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Seasons Quotes

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Seasons Quotes

“I wanted to start a menswear line of slim-fitting, luxury cashmere jumpers in a range of great colors. I know these jumpers will become season-less staples in my own wardrobe. Cashmere and silk printed scarves and hand-beaded T-shirts compliment the line and form a solid foundation for the collection to grow next season.”

“There is an utterance of Necessity, an ancient decree of the gods, eternal, sealed fast with broad oaths: whenever any one defiles his body sinfully with bloody gore or perjures himself in regard to wrong-doing, one of those spirits who are heir to long life, thrice ten thousand seasons shall he wander apart from the blessed, being born meantime in all sorts of mortal forms, changing one bitter path of life for another.”

“I have long suspected that the power of speech is not a power at all, but a mere form of hysteria from which the living that really know the truth never suffer because they do not fear life or death as we do and can afford to be calm and silent. The frailest flower that blooms knows that it will rise from the dead in the next season's sun, breathe, feel again the dew and rain. Therefore these little ones make no such tragedy as we do of death.”

“Once we begin to flee the things that threaten and burden us, there is no end to fleeing. God's solution is surprising. He offers rest. But it's a unique form of rest. It's to rest in him in the midst of our threats and our burdens. It's discovering, as David did in seasons of distress, that God is our rock and refuge right in the thick of our situation.”

“Mads has a terrifying subtlety and as the episodes go on, you start seeing the way a person can command other people by doing practically nothing and terrifying the sh*t out of you. He is the most astonishingly subtle performer with the most incredibly keen sense of what his face can do and how his words can form. He has a mission. Nothing is by chance. I truly believe as long as we have success in seasons that Mads will become the defining face of Hannibal Lecter.”

“When the stories of our life no longer bind us, we discover within them something greater. We discover that within the very limitations of form, of our maleness and femaleness, of our parenthood and our childhood, of gravity on the earth and the changing of the seasons, is the freedom and harmony we have sought for so long. Our individual life is an expression of the whole mystery, and in it we can rest in the center of the movement, the center of all worlds.”

“In the fall, you don't grieve because the leaves are falling and dying. You say, "Isn't it beautiful!" Well, we're the same way. There are seasons. We all fall sooner or later. It's all so beautiful. And our concepts, without investigation, keep us from knowing this. It's beautiful to be a leaf, to be born, to fall, to give way to the next, to become food for the roots. It's life, always changing its form and always giving itself completely. We all do our part. No mistake.”

“Even the seasons form a great circle in their changing, and always come back again to where they were. The life of a person is a circle from childhood to childhood, and so it is in everything where power moves.”

“Respecting the dignity of a spectacular food means enjoying it at its best. Europeans celebrate the short season of abundant asparagus as a form of holiday. In the Netherlands the first cutting coincides with Father's Day, on which restaurants may feature all-asparagus menus and hand out neckties decorated with asparagus spears.”

“I am not that far away from becoming the No. 1 player in the world. I am only around 1,000 points away from achieving it. The key will be whether I can play better and more consistently on hard courts. If I continue to play well in the European clay court season and then take that form to the hardcourts in the United Sates, I could finish the year as the world No. 1.”

“Layering and changeability: this is the key, the combination that is worked into most of my buildings. Occupying one of these buildings is like sailing a yacht; you modify and manipulate its form and skin according to seasonal conditions and natural elements, and work with these to maximize the performance of the building.”

“Agriculture probably required a far greater discipline than did any form of food collecting. Seeds had to be planted at certain seasons, some protection had to be given to the growing plants and animals, harvests had to be reaped, stored and divided. Thus, we might argue that it was neither leisure time nor a sedentary existence but the more rigorous demands associated with an agricultural way of life that led to great cultural changes.”

“For me looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. Place is found by walking, direction determined by weather and season. I take the opportunity each day offers: if it is snowing, I work in snow, at leaf-fall it will be leaves; a blown over tree becomes a source of twigs and branches.”

“Most of the time I am sunk in thought, but at some point on each walk there comes a moment when I look up and notice, with a kind of first-time astonishment, the amazing complex delicacy of the words, the casual ease with which elemental things come together to form a composition that is—whatever the season, wherever I put my besotted gaze—perfect.”

“It is not merely the brevity by which the haiku isolates a particular group of phenomena from all the rest; nor its suggestiveness, through which it reveals a whole world of experience. It is not only in its remarkable use of the season word, by which it gives us a feeling of a quarter of the year; nor its faint all-pervading humour. Its peculiar quality is its self-effacing, self-annihilative nature, by which it enables us, more than any other form of literature, to grasp the thing-in-itself.”