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Style Quotes

“I’m elated. I guess it’s better late than never. Welcome to the 21st century. It’s fantastic. I love Dior, and Rihanna is very much one of my style icons. I’m happy they got there in the end. I adore her style. She loves fashion, she’s unafraid. She uses her imagination, which is something we should all strive to do.”

“The habit some writers indulge in of perpetual quotation is one it behooves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c'est l homme, what is likely to happen if l homme is for ever eking out his own personality with that of some other individual?”

“I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.”

“When you know too much information and you acquire it too easily, you tend to either use it in disagreeable ways, out of vanity, or you tend to be indiscriminate about it. I mean, in the old days, it was tricky, you had to go to various encyclopedias, you had to go to the library, maybe spend a day there, whatever. But in the end, if you found something, it was really exciting. Now you hit a couple of buttons and you get some information. Which, by the way, is almost always presented in that same goddamn mediocre style that characterizes the Internet for me. It is slightly deadening.”

“While the fashion industry may, at least at the top end, be thriving, the notion of fashion itself is becoming more and more meaningless. Any discipline in fashion has long since evaporated; the idea of a single fashionable skirt length, or heel height, is incomprehensible. The definition of the fashionable has become so skimpy that it refers not to the mode of dress of everyday people--the clothes that have sufficiently caught the popular imagination to be worn in a widespread manner--but only to the styles that momentarily excite members of the fashion caravan.”

“The true historian, therefore, seeking to compose a true picture of the thing acted, must collect facts and combine facts. Methods will differ, styles will differ. Nobody ever does anything like anybody else; but the end in view is generally the same, and the historian's end is truthful narration. Maxims he will have, if he is wise, never a one; and as for a moral, if he tell his story well, it will need none; if he tell it ill, it will deserve none.”

“On that night I was left with only the truth that nothing of our personality survives after death, that in the end all that was Misha Vainberg would evaporate along with the styles and delusions of his epoch, leaving behind not one flutter of his sad heavy brilliance, not one damp spot around which his successors could congregate to appreciate his life and times.”

“Having done Spaced, I can't even remember it being that difficult on Spaced, but we know what the end's going to be like. We know why we're putting in this amount of work, or why a shot might be particularly tricky, because we know that what we do is create a whole package. It's the writing, the performances, and the style of camerawork, that's what we're working toward, and we're prepared for that.”

“Finally I do like best of all stories whose necessity is in the implied recognition that someplace out there there exists an urgency-a chaos-, an insanity, a misrule of some dire sort which can end life as we know it but for the fact that this very story is written, this order found, this style determined, the worst averted, and we are beneficiaries of that order by being readers”

“The documentary style is an incredibly flexible and useful one. It's a wonderful tool for establishing the credibility of the version of things that's in the photograph - a kind of rhetorical device or rhetorical strategy. It's always felt very natural to me, because I want a person to end up thinking about the world, and to think about it in a way that is transformed by the experience of art.”

“I regret that after 30 years of writing columns in this market, including ten with this newspaper that I love very much, this local conversation has come to an end. However, I believe that if the newspapers of the country pool their resources, we can send an Arnold-Schwartzenegger-style robot back in time to kill the inventor of the Internet, and then our future will be much brighter.”

“Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.”