“For me personally - because I do it myself - the scoring of a picture is fun. I edit the picture and when I've finished I go into my room and I have many many records - jazz, classical and popular music. And I have this all at my disposal. I don't have to get a composer.” FunRoomsRecordsJazzFinishedComposerEditsPopular Music Author:Woody Allen
“Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.” ThinkingWantMadeIdeasUseFilmActorsProcessRoomsPossibilityMaterialsPerformancesNot SureEditingEditsRaw Materials Author:Ralph Fiennes
“I'm organizing documentary films, and whenever scriptwriting gets too tedious I go to my editing room and start to edit the documentary, even if I don't have the full funding yet. So you have to keep yourself busy, you have to like the subject matter.” IfsMatterFilmRoomsSubjectsBusyEditingDocumentariesFundingSubject MatterEditsTediousDocumentary Films Author:Haile Gerima
“I like to shoot scenes where I can see the beginning, middle and end of the entire scene. But, when you edit a movie together, you can just cut right into the middle. You don't need to see them walk into the room and put their jacket on the chair. There's always a lot of shoe leather that you can remove.” NeedsI CanEndsTogetherWalksRoomsCuttingMiddleSceneShoesChairsRemoveJacketsLeatherEditsBeginning Middle And End Author:Judd Apatow
“I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.” TryingFactsHandsAbleEnjoySimpleAbilityRoomsAudienceFrontsSceneLaughterHarderCamerasPartnersFreakTimingDisbeliefEditsSuspensionControl FreakSuspension Of Disbelief Author:Jonathan Groff
“For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.” YearsSometimesHardReasonSeemsFilmRoomsTakenProgressSeriousSevenScreensFilmmakerProgrammingEditingDocumentariesFestivalsSeven YearsEditsDeadlineRushingTorontoWork In ProgressPremieresSundance Author:Thom Powers