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Franny Billingsley

Franny Billingsley Books

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Chime

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The Folk Keeper

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“I think about the Old Ones, that they have a past but no history. I think about the inevitability of death, and whether it’s not that very inevitability that inspires us to take photographs and make scrapbooks and tell stories. That that’s how we humans find our way to immortality. This is not a new thought; I’ve had such thoughts before. But I have a new thought now. That that’s how we find our way toward meaning. Meaning. If you’re going to die, you want to find meaning in life. You want to connect the dots.”

“There’s such a thing as being irritatingly ethical,” said Eldric. “That’s you, right now.” That’s a pleasant change. Witches are rarely accused of being irritatingly ethical. “I’ve swigged.” I handed the bottle to Eldric. “Or is it swug?” “Swug,” said Eldric. “It is in bad-boy circles, at least.” He swug. “It tastes much better outside church.” “It’s the picnic principle,” I said. “Things taste better outdoors. And if it’s a forbidden thing, so much the better.”

“It is true that I can trip over anything and nothing – a speck of dust, a patch of sunlight, an idea. I move through life like a person with one eye, through a landscape that looks flat, but is really tricked out with hidden depths and shallows. It didn’t use to be so, but no matter. I navigate the world well enough in my own way.”

“I have some questions about betrayal,” I said. “Think about this: A person who calls you his best friend, and says he has dinner plans with you, goes off with a beautiful woman, saying he’ll be back directly, then makes you wait half an hour because he’s kissing the woman in the alley. Is that betrayal?” “Oh, Lord.” Eldric tossed back his wine.”

“The handkerchief dabbed at my forehead. 'Ouch! You'll have a fine-looking bruise tomorrow.' 'Then you'll be able to distinguish me from Rose.' The handkerchief paused. 'I could tell you apart from the beginning. You're quite different to each other, you know.' Perhaps he could tell, in the obvious ways. The odd one was Rose; the other odd one was Briony.”

“Guess what it is that turns plants to coal. Pressure. Guess what it is that turns limestone to marble. Pressure. Guess what it is that turns Briony's heart to stone. Pressure. Pressure is uncomfortable, but so are the gallows. Keep your secrets, wolfgirl. Dance your fists with Eldric's, snatch lightning from the gods. Howl at the moon, at the blood-red moon. Let your mouth be a cavern of stars.”

“This is what I want. I want people to take care of me. I want them to force comfort upon me. I want the soft-pillow feeling that I associate with memories of being ill when I was younger, soft pillows and fresh linens and satin-edged blankets and hot chocolate. It's not so much the comfort itself as knowing there's someone who wants to take care of you.”

“When we were small, Rose and I used to play a game called connect the dots. I loved it. I loved drawing a line from dot number 1 to dot number 2 and so on. Most of all, I loved the moment when the chaotic sprinkle of dots resolved itself into a picture. That's what stories do. They connect the random dots of life into a picture. But it's all an illusion. Just try to connect the dots of life. You'll end up with a lunatic scribble.”

“I don’t mind the disapproving ones so much. It’s the tolerant ones I can’t stand, the ones who smile at Rose, who speak to her ever so slowly and gently. They don’t realize how very intelligent Rose really is. They’re just terrifically pleased with themselves. Look at me! they all but shout. See how broad-minded I am! How wonderfully progressive, how fantastically twentieth century!”