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Player Quotes

“Imagination is the key to my lyrics. The rest is painted with a little science fiction...All I'm writing is just what I feel, that's all. I just keep it almost naked. And probably the words are so bland...I just hate to be in one corner. I hate to be put as only a guitar player, or either only as a songwriter, or only as a tap dancer. I like to move around...Music doesn't lie. If there is something to be changed in this world, then it can only happen through music.”

“My first love in music was jazz, but I like it all," "I reacted emotionally to Art Blakey and, of course, to Joe Pass and Wes Montgomery. I was all of 16 when I had my first guitar lesson with Joe. But I never focused on being a bebop player. I loved the harmony, rhythm and phrasing, but I wanted to apply them to my own concept and sound.”

“I'd always had an interest in guitar from about seven years old. But I first actually had lessons when I was about fifteen in Scotland, in Edinburgh. There was a folk club there and a girl called Jill Doyle taught me the guitar, who happened to be Davey Graham's sister. Davey Graham is one of my heroes and always has been. Fantastic guitar player. And he's had a strong influence on me all the way through.”

“I tend to prefer the band thing. I think playing solo is good for about 45 minutes. I remember when I was on my solo tour that I got a chance to play with Martin Stephenson of the Daintees. He's now refashioned himself as almost a delta blues guitar player and he's got all the technique, all the persona and the charisma on stage. I think I do too, but I'm more of a first position strummer guy with a little bit of filigree work. I could listen to him for hours; I could listen to myself playing solo for about half an hour!”

“As a conscientious objector I did my community service in 1971 in a psychiatric hospital and a friend there, who also was a guitar player, invited me one day to join him recording film music with a band named Kraftwerk which I didn't know at the time. I came along and jammed at this session together with Ralf Hütter and a drummer (I believe his name was Charly Weiß). Florian Schneider and Klaus Dinger were present as listeners and everybody liked the spontaneous music we did together.”

“There are many excellent guitar players but I have to say Jimi Hendrix and Eric Clapton are still at the top! There are many imitators but very few genuine articles. There is so much more to playing than a fast blur of notes, like feeling and emotion from the soul. It's like punctuating a sentence and knowing when to lay back and not fill up all the space. Those are the things I tried to teach my son Tim when he began playing.”

“I think there are quite a few new Instro/Surf groups that are really great. The Mermen are good and there doing something different. The Space Cossacks, Penetrators, The Fathoms, I really like The Falcons from Canada, Mike Beddoes is a really fine guitar player. I like Nokie Edwards of The Ventures, who gave me a guitar lesson once when we were playing opposite them in 1962 at The Rose Garden Ballroom in Pismo Beach. That's were The Impacts started and got signed to Del Fi in 1962.”

“I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.”

“Once we get out on the road, my tour manager who is also my guitar player does a great job of taking weight off of my shoulders where I can just focus on playing the shows.About two hours before every show, the pacing starts and the anticipation builds. I prepare for it just like I would when I used ride bulls, slap yourself in the face, wake yourself up and get your heart going.”