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“I always make it a rule to let the other fellow fire first. If a man wants to fight, I argue the question with him and try to show him how foolish it would be. If he can't be dissuaded, why then the fun begins but I always let him have first crack. Then when I fire, you see, I have the verdict of self-defence on my side. I know that he is pretty certain in his hurry, to miss. I never do.”

“... most of all the actor will love the boys and girls, the men and women, who sit in the cheapest seats, in the very last row of the top gallery. They have given more than they can afford to come. In the most self-effacing spirit of fellowship they are listening to catch every word, watching to miss no slightest gesture or expression. To save his life the actor cannot help feeling these nearest and dearest. He cannot help wishing to do his best for them. He cannot help loving them best of all.”

“How did I gain from not remembering my earthly self? It allowed me to go deep into realms beyond the worldly without having to worry about what I was leaving behind. Throughout my entire time in those worlds, I was a soul with nothing to lose. No places to miss, no people to mourn. I had come from nowhere and had no history, so I fully accepted my circumstances-even the initial murk and mess of the Realm of the Earthworm's-Eye View-with equanimity.”

“Among all the complaints you hear these days about the crimes of the media, it seems to me the critics miss the big one. It is that especially TV, but also we of the print press, tend to reduce mess and complexity and ambiguity to a simple story line that doesn't reflect reality so much as it distorts it. ... What bothers me about the journalistic tendency to reduce unmanageable reality to self-contained, movielike little dramas is not just that we falsify when we do this. It is also that we really miss the good story.”

“Not to Learn Irish is to miss the opportunity of understanding what life in this country has meant and could mean in a better future. It is to cut oneself off from ways of being at home. If we regard self-understanding, mutual understanding, imaginative enhancement, cultural diversity and a tolerant political atmosphereas a desirable attainments, we should remember that a knowledge of the Irish language is an essential element in their realisation.”

“Here! 'Not thread nor glue, not nails nor screws, will ever self and shadow wed.' Helpful, those poet-types. Perhaps this one: 'Seek the grimy queen of dread machines, if you your errant shadow miss.' Now that's quite good! As a Prophetic Utterance, Third Class (Vague Hints and Mysterious Signs), you couldn't ask for better. It's downright plain-spoken!”

“Church is missing transcendence. My generation was raised on a religion of moral control. Do this. Don't do that. And a lot of self-help religion. Feel better. Get out of debt. Six ways to overcome your fears. Seven ways not to lust. Ultimately that message didn't work. It was empty. There was no transcendence. The omniscient, omnipresent, all-powerful God of the universe wasn't the focus.”

“There's, like, marks next to an actor's name or something, and boy does that go up and down! Somewhere in there, which always causes my mate Miss Ruby Wax great hilarity, I was offered a biopic of Frank Sinatra. Even I knew that was a bad idea! They'll throw anything at you at certain times. So, you know, to thine own self be true.”

“We live in a culture that insists on "moving on" (even while our loyalty to and love of the franchise and the sequel give away a larger loopiness). But I tend to dwell or obsess or meditate, and I came back to, for instance, the figure of Dickens's "Miss Havisham" with some (self) recognition if not relief.”

“If you live in a past dream, you don't enjoy what is happening right now because you will always wish it to be different than it is. There is no time to miss anyone or anything because you are alive. Not enjoying what is happening right now is living in the past and being only half alive. This leads to self pity, suffering and tears.”