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Storytellers Quotes

Browse 131 quotes about Storytellers.

Storytellers Quotes

“When governments talk of truth and reconciliation, and then push unwanted infrastructure projects, please remember this: There can be no truth unless we admit to the 'why' behind centuries of abuse and land theft. And there can be no reconciliation when the crime is still in progress. Only when we have the courage to tell the truth about our old stories will the new stories arrive to guide us. Stories that recognize that the natural world and all its inhabitants have limits. Stories that teach us how to care for each other and regenerate life within those limits. Stories that put an end to the myth of endlessness once and for all.”

“5 Ways To Build Your Brand on Social Media: 1 Post content that add value 2 Spread positivity 3 Create steady stream of info 4 Make an impact 5 Be yourself”

“Your soul may well consist of artists and artisans, crooks and charlatans, writers and wanderers, poets and performers, vagabonds and visionaries, cigar box jugglers and contortionists, sword swallowers, storey-tellers and snake worshippers, fire eaters and fire dancers, human cannonballs, treasure hunters, swashbuckling pirates, pilgrims, Bedouin tribesmen and Gypsies. Everything that’s rash and wild inside of you is striving for freedom. And I’m not asking for this to hit you like an epiphany. It’s not supposed to. But if you read that list of misfits above and gave just the tiniest of nods – even at a deep subliminal level – then you understand”

“You know that when a utility company is going down the fantasy route, they are likely hiding some illegal activity that they are engaging in. Fabricating fictional stories to their government regulator is just one of the many illegal activities that they engage in.”

“The bartender/cook looked as if he might have been a fixture of the desert even before the rails were laid. He had the worn look of a man who had seen more than he should and heard a thousand stories that remained in his head, classified and indexed as drama, humor, or horror. There was also an unmistakable aura of style about him, a sophistication that said he didn't belong in a godforsaken roadside tavern on a remote and seldom-traveled road through the desert. For a fleeting instant, Pitt thought the old cook looked vaguely familiar. On reflection, though, Pitt figured the man only resembled someone he couldn't quite place.”

“You alone own your story. Do not let another tell it, and if you find yourself in the company of one determined to rewrite your words or own your narrative, fight like hell until you hold it again. There is little in life that is solely ours. Your story is one of those priceless few things. It is beyond precious. The people meant to be In your life will only strengthen your voice, not take it from you.”

“It has been suggested that each person lives hermetically sealed within his or her self-perpetuated myths. Scholars postulate that we tell ourselves stories to make sense of our lives. We begin exploration of the self with the experience of failed transcendence. Philosophy originates from the experience of disappointment. Our failures lead us to discoveries. At birth, we know very little, almost nothing; all knowledge instigate from the experience and recognition of our limitations. With the uncertainty that surrounds our existence in the universe, perhaps we must create ourselves. Perchance we seek self-exploration when the myths that we once operated under no longer work. Perhaps we undergo self-analysis only when a coalescence of the past, the present, and the future betrays our current myth-making. Perhaps at such times when failure reigns center court, our survival instinct urges us to create a new story-line.”

“Storytelling is one means to entertain, share knowledge, and transmit cultural ideology. Through the universal lens of storytelling, do we become familiar with the life altering dilemmas and moral challenges that fuselage provides the linkage to mode the character patterns essential to leading a principled life? By shuffling through scores of loose leafed stories, can we glean the clarity of thought and the lucidity of perception needed successfully to tackle our own life with gusto? Is reading stories of struggle and redemption one way that we become acquainted with the chemistry of pain and suffering that permeates the arteries of all thinking human beings? Does appreciation for other people’s hardbound stories assist us place the vertebrae of our own experiences into a telling template? Can we draw upon the accumulated experiences of other people’s lives as well as our own hands-on experiences when we see our lives folded into a comprehensible scabbard depicting what it means to be human and, therefore, fallible?”

“Storytelling is ultimately the only way that we know besides song, dance, painting, and music to share with our tribesmen what it means to be human, express the indefinable feelings that unite humankind.”

“The whole of eternity is present now. We apprehend eternity through our senses and mental imagination. We can never recapture lost time. Memory allows us to taste the scintillating experience of living by recollecting our past in a series of sequential personal events and an orderly arrangement of a linked series of cultural happenings. Writing our personal story calls for us to remember the sensation of what it entails to live tactilely before losing lucidity of the mind.”

“The story of what it means to be human is never complete. Every generation will produce its own share of comedies and tragedies, fools and geniuses. What the Greeks started the rest of the world will continue to build upon. The old stories will continue to explicate where we came from, while the new stories will illuminate in what direction humankind trends. The collection of future stories of humanity will add to the cumulative library of stories that past writers told, an anthology of collaborative stories will shed light upon the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom.”

“Storytelling is an ancient art. The lucent vibes of stories express what we cannot articulate directly. When we hear someone’s story, we respond to the spark of humanness within ourselves that seeks to come out in the light and greet the world. When we tell the stories of our lives, we give voice to people bereft of speech, we make the persons whom we love or loved immortal, and we pass along our familiarity with the natural and physical world.”

“If we look at some of the most celebrated or prolific story originators of all time, we find among them a surprising number of eccentric bachelors and unmarried women. People who travelled widely, made strange friends and lived unusual and transient lifestyles.”

“The Holy Scriptures are story-shaped. Reality is story-shaped. The world is story-shaped. Our lives are story-shaped. 'I had always,' wrote G.K. Chesterton in accounting for his Christian belief, 'felt life first as a story, and if there is a story, there is a story-teller.' We enter this story, following the story-making, storytelling Jesus, and spend the rest of our lives exploring the amazing and exquisite details, the words and sentences that go into the making of the story of our creation, salvation, and life of blessing. It is a story chock full of invisibles and intricate with connections. Imagination is required.”

“Good stories are thematic and thought provoking. Every story has a meaning to the teller; sometimes the actual meaning of the story is latent. Is storytelling evidence of how we go about taking measure of our action-filled lives? Do stories tell how we hunker down in a foxhole in an all-out effort to survive? Does storytelling also pay homage to how the mind is predisposed to roam about in a cloudbank while we are belly crawling on the battlefield of time? Does the sprawl of our stories delve into what cinematic themes we find worthy of living for and risk death chasing? What does the synecdoche of our stories tell us about people and how does this knowledge assist us fit into this diverse world as individuals? Do self-selected stories guide us in choosing how to go about life? Does the hard kernel of our personal story allow us to reconcile how we actually live with how other well-meaning people coached us to live? Do poignant stories of our generation tell us whether we should aim for a life of leisure, aspire to acquire wealth, pine to take pleasurable junkets, maneuver to climb the ladder of social prestige, altruistically give to charity, or stoically sacrifice personal delight in order to mollify a religious deity? What does the sanctified marrow of cherished stories tell us about life?”