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Tough Quotes

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Tough Quotes

“My mom always has this amazing ability to always see the best in a situation. In that moment [when finished 2nd in the 200 meter race in the 2008 Olympic games] I was just completely devastated. I mean, I had worked so hard; that was my opportunity. And she was just able to turn it around for me. She helped me to be able to see the other side of things and that this is not the end for me. She's just an amazing supporter and an encouraging person and she has a unique ability to do that. And so those are the kind of things she said to me in that moment and over the next four years. When things get tough, she's always been my strength.”

“Throughout the course [of Twilight], you get to see a little more of her vampiric side, because I think she's this vampire with a heart of gold and so that was kind of fun - to show her be a little tough and a little fierce, and to show that she has a little bit of a sassy side when she's dealing with the wolves or with Jacob. So I feel like I got to really round [Alice Cullen] out quite nicely.”

“I think the hardest one had to do with suffering. It had to do with all of our church members and friends passing through difficult times. Sometimes it's the global climate: tsunamis, earthquakes, radiation. I think these kinds of questions are absolutely the most difficult, yet we need to be ready to respond to them because we have to be able as pastors to walk people through these valleys, these tough times in their lives.”

“I was living in New York, so I just rode my motorcycle up to the set [of New Jack City]. So first day of work for me was kind of tough. I get ready to get off my bike, and I'm surrounded by the security guards, who were Louis Farrakhan's Nation Of Islam guys. Who had the double-breasted suits and guns. And this guy goes, "Where you goin'?" And I said, "I'm here to work." And they said, "No you're not." And I said, "Yeah. I'm here to work on the movie." And they said, "No you're not. Get on your bike."”

“We have an incredible capacity for the worst possible evil, all of us, it was that we also have this incredible capacity for good. And that is why we are all of us appalled when something bad happens. Because if the bad was the norm, we would just shrug our shoulders and say "well tough luck, this is how the cookie crumbles" kind of thing but none of us does that.”

“Well, well-run companies always have a focus on growth and the two lines, which includes profit. The key thing during, I think, tough times, is to make sure that you've covered the basis for when something, you know, essentially things taking longer, bad luck, adversity, other kinds of circumstances may occur. Make sure that you can monitor to win, it's potentially, you know, something is going to go wrong, monitor early enough, and then take appropriate action to essentially counteract that or shift your strategy or plan, even if in fact something is not working out as well as it is.”

“We are in tough economic times right now, and the first thing we have to do is look at how we're spending the dollars that we have, and at what kind of return on investment we're getting. Because I think it will show that spending more money without fixing the fundamental flaws in the system won't produce anything different in terms of results. In DC, we were spending a whole lot of money on things that had no positive impact on students' achievement levels.”

“I think the hardest questions had to do with suffering. It had to do with all of our church members and friends passing through difficult times. Sometimes it's the global climate: tsunamis, earthquakes, radiation. I think these kinds of questions are absolutely the most difficult, yet we need to be ready to respond to them because we have to be able as pastors to walk people through these valleys, these tough times in their lives.”

“When you're directing you're kind of interested in the movie and the story and the characters. I just sort of prefer the really tough fighting and some of the other street fighting type moves. You know, where it's not just show. It's not dressing it up for the cameras too much. It's pretty down and dirty, the way it should be. That's something I like to do. I do that.”

“Growing up in the social media world, it's tough. Your face changes, you get older, your face fills out, and you fall into liking makeup and different stuff like that. And for people saying that, for the most part - it would kind of hurt my feelings when you haven't done anything. You just kind of have to keep being yourself and move forward with what you love.”

“It's difficult not to color our perception of author's product with his personality. There are so many examples of this. What do we think of Ezra Pound - clearly a great poet and clearly kind of an asshole? You can say the same thing about Louis-Ferdinand Céline, who clearly was a Nazi sympathizer, and yet one of the great writers of the 20th century. It is tough, but there are enough examples around where we have to somehow find a way of separating the work from the artist and seeing what there is to see in the work, while also condemning the thoughts we see in the man.”

“You can point to a lot of women showrunners that have had long and successful careers. In terms of the kinds of movies that women can get made, as long as the business operates under this model of the first-weekend [box office] focus, with huge movies aimed at super-young audiences, it will be really tough for women to do something that really changes the landscape. Because honestly, until they figure out how to get grown women into the theaters on the first weekend, it won't change.”

