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Subjects Quotes

“A reader does not suddenly comprehend what is being read or studied, in a snap, miraculously. Comprehension needs to be worked forged, by those who read and study; as subjects of the action, they must seek to employ appropriate instruments in order to carry out the task. For this very reason, reading and studying form a challenging task, one requiring patience and perseverance.”

NeedsDoeReasonActionFormOrderReadingChallengesLearningStudySubjectsReaderTasksInstrumentsPerseveranceAppropriateComprehensionSnapsForgedPatience And Perseverance
Book:Teachers as Cultural Workers: Letters to Those who Dare Teach
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“I try to keep deep love out of my stories because, once that particular subject comes up, it is almost impossible to talk about anything else. Readers don't want to hear about anything else. They go gaga about love. If a lover in a story wins his true love, that's the end of the tale, even if World War III is about to begin, and the sky is black with flying saucers.”

IfsWorldWantLoveTryingWarEndsStoriesWinningBlackImpossibleSkySubjectsParticularReaderLoversCome UpFlyingTalesWar Of The WorldsWorld War IiWorld War IDeep LoveGagaFlying Saucers
Book:Conversations with Kurt Vonnegut
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“Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change.”

PeopleThinkingWayWritingMeanUseFeelingsCertainAttitudeSeeingInfluenceSubjectsStyleProduceReaderDeterminationAtmosphere
Author:Randall Jarrell
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“Every man feels that perception gives him an invincible belief of the existence of that which he perceives; and that this belief is not the effect of reasoning, but the immediate consequence of perception. When philosophers have wearied themselves and their readers with their speculations upon this subject, they can neither strengthen this belief, nor weaken it; nor can they shew how it is produced. It puts the philosopher and the peasant upon a level; and neither of them can give any other reason for believing his senses, than that he finds it impossible for him to do otherwise.”

MenGivingFeelsBelieveReasonBeliefLevelsExistenceImpossibleSubjectsEffectsReaderPerceptionConsequencePhilosopherEvery ManSensesPerceiveReasoningSpeculationPeasantsInvincible
Book:The Works of Thomas Reid, D. D.: Now Fully Collected, with Selections from His Unpublished Letters
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“Nothing detains the reader's attention more powerfully than deep involutions of distress, or sudden vicissitudes of fortune; and these might be abundantly afforded by memoirs of the sons of literature. They are entangled by contracts which they know not how to fulfill, and obliged to write on subjects which they do not understand. Every publication is a new period of time, from which some increase or declension of fame is to be reckoned. The gradations of a hero's life are from battle to battle, and of an author's from book to book.”

KnowsWritingBookMightLiteratureAttentionSubjectsSonReaderHeroPeriodsBattleFameIncreaseFortuneMemoirContractsDistressObligedPublicationVicissitudes
Book:The Works of Samuel Johnson, LL.D.: With An Essay on His Life and Genius
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“I have hardly detained the reader long enough on the subject, to give him a just impression of the stress laid on confession. It is one of the great points to which our attention was constantly directed.”

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Book:Awful Disclosures of Maria Monk: As Exhibited in a Narrative of Her Sufferings During a Residence of Five Years as a Novice, and Two Years as a Black Nun, in the Hotel Dieu Nunnery at Montreal
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“In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.”

FirstsPersonsMatterImaginationViewsPartySubjectsPerspectiveReaderThirdsPoint Of ViewEncountersDistinctionInvitesRepresentationObserversPornographyEroticSubject MatterFirst PersonThird Person
Book:Sexual Desire: A Philosophical Investigation
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“That is as true for fiction or non-fiction. The writer has to really know their subject. It is really important to remember that the readers are a lot smarter than the writer. Also, good writing has to do with rewriting. You will never get it right the first time. So you rewrite and rewrite again until you get it right. Until you, and the reader, will be able to visualize what you're writing about.”

KnowsWritingFirstsImportantAbleRememberFictionSubjectsReaderFirst TimeSmarterNon FictionGood WritingRewriting
Author:Michael Scott
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“The inherent non-linearity of the digital allows for more input from others, including the subject and reader as collaborators. The top-down, bedtime-style story is of limited use. A non-linear narrative that allows for increased complexity and depth, and encourages both subject and reader to have greater involvement, will eventually emerge more fully from the digital environment. This, in a sense, is the more profound democratization of media.”

StoriesUseEnvironmentGreaterSubjectsMediaStyleReaderProfoundDepthIncludingNarrativeComplexityDigitalInherentInvolvementLinearInputBedtimeCollaboratorsTop DownDemocratization
Author:Fred Ritchin
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“There's no subject you don't have permission to write about. Students often avoid subjects close to their heart ... because they assume that their teachers will regard those topics as 'stupid.' No area of life is stupid to someone who takes it seriously. If you follow your affections you will write well and will engage your readers.”

IfsWritingWellsHeartLife IsTeacherSubjectsStupidStudentsReaderAreasRegardAssumingAffectionPermissionTopics
Author:William Zinsser
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“The confusion, the difficulties, the contradictions which, in consequence of a want of accurate distinctions in this particular, have up to even a recent period encumbered mathematics in all those branches involving the consideration of negative and impossible quantities, will at once occur to the reader who is at all versed in this science, and would alone suffice to justify dwelling somewhat on the point, in connexion with any subject so peculiarly fitted to give forcible illustration of it as the Analytical Engine.”

WantGivingImpossibleSubjectsParticularReaderPeriodsConsequenceNegativeDifficultyMathematicsConfusionBranchesDistinctionContradictionConsiderationJustifyEnginesQuantityAccurateDwellingInvolvingIllustrationConnexion
Author:Ada Lovelace
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“The problem with kitsch is that it is all too profound, manipulating deep libidinal and ideological forces, while true art knows how to remain at the surface, how to subtract it's subject from it's deepest context of historical reality. The same goes for contemporary art, where we often encounter brutal attempts to return to the Real, to remind the spectator or reader that he is perceiving a fiction, to awaken him from a sweet dream.”

KnowsArtRealProblemDreamRealityForceFictionKnow HowSubjectsSweetReturnReaderHistoricalProfoundSurfaceContemporaryEncountersBrutalSpectatorsIdeologicalKitschContemporary ArtSweet Dreams
Author:Slavoj Žižek
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