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Novel Quotes

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Novel Quotes

“Surely the test of a novel's characters is that you feel a strong interest in them and their affairs the good to be successful, the bad to suffer failure. Well, in John Ward, you feel no divided interest, no discriminating interest you want them all to land in hell together, and right away.”

“I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good.”

“a novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun.”

“In a brilliant fusion of fact and fiction, Jayne Anne Phillips has written the novel of the year. It's the story of a serial killer's crimes and capture, yes, but it's also a compulsively readable story of how one brave woman faces up to acts of terrible violence in order to create something good and strong in the aftermath. Quiet Dell will be compared to In Cold Blood, but Phillips offers something Capote could not: a heroine who lights up the dark places and gives us hope in our humanity.”

“Philip Galanes has fashioned a novel both bleak and funny about a young man's struggle to sort out his troubled love: the too-strong love for his mother, the too-weak love for his suicidal father, and the all-consuming love of anonymous sexual encounters. Pointed and acute, this story tells of the narrator's many betrayals of others and their many betrayals of him. It exists in an uncomfortable moral space where the humor of terrible things sometimes outweighs, but never obscures, their poignancy.”

“Life for women in ancient Greece was hard - you had to fight for every inch of ground you got. Both Thetis and Briseis are strong, passionate women and in another time and place their lives would have been very different. Part of the tragedy of their characters is how much they have to offer - and how little of that they get to realize. Thetis spends the whole novel fighting the limitations placed on her, desperately trying to eke out the best she can from a bad situation. This makes her fierce and terrifying.”

“At the beginning of the project, I wasn't certain that I could come up with an engaging storyline and cast of characters in this world, so I had a strong bias toward actually writing, and worrying about research later. In other words, I was afraid that I'd devote a year or two of my life to grinding through Kant and Husserl, then discover that there simply was no novel to be written here.”

“To AMC's credit, I think what they saw was the show doesn't exist in the marketplace. They knew that there was a hunger for a martial arts show. They also knew that you have this strong tradition of martial arts cinema, so even though it's not branded by a novel or a comic book or an old movie or something, we do have the genre itself, which people love.”

“I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?”