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My Own Quotes

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My Own Quotes

“Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.”

“It's like aversion therapy. You keep doing scenes over and over again with three women in the bed with you, and we had to do them all in one week. Three girls would step out and another three girls would step into the bed. It sounds like a fantasy but by the end of it, I just wanted to go for a hike on my own in the north of England, in the hills. Because it became a sort of "be careful what you wish for" kinda thing.”

“I lived, particularly in childhood but with lessening intensity right on to middle age, in a world that was peculiarly and intimately my own, scarcely to be shared with others or even made plausible to them. I habitually read special meanings into things, scenes and places qualities of wonder, beauty, promise, or horror for which there was no external evidence visible or plausible to others. My world was peopled with mysteries, seductive hints, vague menaces, "intimations of immortality.”

“Still I should paint my own places best; painting is with me but another word for feeling, and I associate "my careless boyhood" with all that lies on the banks of the Stour; those scenes made me a painter, and I am grateful; that is, I had often thought of pictures of them before ever I touched a pencil, and your picture ['The White Horse'] is one of the strongest instance I can recollect of it.”

“I'd spent ten years in London, writing and performing my own comedy shows. They gave me the Cheers [scenes], and I thought it was the springboard for chatting about the show, because in England, that's what you do. So I walk in, and I'm looking around, and Jimmy Burrows said, "What are you looking at? You're not here to have a conversation; you're here to audition."”

“My fingers curl through the holes in the wicker, through the wet grass beneath it, trying to hold tight to the sharp blades of the present. Somewhere in my brain a sinkhole is bubbling over, and each bubble contains a scene from a tiny sunken world ... I have never been the prophet of my own past before. It makes me wonder how the healthy dreamers can bear to sleep at all, if sleep means that you have to peer into that sinkhole by yourself. ... I had almost forgotten this occipital sorrow, the way you are so alone with the things you see in dreams.”

“One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.”