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“Richard [Griffiths] was by my side during two of the most important moments of my career. In August 2000, before official production had even begun on Potter, we filmed a shot outside the Dursleys', which was my first ever shot as Harry. I was nervous and he made me feel at ease. Seven years later, we embarked on 'Equus' together. It was my first time doing a play but, terrified as I was, his encouragement, tutelage and humor made it a joy. In fact, any room he walked into was made twice as funny and twice as clever just by his presence.”

“There are some women in whom conscience is so strongly developed that it leaves little room for anything else. Love is scarcely felt before duty rushes to encase it, anger impossible because one must always be calm and see both sides, pity evaporates in expedients, even grief is felt as a sort of bruised sense of injury, a resentment that one should have grief forced upon one when one has always acted for the best.”

“I picked ducks in a tub in my dorm room. I'd hang deer in the doorway between the bedroom and the little living room in our little apartment there, and I'd skin my deer, and all the guts would go in the tub, and I'd sneak them out so my fellow students on both sides wouldn't see all that, you know. I'd clean fish up there and all.”

“He was the meekest of his sex, the mildest of little men. He sidled in and out of a room, to take up the less space. He walked as softly as the Ghost in Hamlet, and more slowly. He carried his head on one side, partly in modest depreciation of himself, partly in modest propitiation of everybody else.”

“By letting go of dieting, I free up mental and emotional room. I have more space, I can move. The pursuit of another, elusive body, the body someone else says I should have, is a terrible distraction, a side-tracking that might have lasted my whole life long. By letting myself go, I go places.”

“In early youth, if we find it difficult to control our feelings, so we find it difficult to vent them in the presence of others. On the spring side of twenty, if anything affects us, we rush to lock ourselves up in our room, or get away into the street or the fields; in our earlier years we are still the savages of nature, and we do as the poor brutes do. The wounded stag leaves the herd; and if there is anything on a dog's faithful heart, he slinks away into a corner.”

“On one hand, prostitutes don't struggle because it's simply their life. In Mexico and elsewhere, once they get out of these places [brothels] they have a pretty square life. In Bangladesh it's different because they live in the brothel, it's sort of a prison, but still there are two sides. When they think of their religion and their upbringing, they can be very moralistic. They're moralistic about giving blow jobs. On the other hand, they have an everyday life where there's no room for shame.”

“My family spent many years sleeping side by side in the same room. It's important for me to not separate myself from them or to say that I've suffered more than they have because I'm gay. We all suffered from the same political rejection, and from poverty. When you're starving with eleven other people in the same room, you become connected to them forever. We were all hungry at the same time.”

“Realistically, there is a danger, of course, when you're going into someone's living room as the same guy every week. But I don't fear it because, I mean, there's really nothing I can do about it. I can try to combat it through the work, and maybe make sure I don't do Sheldon 2.0 in any other projects. But it's just really hard for me to find any negative side effects from this experience.”