“It's a tough time for screenwriters right now, because fewer movies are getting made. I'm enjoying television so much. It offers opportunities for writers to be in a writers' room and work their way up. It's somewhat easier because there's more of a community. There are so many screenwriters with incredible stories to tell, so I hope there will be some kind of shift in the business where very few types of movies are now made by the studios. There needs to be different budgets for different audiences; not everything having to be a huge opening weekend.”

“It was tough sitting in jail listening to Jay Leno and Rush Limbaugh and everybody making jokes about me getting shot. And watching the media report all kinds of lies about me, like that I got raped in jail. That never happened. But at least while I was locked down, all the inmates gave me props encouragement, and so did lots of mothers and kids, who wrote me letters of support.”

“Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.”

“I suppose it's nice that I've made films that some people have heard of and respect. That's great. And it's certainly helpful in some regards, but they're really tough economic prospects. They always have been, and that's not necessarily getting any better. And not just the films, but it's also been a rough 10 years for that independent film market. And so I have stumbled onto this point in the timeline where the kind of stuff that I'm trying to do is not... it was a lot easier to know what to do with it 20 years ago.”

“Editing rooms are kind of, by definition, a bubble of you and the editor and what you're thinking. It's a truth-telling thing to watch it through someone else's eyes, is to get another level of real with your material. Like, "Maybe that's not that funny. Maybe that's not as interesting. Maybe that's redundant to something else. Maybe we can cut down." I don't know. It's a brutal, honest process. You've got to be pretty - You can't be sentimental. You have to be. It's a cold process. You can't be nostalgic. You have to make those tough decisions.”

“What it means to be a man is to take on all the emotional pain and work through what you got to work through with the people you love while at the same time getting your business done. And it's tough. I think that most children when they grow up they kind of realize that the things they didn't like about their parents or didn't understand about them they get now and that you know every year you get more responsibilities. You get more overhead. You get more things you got to take care off.”

“One of the tough things about being an actor, probably the hardest thing, is getting your foot in the door, and my father handled that for me at a very early age. It's funny, I get an image of the thing with eggs and chickens where, when the egg is getting ready to hatch, the little chicken will start to peck at the shell a little bit, and the mom will hear that and start to peck at the shell from the outside, and they're both kind of working together.”

“Angels is a tough word, because it is so involved with organized religion and everything else. I do know, absolutely, from my experience, there are some kind of spiritual entities - force, power, intelligence - that guide me through each and every day, as long as I'm willing to accept, recognize, and surrender to their guidance. It's always there, but there are times when I insist upon having my way.”

“It was a good hald minute before I looked over at Todd. his eyes were slightly foggy, like he was waking up- reluctantly- from a lascivious dream. "I didn't know they still made them like that," he said.... "Cool, tough, retro-manly. The kind who only cries if someone just ran over their dog. The big chested guy we can indulge our pathetic Daddy complexes with.”

“Derek caught my arm again as I started to move--at this rate, it was going to be as sore as my injured one. "Dog," he said, jerking his chin toward the fenced yard. "It was inside earlier." Expecting to see a Doberman slavering at the fence, I followed his gaze to a little puff of white fur, the kind of dog women stick in their purses. It wasn't even barking, just staring at us, dancing in place. "Oh, my God! It's a killer Pomeranian." I glanced up at Derek. "It's a tough call, but I think you can take him.”

“When you have to face up to the fact that marriage to the man you love is really over, that's very tough, sheer agony. In that kind of harrowing situation, I always go away and cut myself off from the world. Also, I sober up immediately when there is genuine bad news in my life; I never face it with alcohol in my brain. I just rented a house in Palm Springs and sat there and just suffered for a couple of weeks. I suffered there until I was strong enough to face it.”

“Check this out,” Nine says. He holds up a small purple stone and then places it on the back of his hand. The stone slides into his hand—through it. Nine turns his hand over just as the stone pops out in his palm. “Pretty cool, right?” he asks me, waggling his eyebrows. “Uh, but what is it supposed to do?” Eight asks, looking up from his own Chest. “I dunno. Impress girls?” Nine looks over at me. “Did it work?” “Um . . .” I hesitate, trying not to roll my eyes too hard. “Not really. But, I’ve seen guys teleport so I’m kind of hard to impress.” “Tough crowd.”

“Genuine confidence is a way of thinking about yourself and your abilities. Confidence is your perception of your own potential; it's a kind of long-term thinking that powers you through the obstacles and tough times, helping you solve problems and putting you in the way of success. Your confidence is quite a separate matter from your social skills.”