“Even though artists of all kinds claim to put their hearts and souls into their works, it will only confuse you, for example, if you try to discern a painter by his paintings. His masterpiece may be the master because of its iridescence; it may display a hundred different perspectives through his single face.” IfsTryingHeartKindMayDifferentSoulFacesArtistExamplePaintingMastersPerspectiveHundredClaimsAll KindsPainterWorking ItDisplayMasterpieceHeart And SoulDifferent Perspective Book:Killosophy Source: Killosophy
“Maybe I don't have the same sense of humor. Maybe people aren't comfortable gauging a painting that way. They think that if it's a painting then it must be serious. I think Picasso can be hilarious, to name one example.” PeopleIfsThinkingWayNamesExamplePaintingSeriousComfortableSense Of Humor Author:Joe Bradley
“Neither can we admit that definition of genius that some would propose--"a power to accomplish all that we undertake;" for we might multiply examples to prove that this definition of genius contains more than the thing defined. Cicero failed in poetry, Pope in painting, Addison in oratory; yet it would be harsh to deny genius to these men.” MenMightWould BeExamplePaintingGeniusProveDefinitionsDenyAccomplishDefinedPopeHarshProposeOratory Book:Lacon: Or Many Things in Few Words, Addressed to Those who Think Source: Lacon: Or Many Things in Few Words, Addressed to Those who Think
“[Comics is] one of the last havens for honesty when it comes to a reader's genuine response to art. Most of us, if we don't find any sympathy or pleasure, for example, in a modern painting, are likely to blame our own ignorance of the history and theory of painting. But nobody pretends to like a bad comic strip. Such harshness is necessary for any real truth to surface, I think, and for art to really contribute anything to life. Though I don't know. I could be wrong.” IfsThinkingKnowsArtRealLastsPleasureModernHavensHonestyExampleIgnorancePaintingTheoryReaderBlameResponseSurfaceGenuineComicComic StripsHarshnessReal Truth Author:Chris Ware
“Sellers in general maintain the quality of their products and services for fear of losing customers otherwise. But, when price controls create a situation where the amount demanded is greater than the amount supplied - a shortage - fear of losing customers is no longer as strong an incentive. For example, landlords typically reduce painting and repairs when there is rent control, because there is no need to fear vacancies when there are more tenants looking for apartments than there are apartments available.” NeedsStrongQualitySituationGreaterExamplePaintingProductsAmountLosingAvailableCustomersApartmentIncentivesShortageSellersLandlordTenantsVacancyRent Control Author:Thomas Sowell
“I started hiding my paintings in certain ways, like behind panes of glass for example. Then, instead of hiding them I did something quite cold and clinical: I built a wooden box, filled it with enamel paint and dunked the painting in so you could only see a suggestion of it from a controlled point of view.” WayCertainViewsBehindsExamplePaintingColdBuiltFilledPaintGlassesBoxesPoint Of ViewControlledHidingSuggestionsClinicals Author:Oliver Jeffers
“I am very sensitive to all form of music, painting, sculpting, dancing, and I love cinema also. For example if I look at the work of the dancer Mikhail Baryshnikov, who happens to be a friend of mine, everything he does is inspiring to me.” IfsLooksDoeHappensFormExampleMinesPaintingDancingCinemaSensitiveDancerSculpting Author:Philippe Petit
“I think, at the L.A. County Museum of Art, I saw my first example of Kerry James Marshall, who had a very sort of heroic, oversized painting of black men in a barbershop. But it was painted on the same level and with the same urgency that you would see in a grand-scale [Anthony] van Dyck or [Diego] Velazquez. The composition was classically informed; the painting technique was masterful. And it was something that really inspired me because, you know, these were images of young, black men in painting on the museum walls of one of the more sanctified and sacred institutions in Los Angeles.” ThinkingKnowsMenFirstsArtYoungBlackLevelsSawsExamplePaintingWallInstitutionsSacredInspiredTechniqueScalesLos AngelesMuseumsHeroicCompositionVansUrgencyCountyBarbershop Author:Kehinde Wiley
“For example, in one of my last exhibitions I had a 50-foot massive painting with I think perhaps a hundred thousand hand-painted small flowers. This was the Christ painting [The Dead Christ in the Tomb, 2008] in my Down exhibition [2008]. Now, I simply can't spend eight hours a day painting small, identical flowers. And so I've got a team that allows me to have these grand, sweeping statements.” ThinkingHandsLastsChristHoursTeamFeetExamplePaintingFlowerThousandHundredEightStatementsMassiveIdenticalTombsSweepingExhibitions Author:Kehinde Wiley
“While it may seem a little mundane, the material realities of realizing the painting actually have a lot to do with how you should read the painting. For example, we assume that what the model is wearing is what we found him in in the streets. No; in fact, a lot of what happens is that in Photoshop certain aspects are being heightened or diminished. There is no actual material truth in these paintings.” ShouldMayLittlesFactsRealitySeemsHappensCertainFoundRealizingStreetsExamplePaintingMaterialsModelsAspectAssumingMundanePhotoshop Author:Kehinde Wiley