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“The Transformation of the World is lavishly reinforced with critical apparatus (that, too, must have been a labor of Hercules to translate--I honestly never expected to see this book in English), but by far its greatest attraction is the intelligence and more important the wisdom of its author. It's a towering achievement no serious reader should miss.”

“We never like to miss an opportunity to make Jesus the Lord of our life. That's why I never like to have a service without giving an invitation or writing a book, without giving an invitation and presenting that truth. I believe this is the whole key to living your best life, living a fulfilled life or becoming a better you.”

“I think everyone should read The Girl on The Train, especially if they loved Gone Girl. It's about Rachel, a girl who sees a couple on her commute. Then one day she sees one of the people from the couple kiss another person. The next day they go missing. The story is told by 3 different perspectives, all characters you absolutely can't trust. It's an insane psychological thriller that's seriously addicting and the kind of book you can't put down.”

“The nineteenth century is a turning point in history, simply on account of the work of two men, Darwin and Renan, the one the critic of the Book of Nature, the other the critic of the books of God. Not to recognise this is to miss the meaning of one of the most important eras in the progress of the world.”

“About thirty years ago, Miss Maria Ward of Huntingdon, with only seven thousand pounds, had the good luck to captivate Sir Thomas Bertram, of Mansfield Park, in the county of Northampton, and to be thereby raised to the rank of a baronet's lady, with all the comforts and consequences of an handsome house and large income.”

“On rare occasions there comes along a profound original, an odd little book that appears out of nowhere, from the pen of some obscure storyteller, and once you have read it, you will never go completely back to where you were before. The kind of book you may hesitate to lend for fear you might miss its company. The kind of book that echoes from the heart of some ancient knowing, and whispers from time's forgotten cave that life may be more than it seems, and less.”

“I fear that I can no longer travel without technology. Twenty years ago, I loved getting on a bus in West Africa and taking off for a city I'd never been to before, relying on advice from out-of-date travel books and fellow passengers on the bus. Now, I end up using TripAdvisor, Yelp, and Google Maps. I probably eat and sleep better when I'm on the road, but I miss the mystery of travel when it was more random and unpredictable.”

“This is why very often you find educated people in the media who look at spiritual books but they are so identified with their thought process, they don't get it. They write reviews or articles and they miss the whole point. They can't see the essence. It's not their fault; it's not them personally. It's the human condition and its mind-identified state. And intelligence in itself doesn't help. You can have two or three Ph.D.s; it doesn't get you any closer to spiritual realization. In fact, you might be more distant.”

“I believe that if we could see the chapters that are missing from the book [The Autobiography of Malcolm X], we would gain an understanding as to why perhaps - perhaps - the F.B.I., the C.I.A., the New York Police Department and others in law enforcement greatly feared what Malcolm X was about, because he was trying to build a broad - an unprecedented black coalition across the lines of black nationalism and integration. And in way, it presages 30 years ahead of time, the Million Man March.”

“I had the advantage, that I know Swedish. So I had the Swedish book and I had a lot of English translations, and German translations, and I did everything to make the best English translation of August Strindberg's Miss Julie I could. And then, there I went. "Oh! I think she's thinking this, but I think she should say it!" And so on. It's wonderful to do that.”

“Yeah, unfortunately [ films like Miss Julie are a dying breed]. And that is sad, because we need these. Like we need books, we need classical music, we need ballet, we need opera, to remind us really of who we are and why we are, and we need in movie houses - even to be in a movie - where you sit and see not only excitement and man-hero, woman-hero, you need quietly, just like that Hawking movie we talked about, to know how people overcome.”

“I have a hunger for justice, but art is a place I've always enjoyed being able to be free - to live in worlds that you don't have to be thinking about that all the time. I don't see myself writing Upton Sinclair books. My books are to entertain, although to me, entertainment is to make you feel sadness or to get in touch with your own pain - or fear, or to remember somebody who has gone missing from your life. That's my calling.”

“My first book came out again - the re-issue from 2001. I was rereading it to make sure that I didn't miss any mistakes, and I didn't know who had written some of these stories. I really didn't. I am a different person now. It's weird. I think if stories are good, they have to have a life of their own that's independent of the writer. I like to think of my characters out there in other peoples' heads. That's a nice thing to think about.”

“Before I published my first book, I worked for a while as a documentary and wedding/bar mitzvah videographer, and a part of me still mourns the lost filmmaker I'll never be. Working on a documentary is nearly the opposite artistic process to writing: as a writer you are always trying to fill out a world to fit your story, but as a documentarian your work is to carve a story out of the world. Sometimes, when I'm feeling particularly blocked at my computer, I miss the days when I could just point my camera at something interesting and wait to see what happens.”

“In books, day breaks, and night falls. In life, night rises from the ground. The day hangs on for as long as it can, bright and eager, absolutely and positively the last guest to leave the party, while the ground darkens, oozing night around your ankles, swallowing for ever that dropped contact lens, making you miss that low catch in the gully on the last ball of the last over.”

“The Three Wiseman: The weather has been awful, The countryside is dreary, Marsh, jungle, rock; and echoes mock, Calling our hope unlawful; But a silly song can help along Yours ever and sincerely: At least we know for certain that we are three old sinners, that this journey is much too long, that we want our dinners, and miss our wives, our books, our dogs, but have only the vaguest idea why we are what we are. To discover how to be human now Is the reason we follow this star.”

“GOING TO WALDEN It isn't very far as highways lie. I might be back by nightfall, having seen The rough pines, and the stones, and the clear water. Friends argue that I might be wiser for it. They do not hear that far-off Yankee whisper: How dull we grow from hurrying here and there! Many have gone, and think me half a fool To miss a day away in the cool country. Maybe. But in a book I read and cherish, Going to Walden is not so easy a thing As a green visit. It is the slow and difficult Trick of living, and finding it where you are.”