting. And it isn’t always just the photos you take that matters. It is looking at the world and seeing things that you never photograph that could be photographs if you had the energy to keep taking pictures every second of your life.” IfsThinkingWorldLooksSaidSometimesMatterEnergyInterestingAttentionSeeingBenefitsPhotographyPaidPhotographVisualsUnbearableEvery SecondTaking Pictures Author:Saul Leiter
“In my photographic work I'm generally attracted to places that contain memories, history, atmospheres and stories. I'm interested in the places where people have lived, worked and played. I look for traces of the past, visual fingerprints, evidence of activities - they fire my imagination and connect into my own personal experiences. Using the analogy of the theater, I would say that I like to photograph the empty stage, before or after the performance, even in between acts. I love the atmosphere of anticipation, the feeling in the air that events have happened, or will happen soon.” PeopleLooksStoriesFeelingsHappensPastImaginationMemoriesMy OwnFireHappenedAirStageEventsActivityEvidenceEmptyPerformancesTheaterPhotographerPhotographAtmosphereVisualsAnticipationMy ImaginationAnalogiesPersonal ExperiencesFingerprintsEmpty Stage Author:Michael Kenna