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Reality Quotes

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Reality Quotes

“I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you.”

“I had been on another procedural show, 'Cold Case,' for seven years, and I certainly respected the legacy of 'Law & Order,' even though I had only seen a handful of episodes. Being a dad meant the reality was that I probably knew more about Dora and Diego. But I saw the show with fresh eyes, and I wasn't coming in with a bunch of baggage.”

“When I look at Jesus' warm and intimate friendships, my heart fills with praise that Jesus was. . . a man. A man of flesh-and-blood reality. His heart felt the sting of sympathy. His eyes glowed with tenderness. His arms embraced. His lips smiled. His hands touched. Jesus was male! Jesus invites us to relate to him as the Son of Man. And because he is fully man, we can relate to Jesus with affection and love.”

“When you get down to the bottom of it, only about half of what we remember really happened. We tend to modify things to make ourselves look better in our own eyes and in the eyes of others. Then, if what we did wasn't really very admirable, we tend to forget that it ever happened. A normal human being's grasp on reality is very tenuous at best. Our imaginary lives are usually much nicer.”

“Remember this, you don't have to be important or special or glamorous; all you actually need is success and pleasure from whatever it is that you choose to do with your life. You don't have to become something in the eyes of others, you only have to become something in your own reality. From this humble attitude flows a sweet serenity which comes naturally from personal healing and spiritual reconciliation.”

“Doubtless almost any intense emotion may open our 'inward eye' to the beauty of reality. Falling in love appears to do it for some people. The beauties of nature or the exhilaration of artistic creation does it for others. Probably any high experience may momentarily stretch our souls up on tiptoe, so that we catch a glimpse of that marvelous beauty which is always there, but which we are not often tall enough to perceive.”

“In our daily lives we attend primarily to that which the senses are spelling out for us: to what the eyes perceive, to what the fingers touch. Reality to us is thinghood , consisting of substances that occupy space; even God is conceived by most of us as a thing. The result of our thinginess is our blindness to all reality that fails to identify itself as a thing, as a matter of fact.”

“Let but a single flash of reality -- the glimpse of a woman from afar or from behind -- enable us to project the image of Beauty before our eyes, and we imagine that we have recognised it, our hearts beat, and we will always remain half-persuaded that it was She, provided that the woman has vanished: it is only if we manage to overtake her that we realise our mistake.”

“The Master persistently warned against the attempt to encompass Reality in a concept or a name. A scholar in mysticism once asked, "When you speak of BEING, sir, is it eternal, transcendent being you speak of, or transient, contingent being?" The Master closed his eyes in thought. Then he opened them, put on his most disarming expression, and said, "Yes!"”

“The most important things in life can't be seen with the eyes. Ideas can't be seen. Love can't be seen. Honor can't be seen. This isn't a new concept. Judaism and Christianity and Islam and Buddhism and Taoism have all taught for thousands of years that the highest forms of reality are invisible. God is invisible, and he created the universe. Our souls are invisible, and they give life to our bodies. Angels are invisible, and they're the most powerful of God's creatures.”

“More than just a moral issue, hope is a spiritual and even religious choice. Hope is not a feeling; it is a decision. And the decision for hope is based on what you believe at the deepest levels - what your most basic convictions are about the world and what the future holds - all based on your faith. You choose hope, not as a naive wish, but as a choice, with your eyes wide open to the reality of the world - just like the cynics who have not made the decision for hope.”

“Those who are saying it's possible [to balance family and business] are often in a little bit of a rarefied place where they also have the money to do that. It's not quite such an easy stance to take when you don't have the same resources. I like to remind people that these are rich Manhattanites and to keep an eye on the fact that, especially with social media and these articles and these blogs, that that is not the reality for most women, unfortunately.”

“The eye observes only what the mind, the heart, and the imagination are gifted to see; and sight must be reinforced by insight before souls can be discerned as well as manners, ideas as well as objects, realities and relations as well as appearances and accidental connections.”

“By 'coming to terms with life' I mean: the reality of death has become a definite part of my life; my life has, so to speak, been extended by death, by my looking death in the eye and accepting it, by accepting destruction as part of life and no longer wasting my energies on fear of death or the refusal to acknowledge its inevitability. It sounds paradoxical: by excluding death from our life we cannot live a full life, and by admitting death into our life we enlarge and enrich it.”

“To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world. Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today. The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.”

“One of the major changes in attitude that occurred in the world of art as we moved from the nineteenth into the twentieth century was that the twentieth century artist became more involved with personal expression than with celebrating exclusively the values of the society or the church. Along with this change came a broader acceptance of the belief that the artist can invent a reality that is more meaningful than the one that is literally given to the eye. I subscribe enthusiastically to this.”

“So it is useless to evade reality, because it only makes it more virulent in the end. But instead, look steadfastly into the slit, pin-pointed, malignant eyes of reality: as an old-hand trainer dominates his wild beasts. Take it by the scruff of the neck, and shake the evil intent out of it; till it rattles out harmlessly, like gall bladder stones, fossilized on the floor.”

“The book that influenced me most is Sherlock Holmes, which teaches you the way to deal with reality: to deduct. It teaches you to put together the signs. For example, I look at a person and I see their coat, their jacket, their handwriting, their iPhone, and I am able to deduct some details about who they are, what they wear, and what they do. For many years I was fascinated with Sherlock Holmes. The series trained me to look at the world through these sharp, unforgiving eyes.”

“The flat tax I got on my first meeting with Margaret Thatcher, who I admired very much and who was a great admirer of Milton Friedman. I met her first when I had been prime minister I think for some months and so on, and when I told her what I am planning to do, she looked at me with these big eyes and said: "You are one brave young man." And then a little bit introduced me on the realities of the Western world on which I was not very well informed. But I didn't stop.”

“By setting oneself totally free of constraints, free of thoughts, free of this debilitating activity called work, free of efforts, elements hidden in the texture of reality start staring at you; then mysteries that you never thought existed emerge in front of your eyes.”

“Her seductive power, however, did not lie in her looks [...]. In reality, Cleopatra was physically unexceptional and had no political power, yet both Caesar and Antony, brave and clever men, saw none of this. What they saw was a woman who constantly transformed herself before their eyes, a one-woman spectacle.Her dress and makeup changed from day to day, but always gave her a heightened, goddesslike appearance. Her words could be banal enough, but were spoken so sweetly that listeners would find themselves remembering not what she said but how she said it.”

“Characters on stage should be flat, like clothes in a fashion show: what you get should be no more than what you see. Psychological realism is repulsive, because it allows us to escape unpalatable reality by taking shelter in the “luxuriousness” of personality, losing ourselves in the depth of individual character. The writer's task is to block this manoeuvre, to chase us off to a point from which we can view the horror with a dispassionate eye.”