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Writing Quotes

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Writing Quotes

“I believe writers need to be chameleons, or like Meryl Streep, who can play all sorts of characters. A good writer should be able to cross gender lines and people of all social classes. So for me, writing from a male point of view would be a great challenge, that I would look forward to taking on.”

“I know when a story is finished when there is not a single thing more I can think to do to it. And since I know at the start what the last line will be, I know when I've reached that point as logically as I can that it's finished. As for the rewriting-it's not foolproof, of course, but if you're honest about having thought of every possibility and you still come back to what you have, what more can you do?”

“The single most important technique for making progress is to write ten words. Doesn't matter if you're badly stuck, or your day is completely jam-packed, or you're away from your computer - carry a small paper notebook and write a sentence of description while you're waiting on line at a coffee shop. I think of this as baiting a hook. Even if you have a few days in a row where nothing comes except those ten words, I find that as long as you have to think about the novel enough to write ten words, the chances are that more will come.”

“From the opening lines, Sleeping with Schubert is a hilarious, whimsical romp through the looking glass of a great musical mystery. The writing snaps, crackles, and pops with humor as Bonnie Marson makes Schubert a sexy, happening kind of guy who gives new meaning to our dreaming the impossible.”

“There are all sorts of theories and ideas about what constitutes a good opening line. It's tricky thing, and tough to talk about because I don't think conceptually while I work on a first draft -- I just write. To get scientific about it is a little like trying to catch moonbeams in a jar. But there's one thing I'm sure about. An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.”

“Natalie Lyalin is writing some of the best poems in the world. There is an evil in her gorgeous poem-hearts. She must have sold her heart to the devil to write like this—so beautiful, so funny and so strange. Her images stack and stack down the page without spilling, each line such a bombshell you'll start reading backward to the first line. These poems are like babies—they will pop out of trees.”