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Adrienne Rich

Adrienne Rich Quotes

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Famous Adrienne Rich Quotes

“A poem can't free us from the struggle for existence, but it can uncover desires and appetites buried under the accumulating emergencies of our lives, the fabricated wants and needs we have had urged on us, have accepted as our own. It's not a philosophical or psychological blueprint; it's an instrument for embodied experience.”

“There's a place between two stands of trees where the grass grows uphill and the old revolutionary road breaks off into shadows near a meeting-house abandoned by the persecuted who disappeared into those shadows. I've walked there picking mushrooms at the edge of dread, but don't be fooled this isn't a Russian poem, this is not somewhere else but here, our country moving closer to its own truth and dread, its own ways of making people disappear.”

“In those years, people will say, we lost track of the meaning of we, of you we found ourselves reduced to I and the whole thing became silly, ironic, terrible: we were trying to live a personal life and yes, that was the only life we could bear witness to But the great dark birds of history screamed and plunged into our personal weather They were headed somewhere else but their beaks and pinions drove along the shore, through the rags of fog where we stood, saying I”

“We may feel bitterly how little our poems can do in the face of seemingly out of control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation, show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us kinship where all is represented as separation." (Defy the Space That Separates, The Nation, October 7, 1996)”

“the phantom of the man-who-would-understand, the lost brother, the twin --- for him did we leave our mothers, deny our sisters, over and over? did we invent him, conjure him over the charring log, nights, late, in the snowbound cabin did we dream or scry his face in the liquid embers, the man-who-would-dare-to-know-us? It was never the rapist: it was the brother, lost, the comrade/twin whose palm would bear a lifeline like our own: decisive, arrowy, forked-lightning of insatiate desire It was never the crude pestle, the blind ramrod we were after: merely a fellow-creature with natural resources equal to our own.”

“It's true, these last few years I've lived watching myself in the act of loss—the art of losing, Elizabeth Bishop called it, but for me no art only badly-done exercises acts of the heart forced to question its presumptions in this world its mere excitements acts of the body forced to measure all instincts against pain acts of parting trying to let go without giving up yes Elizabeth a city here a village there a sister, comrade, cat and more no art to this but anger”

“Look: this is January the worst onslaught is ahead of us Don't be lured by these soft grey afternoons these sunsets cut from pink and violet tissue-paper by the thought the days are lengthening Don't let the solstice fool you: our lives will always be a stew of contradictions the worst moment of winter can come in April when the peepers are stubbornly still and our bodies plod on without conviction and our thoughts cramp down before the sheer arsenal of everything that tries us: this battering, blunt-edged life”

“The necessity of poetry has to be stated over and over, but only to those who have reason to fear its power, or those who still believe that language is 'only words' and that an old language is good enough for our descriptions of the world we are trying to transform.”

“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand--a center of gravity.”

“... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.”