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Physiognomy Quotes

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Physiognomy Quotes

“Just how accurate is face reading? Since turning pro as a physiognomist in 1986, I have read faces like crazy. At the end of those readings, I ask for feedback about my accuracy. About 99 percent of the time the response is positive. This system is so easy to learn, students like you can have a high level of accuracy, too.”

Self HelpSelf ImprovementSelf AwarenessPersonal GrowthSelf DiscoverySelf DevelopmentNew AgeSelf MasteryPhysiognomyFace Reading
Book:The NEW Power of Face Reading
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“When was the last time you looked in the mirror and thought, “Wow, I love every single thing about this face of mine”? This contemporary face reading system can help make that happen. More traditional systems? Not so much. Ancient face reading must have some value, or you wouldn’t find it today at places like Ginza, Japan’s deluxe shopping district. But mixed in with the good parts are some very outdated notions. With all respect to sages from the East who began reading faces around the time that other sages started jabbing each other with acupuncture needles, consider the historical context. Again, with all due respect, haven’t human beings evolved a bit over the last five thousand years?”

Self HelpSelf ImprovementSelf AwarenessPersonal GrowthSelf DiscoverySelf DevelopmentNew AgeSelf MasteryPhysiognomyFace Reading
Book:The NEW Power of Face Reading
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“Every human face is a hieroglyphic, and a hieroglyphic, too, which admits of being deciphered, the alphabet of which we carry about with us already perfected. As a matter of fact, the face of a man gives us a fuller and more interesting information than his tongue; for his face is the compendium of all he will ever say, as it is the one record of all his thoughts and endeavors. And, moreover, the tongue tells the thought of one man only, whereas the face expresses a thought of nature itself: so that everyone is worth attentive observation, even though everyone may not be worth talking to.”

PhilosophyMankindPhysiognomy
Book:On Physiognomy
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“When, therefore, a man is told, “You (your inner being) are so and so, because your skull-bone is so constituted,” this means nothing else than that we regard a bone as the man's reality. To retort upon such a statement with a box on the ear — in the way mentioned above when dealing with psysiognomy — removes primarily the “soft” parts of his head from their apparent dignity and position, and proves merely that these are no true inherent nature, are not the reality of mind; the retort here would, properly speaking, have to go the length of breaking the skull of the person who makes a statement like that, in order to demonstrate to him in a manner as palpable as his own wisdom that a bone is nothing of an inherent nature at all for a man, still less his true reality.”

PhysiognomyPhrenologyRetort
Book:The Phenomenology of Mind, Vol 1
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“The Coach’s head was oblong with tiny slits that served as eyes, which drifted in tides slowly inward, as though the face itself were the sea or, in fact, a soup of macromolecules through which objects might drift, leaving in their wake, ripples of nothingness. The eyes—they floated adrift like land masses before locking in symmetrically at seemingly prescribed positions off-center, while managing to be so closely drawn into the very middle of the face section that it might have seemed unnecessary for there to have been two eyes when, quite likely, one would easily have sufficed. These aimless, floating eyes were not the Coach’s only distinctive feature—for, in fact, connected to the interior of each eyelid by a web-like layer of rubbery pink tissue was a kind of snout which, unlike the eyes, remained fixed in its position among the tides of the face, arcing narrowly inward at the edges of its sharp extremities into a serrated beak-like projection that hooked downward at its tip, in a fashion similar to that of a falcon’s beak. This snout—or beak, rather—was, in fact, so long and came to such a fine point that as the eyes swirled through the soup of macromolecules that comprised the man’s face, it almost appeared—due to the seeming thinness of the pink tissue—that the eyes functioned as kinds of optical tether balls that moved synchronously across the face like mirror images of one another. 'I wore my lizard mask as I entered the tram, last evening, and people found me fearless,' the Coach remarked, enunciating each word carefully through the hollow clack-clacking sound of his beak, as its edges clapped together. 'I might have exchanged it for that of an ox and then thought better. A lizard goes best with scales, don’t you think?' Bunnu nodded as he quietly wondered how the Coach could manage to fit that phallic monstrosity of a beak into any kind of mask, unless, in fact, this disguise of which he spoke, had been specially designed for his face and divided into sections in such a way that they could be readily attached to different areas—as though one were assembling a new face—in overlapping layers, so as to veil, or perhaps even amplify certain distinguishable features. All the same, in doing so, one could only imagine this lizard mask to be enormous to the extent that it would be disproportionate with the rest of the Coach’s body. But then, there were ways to mask space, as well—to bend light, perhaps, to create the illusion that something was perceptibly larger or smaller, wider or narrower, rounder or more linear than it was in actuality. That is to say, any form of prosthesis designed for the purposes of affecting remedial space might, for example, have had the capability of creating the appearance of a gap of void in occupied space. An ornament hangs from the chin, let’s say, as an accessory meant to contour smoothly inward what might otherwise appear to be hanging jowls. This surely wouldn’t be the exact use that the Coach would have for such a device—as he had no jowls to speak of—though he could certainly see the benefit of the accessory’s ingenuity. This being said, the lizard mask might have appeared natural rather than disproportionate given the right set of circumstances. Whatever the case, there was no way of even knowing if the Coach wasn’t, in fact, already wearing a mask, at this very moment, rendering Bunnu’s initial appraisal of his character—as determined by a rudimentary physiognomic analysis of his features—a matter now subject to doubt. And thus, any conjecture that could be made with respect to the dimensions or components of a lizard mask—not to speak of the motives of its wearer—seemed not only impractical, but also irrelevant at this point in time.”

