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Subjects Quotes

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Subjects Quotes

“Men always fool themselves when they give up experience for systems born of the imagination. Man is the work of nature, he exists in nature, he is subject to its laws, he can not break free, he can not leave even in thought; it is in vain that his spirit wants to soar beyond the bounds of the visible world, he is always forced to return.”

“Despite the hundreds of attempts, police terror and the concentration camps have proved to be more or less impossible subjects for the artist; since what happened in them was beyond the imagination, it was therefore also beyond art and all those human values on which art is traditionally based.”

“Canada may be fast-forwarding, jump starting, into a new pattern, a model of communication linkages, a civilization that is more than a grab for power and dominance, a place that could channel the fires of the global wirings, where political alliances are subject to electrical ebb and flow, and the alchemical cultivations of imagination and perception, of the self, could precail of the ideology of capital.”

“What I sought in books was imagination. It was depth, depth of thought and feeling; some sort of extreme of subject matter; some nearness to death; some call to courage. I myself was getting wild; I wanted wildness, originality, genius, rapture, hope. ... What I sought in books was a world whose surfaces, whose people and events and days lived, actually matched the exaltation of the interior life. There you could live.”

“The difference between men and women is inalienable. It is not a political fact, subject to cultural definition and redefinition, but a physical verity. We do truthfully experience our lives differently because our bodies are different. It is in what we do with our experience that we are the same. We feel, absorb and examine with the same intensity, and intense experience honestly examined informs the art of both sexes equally. ... The power of imagination illuminates all human lives in common.”

“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world ofits own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”

“In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.”

“Profound meditation in solitude and silence frequently exalts the mind above its natural tone, fires the imagination, produces the most refined and sublime conceptions. The soul then tastes the purest and most refined delight, and almost loses the idea of existence in the intellectual pleasure it receives. The mind on every motion darts through space into eternity; and raised, in its free enjoyment of its powers by its own enthusiasm, strengthens itself in the habitude of contemplating the noblest subjects, and of adopting the most heroic pursuits.”

“I want to talk with people who care about things that matter that will make a life changing difference. True or true? Yes or yes? I never let my subject get in the way of what I want to talk about. When your self-worth goes up, your net worth goes up with it. In imagination, there's no limitation. Don't think it, ink it.”

“Nudity in photography, whether involving adults or children, is a subject sinking under a freight of political and moral disapproval it could never hope to support, and this is not the place for me to get out the bilge pump. I will only say that critics who tremble so fiercely at the thought of the voyeuristic male gaze miss the point that distance generates mystery and enchantment, and expresses the awe with which the male imagination regards all women.”