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David Hockney

David Hockney Quotes

Photographer

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“I think the ambiguity of similarity and difference is very powerful. It's the same scene in different times of year read across the grid, and, of course, different locations reading vertically. But you can get confused and lost in the series. You force the mind, which is always comparing and contrasting, to stumble ... That ambiguity is very powerful. One is getting lost and refinding oneself.”

“On the 31st of October 2011 year, I had a mini-stroke. I couldn't finish my sentences. So I went to the doctor. It was a tiny one. The speech came back in a month or so. I did notice I could draw even better, I felt. I was concentrating more. And I wasn't talking much, but I was drawing. I said, "Well, I don't have to talk much."”

“I thought using three cameras was a lot better than one, because you could see where you were going, where you'd been, and all kinds of things - more like life. I think photography has colored our vision. We're now in an area where it might break something. I think this is a time. I feel it. I don't know whether I'll be here long enough to experience it. I've no plans to leave yet.”

“Photography hankers after the condition of the neutral observer. But there can be no such things as a neutral observer. For something to be seen, it must be looked at by somebody, and any true and real depiction must be an account of the experience of that looking.”

“...all along I've had an ambivalent relationship to photography - but as to whether I thought it an art form, or a craft, or a technique, well, I've always been taken with Henry Geldzahler's answer to that question when he said, I thought it was a hobby.”

“Modernism in a way, early modernism, for instance, in pictures, was turning against perspective and Europe. And all early modernism is actually from out of Europe, when you think of cubism is African, is looking at Africa, Matisse is looking at the arabesque, Oceania. Europe was the optical projection that had become photography, that had become film, that became television and it conquered the world.”

“I think I’m greedy, but I’m not greedy for money – I think that can be a burden – I’m greedy for an exciting life. I want it to be exciting all the time, and I get it, actually. On the other hand, I can find excitement, I admit, in raindrops falling on a puddle and a lot of people wouldn’t. I intend to have it exciting until the day I fall over.”