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“That’s the secret to performance: conviction. The right note played tentatively still misses its mark, but play boldly and no one will question you. If one believes there is truth in art – and I do – then it’s troubling how similar the skill of performing is to lying. Maybe lying is itself a kind of art. I think about that more than I should.”

“My Faith is larger than the Hills— So when the Hills decay— My Faith must take the Purple Wheel To show the Sun the way— 'Tis first He steps upon the Vane— And then — upon the Hill— And then abroad the World He go To do His Golden Will— And if His Yellow feet should miss— The Bird would not arise— The Flowers would slumber on their Stems— No Bells have Paradise— How dare I, therefore, stint a faith On which so vast depends— Lest Firmament should fail for me— The Rivet in the Bands”

“The Transformation of the World is lavishly reinforced with critical apparatus (that, too, must have been a labor of Hercules to translate--I honestly never expected to see this book in English), but by far its greatest attraction is the intelligence and more important the wisdom of its author. It's a towering achievement no serious reader should miss.”

“Conversation should be like juggling; up go the balls and the plates, up and over, in and out, good solid objects that glitter in the footlights and fall with a bang if you miss them. But when dear Sebastian speaks it is like a little sphere of soapsud drifting off the end of an old clay pipe, anywhere, full of rainbow light for a second and then - phut! vanished, with nothing left at all, nothing.”

“Darling, if I think of all I miss now, I will go crazy. I should not think of that. I only want to think of all that I still have, and then I am rich. Your spirit is always around me, in your diary, our letters, all the things you got for our household. How proud we were of that! And the nearly six years! O God, I thank you for those years. If I never had met you, I would now not have all the sorrow; but I would have missed these riches -- and do these years not abundantly balance the lonely years I face without you?”

“I think everyone should read The Girl on The Train, especially if they loved Gone Girl. It's about Rachel, a girl who sees a couple on her commute. Then one day she sees one of the people from the couple kiss another person. The next day they go missing. The story is told by 3 different perspectives, all characters you absolutely can't trust. It's an insane psychological thriller that's seriously addicting and the kind of book you can't put down.”

“Take the sum of human achievement in action, in science, in art, in literature subtract the work of the men above forty, and while we should miss great treasures, even priceless treasures, we would practically be where we are today ... The effective, moving, vitalizing work of the world is done between the ages of twenty-five and forty.”

“I'd had my whole life to write my first album. I had my No. 1 and my third single out, and they go, 'Hey, guess what? We need to start recording the next one.' I'm like, 'Uh oh, I got to write another album. Well, how am I gonna write 'Should've Been a Cowboy' and 'Ain't Worth Missing' and all that again?' It took me forever to write the first one.”

“Not to Learn Irish is to miss the opportunity of understanding what life in this country has meant and could mean in a better future. It is to cut oneself off from ways of being at home. If we regard self-understanding, mutual understanding, imaginative enhancement, cultural diversity and a tolerant political atmosphereas a desirable attainments, we should remember that a knowledge of the Irish language is an essential element in their realisation.”

“Mrs. Boffin, insisting that Bella should make tomorrow's expedition in the chariot, she went home in great grandeur. Mrs. Wilfer and Miss Lavinia had speculated much on the probabilities and improbabilities of her coming in this gorgeous state, and, on beholding the chariot from the window at which they were secreted to look out for it, agreed that it must be detained at the door as long as possible, for the mortification and confusion of the neighbours.”

“Little miss is taught by her mamma that she must never speak before she is spoken to. On this she sits bridling up her head, looking from one to the other, in hopes of being called to and addressed by the name of pretty miss.... But if this should not happen and no one should take any notice of her, she is ready to cry at the neglect. But should there be another miss in the room caressed and taken notice of whilst she is thus overlooked, it will be impossible for her to contain her tears, and blubbering is the word.”

“I have no use whatsoever for projections or forecasts. They create an illusion of apparent precision. The more meticulous they are, the more concerned you should be. We never look at projections, but we care very much about, and look very deeply at, track records. If a company has a lousy track record, but a very bright future, we will miss the opportunity.”

“The attendant on William Rufus, who discharged at a deer an arrow, which glanced against a tree and killed the king, was no murderer, because he had no such design. And, on the other hand, a man who should lie in wait to assassinate another, and pull the trigger of a gun with that intent, would be morally a murderer, not the less though the gun should chance to miss fire.”

“So, most of it was done over the phone. But one of the first things I did as a director, because it's one of the first things you should do, even though most don't, is to ask good actors who they think is right for the part. They know better than anybody. But without missing a beat Maggie said Pauline Collins. I didn't know Pauline because I hadn't seen Shirley Valentine, but then I saw this thing that she did with Woody Allen [You Will Meet A Tall Dark Stranger], in which she was wonderful as a psychic, and I said to her on the phone: "The dialogue seemed improvised."”

“I don't understand why we have to experiment with film. I think everything should be done on paper. A musician has to do it, a composer. He puts a lot of dots down and beautiful music comes out. And I think that students should be taught to visualize. That's the one thing missing in all this. The one thing that the student has got to do is to learn that there is a rectangle up there - a white rectangle in a theater - and it has to be filled.”

“Since populists never miss an opportunity to create a lot of noise about anti-Europe stance. However, the repercussions of the British referendum could quickly put a stop to such crass rabble-rousing, as it should soon become clear that the UK was better off inside the EU - economically, socially and in foreign policy terms.”

“It just never comes across as a quality you want in a president that you`re sitting in a room. It`s almost as if they woke up and realized, You know, we`re running against a former secretary of state. Our guy used to do the Miss Universe pageant around the world. Maybe we should try to heavy this up.”

“I had the advantage, that I know Swedish. So I had the Swedish book and I had a lot of English translations, and German translations, and I did everything to make the best English translation of August Strindberg's Miss Julie I could. And then, there I went. "Oh! I think she's thinking this, but I think she should say it!" And so on. It's wonderful to do that.”

“My parents were not formally educated. Both were cognizant of the importance of education. The teachers and ministers were the role models, and they would say, you should want to be like Miss Gardiner, you should want to be like Mr. Freeman, or be like your dad. Shun the people who don't value education.”