PataphysicsSurrealismConjectureAbsurdismPhysiognomyVeilWeird FictionMetafictionSurreal QuotesDisproportionateProsthesisRemedial SpaceMacromoleculesStealth Surrealism
Book:Don't Forget to Breathe
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“The person with a good heart and leading a virtuous life will envelop himself in a flourished countenance, creating a favorable condition for the form to develop, the color to brighten, the voice to strengthen, and other signs of good karma. By contrast, the person with a bad heart and leading a malicious life will damage his or her countenance, form, color, and voice, creating a condition conducive to bad karma.”

PhysiognomyFortune TellingOuter AppearanceFace ReadingCharacter ReadingPersonality Reading
Book:Physiognomy: The Art of Reading People
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“It is believed that physiognomy is only a simple development of the features already marked out by nature. It is my opinion, however, that in addition to this development, the features come insensibly to be formed and assume their shape from the frequent and habitual expression of certain affections of the soul. These affections are marked on the countenance; nothing is more certain than this; and when they turn into habits, they must leave on it durable impressions.”

SoulCertainTurnsSimpleOpinionExpressionDevelopmentHabitShapesAssumingAffectionImpressionFeaturesHabitualCountenancePhysiognomy
Author:Jean-Jacques Rousseau
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“Poetry interprets in two ways: it interprets by expressing, with magical felicity, the physiognomy and movements of the outward world; and it interprets by expressing, with inspired conviction, the ideas and laws of the inward world of man's moral and spiritual nature. In other words, poetry is interpretative both by having natural magic in it, and by having moral profundity.”

MenWorldWayTwoIdeasSpiritualLawPoetryNaturalMoralMagicMovementInspiredConvictionPoetry IsInwardTwo WaysFelicityProfunditySpiritual NaturePhysiognomy
Book:Essays in Criticism
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“I had not seen "Pride and Prejudice," till I read that sentence of yours, and then I got the book. And what did I find? An accurate daguerreotyped portrait of a common-place face; a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses.”

ShouldBookCountryFacesHouseCommonAirFlowerPrideGardenPrejudiceBlueSentencesHillsBordersGentlemanDelicateAccuratePortraitsGlancesElegantVividConfinedNeatFresh AirLadies And GentlemenPhysiognomyDelicate Flower
Author:Charlotte Bronte
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“Of whatever class or nation, however, all successful participants in the repetitive and unrelenting stress of aerial fighting came eventually to display its characteristic physiognomy: skeletal hands, sharpened noses, tight-drawn cheek bones, the bared teeth of a rictus smile and the fixed, narrowed gaze of men in a state of controlled fear.”

MenStatesHandsFightingNationsClassSuccessfulStressBonesTeethNosesFixedCharacteristicsControlledDisplayCheeksParticipantsRepetitiveUnrelentingPhysiognomy
Book:The First World War
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“Nothing in the world can be compared to the human face. It is a land one can never tire of exploring. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.”

WorldHumansBodyInspirationFacesPoetryGreaterLandExpressionExperienceStudiosMysteriousWitnessCompareSensitiveExploringTireAnimatedFacialHuman FacesPhysiognomyPowerful Inspirational
Author:Carl Theodor Dreyer
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