“I take it very seriously, music. I think it's one of the tools that a director has with which to kind of paint. The right music can sometimes do five pages of scripted dialogue.” ThinkingKindSometimesFiveDirectorsPagesToolsPaintDialogue Author:Todd Phillips
“When you are writing a spoken word poem, the tools you're working with are your voice, your body, how it's going to sound to someone when you're saying it out loud. Which is different from when you're writing it on the page. That toolbox becomes how does this look visually on the page, how does this read among pages, how is this in relation to poems that are before it or after it. I don't think one is better or more successful than the other. You've just gotta think about "what are the tools I'm using, and how are they most effective in this form?"” ThinkingWritingLooksDoeDifferentBodyFormSoundVoiceSuccessfulPagesToolsRelationYour BodyLoudSpoken WordToolbox Author:Phil Kay
“Meetings get a bad rap, and deservedly so - most are disorganized and distracted. But they can be a critical tool for getting your team on the same page.” TeamPagesToolsMeetingsRapCriticalDistractedDisorganized Author:Justin Rosenstein
“In the years since The Life and Extraordinary Adventures of Private Ivan Chonkin, Voinovich has sharpened his satire, and Monumental Propaganda is a novel that slashes and rips -- but not on every page. He expands his narrative to accommodate shrewd philosophy and inventive portraiture, a very amusing disquisition on Soviet latrines and a number of outlandish plot developments. In his translation, Andrew Bromfield deftly shifts his tone and tools as required, remaining true to Voinovich's Vonnegut-like playfulness and appreciation of the absurd.” YearsPhilosophyNumbersNovelAdventureDevelopmentPagesToolsExtraordinaryAppreciationAbsurdNarrativePropagandaTonePlotSatireSovietTranslationsRipAmusingAccommodateAndrewPlayfulnessPortraitureOutlandish Author:Ken Kalfus
“I allude to Back to the Future in the 1985 story to let folks know it was an inspiration and because it literally was the most time-travelly bit of pop culture we had in the mid 80's. I can talk about their tools for considering change. First, the book is metafictive in a traditional sense where I'm showing and telling the reader that the act of writing and reading is a reflexive way to push boundaries of real and literal time travel. Writers and readers are time travellers. The question is what we do with that time we traveled when we leave a book, leave a page.” KnowsWayWritingFirstsI CanBookRealStoriesInspirationCultureReadingBitsReaderPagesToolsFolksPopsBoundariesTraditionalTime TravelConsideringTraveledPop CultureLiteralTravellerWriting And Reading Author:Kiese Laymon
“The day you step on the floor the meter is ticking and time is of the essence. You can't really afford to not know what you're doing. So I think the screenplay is a great tool to get everybody on the same page.” ThinkingKnowsStepsPagesToolsEssenceScreenplaysMeter Author:Robert Schwentke
“The only thing going on is the progression of words and sentences across page after page and so suddenly we see this immersive kind of very attentive thinking, whether you are paying attention to a story or to an argument, or whatever. And what we know about the brain is the brain adapts to these types of tools.” ThinkingKnowsKindStoriesAttentionBrainTypePagesArgumentToolsSentencesPay AttentionProgression Author:Nicholas G. Carr
“Comic-book pages are vertical, and movie screens are relentlessly horizontal. But it's all the same form. We use different tools, but we get the job done. I'm completely in love with CGI. It's great for conveying a cartoonist's sense of reality.” BookDifferentDoneUseRealityJobsFormPagesToolsScreensComicComic BookCartoonistVerticalHorizontalGet The Job DoneConveyingCgi Author:Frank Miller
“That a thing made by hand, the work and thought of a single craftsman, can endure much longer than its maker, through centuries in fact, can survive natural catastrophe, neglect, and even mistreatment, has always filled me with wonder. Sometimes in museums, looking at a humble piece of pottery from ancient Persia or Pompeii, or a finely wrought page from a medieval illuminated manuscript toiled over by a nameless monk, or a primitive tool with a carved handle, I am moved to tears. The unknown life of the maker is evanescent in its brevity, but the work of his or her hands and heart remains.” HeartMadeSometimesFactsHandsNaturalWonderPiecesCenturyTearsPagesToolsRemainsMovedFilledEndureAncientHumbleHandleNeglectMakersMuseumsPrimitiveCatastropheMonkMedievalManuscriptsBrevityNamelessCraftsmanPotteryPersiaMistreatmentPompeii Author:Susan Vreeland
“Open the history of the past at whatsoever page you will and there you shall find coincidence at work bringing about events that the merest chance might have averted. Indeed, coincidence may be defined as the tool used by Fate to shape the destinies of men and nations.” MenMayMightPastUsedNationsChanceDestinyFateEventsShapesPagesToolsDefinedCoincidence Book:Delphi Complete Works of Rafael Sabatini (Illustrated) Source: Delphi Complete Works of Rafael Sabatini (Illustrated)