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Poet Quotes

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Poet Quotes

“There learned arts do flourish in great honour And poets's wits are had in peerless price; Religion hath lay power, to rest upon her, Advancing virtue, and suppressing vice. For end all good, all grace there freely grows, Had people grace it gratefully to use: For God His gifts there plenteously bestows, But graceless men them greatly do abuse.”

“What it 't to us, if taxes rise or fall, Thanks to our fortune, we pay none at all. Let muckworms who in dirty acres deal, Lament those hardships which we cannot feel, His grace who smarts, may bellow if he please, But must I bellow too, who sit at ease? By custom safe, the poets' numbers flow, Free as the light and air some years ago. No statesman e'er will find it worth his pains To tax our labours, and excise our brains. Burthens like these with earthly buildings bear, No tributes laid on castles in the air.”

“One more royal trait properly belongs to the poet. I mean his cheerfulness, without which no man can be a poet,--for beauty is his aim. He loves virtue, not for its obligation, but for its grace; he delights in the world, in man, in woman, for the lovely light that sparkles from them. Beauty, the spirit of joy and hilarity, he sheds over the universe.”

“Of little use, the man you may suppose, Who says in verse what others say in prose; Yet let me show a poet's of some weight, And (though no soldier) useful to the state, What will a child learn sooner than a song? What better teach a foreigner the tongue? What's long or short, each accent where to place And speak in public with some sort of grace?”

“But Thee, but Thee, O sovereign Seer of time, But Thee, O poets' Poet, Wisdom's Tongue, But Thee, O man's best Man, O love's best Love, O perfect life in perfect labor writ, O all men's Comrade, Servant, King, or Priest, -- What IF or YET, what mole, what flaw, what lapse, What least defect or shadow of defect, What rumor, tattled by an enemy, Of inference loose, what lack of grace Even in torture's grasp, or sleep's, or death's -- Oh, what amiss may I forgive in Thee, Jesus, good Paragon, Thou Crystal Christ?”

“As we speak of poetical beauty, so ought we to speak of mathematical beauty and medical beauty. But we do not do so; and that reason is that we know well what is the object of mathematics, and that it consists in proofs, and what is the object of medicine, and that it consists in healing. But we do not know in what grace consists, which is the object of poetry.”

“It was a little harder when I first went to Egypt when I was 18 years old and being a white woman with a knapsack and in blue jeans. But again I was part of the rucksack revolution there was some grace there. You could put it that way. And confidence as well because I thought of myself as a poet. That was part of it. I was going for that, to have experiences to make the work.”

“No more than a famous master can be replaced and another take over the completion of the half-finished painting he has left behind can the great poet and thinker, the great statesman and the great soldier, be replaced. For their activity lies always in the province of art. It is not mechanically trained but inborn by God's grace.”

“I think that what I learned then, I didn't know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema. It was like watching the invention of cinema. But I found out that Pasolini taught me a lot. It was, especially, the kind of respect that he had for reality. He had kind of epiphanies in his movies, like when a moment becomes full of grace, and it is like as if it was the most important moment in the life of a character.”