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Position Quotes

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Position Quotes

“Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.”

“I'm a very fortunate actor. I'm blessed to be the position I'm in right now. Hell, I'm blessed to be in any position, you know? There are so many guys who had good lives, great lives, and blew it...I think there are some guys who think they don't deserve to have good lives. They feel they don't deserve their good fortune, so they throw it away. One of my good friends was Chris Farley. Chris blew it. He blew the whole enchilada.”

“There's a difference in our ages [with Leonardo DiCaprio], but we were both in the same sort of position [on The Quick and the Death movie].Everyone below us in a casting position were all these really famous character actors like Keith David. And they were looking at the two of us going, 'Who are these guys?' So that naturally kind of put us together in a way where we'd just hang out together because we didn't care about status. We just wanted to enjoy the experience. The two things that have changed about Leo [ DiCaprio] since that time: he can drink legally and he's no longer a virgin.”

“One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.”

“I don't ever like to feel myself in the position to demand of an actor that they trust I'm going to do something worthwhile. I feel a responsibility to articulate what it is I'm going to do. Whether that's showing them a full script or sitting down with them and describing my ideas in detail. It's a very healthy burden on me as a film director to be able to articulate what I want to do, to inspire actors, rather than just saying, take it on trust I'll be able to do something worthwhile.”

“Interest in religion is not necessarily interest in God. Religion in public life means a set of ideas, an ideology that has certain positions. Religion is then one more ideology among others. Religion is about God. Religion begins with a relationship to God, not a relationship to an idea. It is God who is an actor, not just individuals who have certain beliefs who are actors. God is an actor.”

“Since I've started to star in pictures I have always managed to retain my singularity of purpose when I got into the business, which was to be an artist, as an actor, more than anything else. But to get the certain kind of role you want, you have to be in a certain position in the business and it's dog-eat-dog and it gets very hairy and you can lose your point of view sometimes.”

“Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.”

“You're in a very nice position as an actor when you're portraying a piece of history that actually happened and portraying characters that actually existed. There's so much more to draw on and your research as an actor becomes much easier than if it's some fiction that you're trying to create a world around and background and history.”