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Music Industry Quotes

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Music Industry Quotes

“I think the music industry, for instance, is such a huge, multibazillion-dollar industry and it's become very, very savvy. There's a very short grace period in which actual human rebellion or resistance can thrive before it's co-opted by these huge companies. And all of youth culture is packaged and sold back to us at this furious rate these days. I think it's part and parcel to this corporate encroachment on our lives in general.”

“My mom has kind of been more of the emotional support system. One time I was really feeling all out of it, just dealing with a lot of cooks in the kitchen and adjusting to what it means to be in the music industry, and I called her. One of the first things she said to me was 'You have to be thankful that these people even like you, no one liked me, at all, I was not really accepted for a very long time.'”

“I think there's a huge parallel that affects my musical taste, and connections that have to do with my ethnic diversity and my musical tastes and the diversity of that. And it's interesting that, growing up on the circuit, it posed such a challenge, not only to me deciding what my identity was amongst my peers, but then on the music side, it was like trying to explain or convince people especially in the music industry that there was a place for what I was trying to do. But at the same time, I think it has a lot to do with timing and even me, like, understanding it.”

“I think we all have a certain number of "coming of age" songs, and then a writer has to expand and grow into more varied and specific themes. And the music industry is, like Jawbreaker says, "selling kids to other kids," so it makes sense that those early songs in a writer's life are often the ones that catch people's ears, and later work is more difficult and less immediate.”

“I definitely don't have a music industry goal because I've done that and completed that work. My quest is to find new platforms for music to live. Once we do that and find different ways of getting music to people, whether that's 5000 or 1 million people, I'll feel successful. I want to make sure I'm adding something to the marketplace, so that's my goal.”

“You know, Steve Jobs came to the music industry and pitched them the idea and they kept shootin' him down and shootin' him down, and now he makes money off the whole music industry regardless. Which is a minor part of his empire, 'cause obviously it's gadgets that make him all of his money. But regardless, he has basically monopolized the music game.”

“I don't think the music industry has done any damage to my faith - it's probably strengthened it because it's made me see how necessary and relevant it is. I think if you don't keep your guard up, obviously there's a lot of potential for being half-hearted throughout the whole process because you can compare yourself to other people instead of the ultimate standard.”

“Is there a gender gap in the music industry? It is true that there are more professional male music creators than female. For some reason, it's taking a lot longer in music than in literature and the visual arts to reach equilibrium. It was almost acceptable by the 19th century for female writers to be published, yet it's only in the last couple of decades, since about 1980, that historical female composers have really emerged.”

“I've only had a sit-down encounter with Robert once, and that one conversation was the best advice that I have gotten from any individual in the music industry. R Kelly told me that as long as I write life and not music I will always have a job. He listened to several of my records and told me that they were great records and for that to come from a man who has produced hit after hit gave me a comfort and reassurance that making honest and good music was not in vain.”

“I have often been doubted in music industry not because of my talent, but because I might not have been introduced to the game by major industry hype men, but I love being the underdog. I truly believe that god has put me here to say something and send a message to not only women but to all individuals like myself. I will not allow the politricks of the game to discourage me and keep me from the goal at hand. I will sing from my heart and leave the industry bullsh*t alone.”

“With the communication internet, whole industries have been disrupted. You're in the publishing industry, you understand that. Before, we had newspapers, magazines - now you're on the web. I'm in book publishing. I don't have to tell you what's happened to us. Television has taken a hit. The music industry. But, thousands of new businesses have emerged on this new communication revolution platform. Not just Google, Facebook, and Twitter. There are thousands of operations. Businesses that are doing the platforms, the apps. They're mining the big data. They're creating the connections.”

“I have a really good relationship with my label and with people I've worked with since I was younger. I've always had a really good relationship, with both men and women. I think, for me, the way I face sexism in the music industry is when people are like, "Oh, she must not write her own music." That's frustrating, in a way. But it's cool. I'm mostly just like, "Meh." I'm just doing my thing.”

“There are some really amazing artists and people behind the scenes who are really effective in championing feminism in the music industry, and I think that's really important for people in the industry and for young girls and guys to see. It should become universal. It's really about the other people understanding that everybody's equal and that women are equally as valid creatives, businesswomen, powerhouses...whatever you want to call them.”

“Being a female in music industry, it's hard. There are so many double standards for things. I read this one thing and it was like, "It seems like she can't figure out if she wants to be sexy bad girl or cutesy good girl." Yeah, because everyone's either one thing or the other. You're either Homecoming Queen Skipper or Delinquent Cop-Out Barbie. And you can't be anything in between the two. That's not how human beings are.”

“There are a lot of true culturalists who respect where they're from, but you have some who are just all about the benjamins, like, "I wanna get my money, I wanna get mine, you get yours, more power to you," and they don't care. That deals with the whole thing of life, whether you're agreeable or disagreeable, the yin and the yang, the evil versus good. That's how it is in the music industry. There are people who care for the whole culture and what they're doing, and have love for it, and are not into just making money.”

“I think my philosophy on music is sort of like the difference between religion and spirituality or religion and faith. There's a lot of bullshit in the music industry. It's really tough to get a leg up and navigate around your gender and stereotypes. You feel hopeless, [but] all of that disappears the minute that I start writing a song. Then I record something and have that magical feeling. You have to have the negative and the positive. Trying to own that and go to that place in yourself creatively is the most important thing.”

“The Internet obviously changes things; we've seen that in the music industry above all else. As an author, I'm now having to deal with the fact that it's happening in the publishing industry as well. And publishing is going through a very difficult time. Some view it as positive, some negative, but nobody really knows how to deal with it. If you're an author it looks very challenging because your work can be pirated so easily and there's very little you can do about it.”