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Painting Quotes

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Painting Quotes

“If a painting of a tree was only the exact representation of the original, so that it looked just like the tree, there would be no reason for making it; we might as well look at the tree itself. But the painting, if it is of the right sort, gives something that neither a photograph nor a view of the tree conveys. It emphasizes something of character, quality, individuality. We are not lost in looking at thorns and defects; we catch a vision of the grandeur and beauty of a king of the forest.”

IfsGivingWellsLooksReasonCharacterMightWould BeLostViewsQualityVisionTreePaintingKingsOriginalsPhotographIndividualityForestsNo ReasonRepresentationDefectsGrandeurThorns
Author:Calvin Coolidge
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“Consider paint a film of light reflecting/absorbing material, and a colored paint a material which gives a particular, characteristic transmission of light via differential absorption and reflection. Call this reflected quality 'luminance' and measure it in millilamberts. This measure is as real and present as height, breadth, depth; and I find the phenomenon equally sumptuous and convincing. . . . Painted light, not color, not form, not perspective, or line, not image, or words, or equations, is painting. I make paintings which do not represent light, they are light.”

GivingRealLightFilmFormLinesQualityParticularColorPaintingMaterialsPerspectiveReflectionPaintDepthHeightCharacteristicsPhenomenonEquationsConvincingReflectingAbsorbingBreadthTransmissionAbsorptionSumptuous
Author:Jo Baer
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“One of the marks of true genius is a quality of abundance. A rich, rollicking abundance, enough to give indigestion to ordinary people. Great artists turn it out in rolls, in swatches. They cover whole ceilings with paintings, they chip out a mountainside in stone, they write not one novel but a shelf full. It follows that some of their work is better than other. As much as a third of it may be pretty bad. Shall we say this unevenness is the mark of their humanity - of their proud mortality as well as of their immortality?”

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Book:The Nature of the Artist: An Address Delivered at the Dedication Ceremonies for Lee Pattison Recital Hall, Wilbur Hall, Mary Kimberly Residence Hall
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“My concern today is with the painting of manners of the present. The past is interesting not only by reason of the beauty which could be distilled from it by those artists for whom it was the present, but also precisely because it is the past, for its historical value. It is the same with the present. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present”

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Book:The Painters of Modern Life
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“One is conscious of no brave and noble earnestness in it, of no generalized passion for intellectual and spiritual adventure, of no organized determination to think things out. What is there is a highly self-conscious and insipid correctness, a bloodless respectability submergence of matter in manner--in brief, what is there is the feeble, uninspiring quality of German painting and English music.”

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Book:H.L. Mencken: Prejudices: First, Second, and Third Series
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“Sellers in general maintain the quality of their products and services for fear of losing customers otherwise. But, when price controls create a situation where the amount demanded is greater than the amount supplied - a shortage - fear of losing customers is no longer as strong an incentive. For example, landlords typically reduce painting and repairs when there is rent control, because there is no need to fear vacancies when there are more tenants looking for apartments than there are apartments available.”

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Author:Thomas Sowell
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“Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.”

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Author:Rod Serling
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“I have been interested in the dialogue of abstraction and modernist painting - and the rich history of the grid. I also think I have been influenced a bit by some of the particular qualities of the Bay Area. The weather and the atmosphere here is so exotic, like the fog rolling in and the nuanced differences in the quality of light.”

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Author:Stephen Beal
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