“Very little comes easily to our poor, benighted species (the first creature, after all, to experiment with the novel evolutionary inventions of self-conscious philosophy and art). Even the most "obvious," "accurate," and "natural" style of thinking or drawing must be regulated by history and won by struggle. Solutions must therefore arise within a social context and record the complex interactions of mind and environment that define the possibility of human improvement.” ThinkingMindFirstsHumansLittlesArtSelfPhilosophySocialNaturalPoorNovelStruggleRecordsEnvironmentStylePossibilityCreaturesSolutionsConsciousSpeciesComplexesObviousDrawingImprovementExperimentsInventionAriseInteractionAccurateSelf Conscious Book:Leonardo's Mountain of Clams and the Diet of Worms Source: Leonardo's Mountain of Clams and the Diet of Worms
“I am persuaded that not a novel in ten thousand is of any use to a child to fit him for life. The most are of use only to unfit him -- to blunt his senses and infect him with the writers' poor silly sentiments. Nine out of ten novelists deserve to be prosecuted under an Adulterated Emotions Act.” ChildrenUsePoorEmotionNovelFitThousandTenDeserveSillySensesNineNovelistsSentimentsBlunt Author:Storm Jameson
“A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel.” IfsFirstsMayArtMatterAbleLawPoliticalImaginationSinPoorFictionMoralNovelObjectsAliensControversyScope Author:Edward Bulwer-Lytton, 1st Baron Lytton
“When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.” KnowsWritingLittlesArtHardEnoughFormPoorClassNovelMovedLos AngelesScreenplaysLittle MoneySpecs Author:Stephen Gaghan
“In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write.” PeopleWritingTryingStillsBookStoriesBigsJobsGamesTermPoorRoomsNovelEconomicConditionsEffectsPaperEconomicsBuying Author:Colson Whitehead
“It's really the story of a young woman, or two women, growing up in Naples in a poor neighborhood. The way that they get out of it - or don't get out of it - that's part of it. But it's also the story of the mid-20th century in Italy so it's really like a social, historical and personal novel. I think that even though I didn't live in Italy in those years, it did cover that same type of generational upbringing that someone like me might've had in America.” ThinkingWayYearsTwoStoriesMightAmericaYoungSocialPoorNovelGrowing UpGrowingCenturyTypeHistoricalLike MeNeighborhoodYoung Women20th CenturyUpbringingNaplesPoor Neighborhoods Author:Ann Goldstein
“One thing should be put firmly. Where people have commented on that novel [The Paper Men], they generally criticize the poor academic, Rick L. Tucker, who is savaged by the author, Wilfred Barclay. I don't think people have noticed that I have been far ruder about Barclay than I have been about Tucker. Tucker is a fool, but Barclay is a swine. The author really gets his come-uppance.” PeopleThinkingMenShouldHas BeensPoorNovelOne ThingFoolPaperCriticizeAcademicSwine Author:William Golding