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States Quotes

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“The new culture war is about national identity rather than religion and 'transcendent authority.' It focuses on which groups the United States will formally admit to residence and citizenship. It asks the same question as the old culture war: 'Who are we?' But the earlier query was primarily about how we define ourselves morally. The new question is about how we define ourselves ethnically, racially and linguistically. It is, in truth, one of the oldest questions in our history, going back to our earliest immigration battles of the 1840s and 1850s.”

“When I was 11, I moved to the United States with my two brothers and my mom. We moved to northern New York, up near the Canadian border, from Argentina, and there was nobody there that spoke Spanish, and because there was no internet at the time, not even cable TV yet, I lost the connection with my childhood friends and the culture I had been brought up with for my first decade completely.”

“It takes a long time for women to feel it's alright to be chingona. To aspire to be a chingona!...You are saying, 'This is my camino, this is my path and I'm gonna follow it, regardless of what culture says.' I don't think the church likes chingonas. I don't think the state likes chingonas.! And fathers definitely do not like chingonas. And boyfriends don't like chingonas. But, you know, I remain optimistic. I will meet a man who likes a chingona, one day. One day, my chingon will come.”

“I came to see that man finds meaning in his existence only through the active demonstration of his human self, a cosmos comprising the entire constellation of life's factors: culture, civilization, tradition, history, ideals, facts, physical conditions, one's mental state, the ecology, and so on.”

“I have spent the last 30 years forming the religious right. I write a letter every week and send a newspaper every month to 200,000 pastors who are broadly called evangelicals, bringing them up to date on what is happening in Washington, in the state capitals, in the culture, and what we need to do about it. And of course I'm criticized for it, and of course I have calculated the positives and the negatives, but I have long been at peace with what I do.”

“America is not the crude stereotype of a self-interested empire. The United States has been one of the greatest sources of progress that the world has ever known. We were born out of revolution against an empire. We were founded upon the ideal that all are created equal. And we have shed blood and struggled for centuries to give meaning to those words, within our borders and around the world. We are shaped by every culture. Drawn from every end of the Earth, and dedicated to a simple concept, E pluribus unum: Out of many, one.”

“Look, we live in a celebrity culture and sometimes you get caught in the wave and the buzz and a lot of it's flattering but, you know, one of the things that I try to remind people of is, is that I was in politics as a state senator operating in obscurity for many years. Before that I was a community organizer working in low income communities in Chicago and nobody knew my name then. And so, having involved myself in public service for a pretty long time without getting too much attention, hopefully I can keep some of the attention that I'm getting now in perspective.”

“The United States has an isolationist and insular culture, combined with a global and interventionist posture. This highly dangerous and febrile mixture, which greatly facilitates the task of the fear-mongers and chauvinists, needs a very exact and nuanced diagnosis. I don't think that analogies from the totalitarian model, however suggestive, are sufficient.”

“The exclusion of true esoteric religion has been the business of the State since ancient times. At first this was done via the establishment of the popular idealism of exoteric religious institutions in league with the State. But in modern times the same process is done by the strategic exclusion of conventional religious cultism, mystical idealism, and higher evolutionary Wisdom from the mechanisms of popular culture.”