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George Saunders

George Saunders Quotes

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“I heard Zen teacher one time talking about abortion, and he was saying the way that abortion makes bad karma is any time the person involved pretends that there's not a cost to the choice, one way or the other; whether you get it or don't get it, there's a cost. That's just basic responsibility, to admit that there's a cost. And the bad karma is when you pretend that the thing is free.”

“A sort of fearlessness - the notion that a person could be comfortable with (even interested in) whatever arises. I sure can't do it, but I think all of us have had little glimpse of that power, often when we are really actively loving someone or something and feel that little eradication of self that happens when we are engaged in feeling protective or especially fond of someone else. I associate that feeling with a corresponding clarity of purpose and a disappearance of confusion.”

“It really was something, to see Ram Bahadur Bomjon, apparently living without food or water. Before I went on that trip I'd asked advice on it from a very wise person who I love and revere - basically trying to see if I was somehow disrespecting Buddhism by trying to write about it, and also looking for some grounding on what stance to take ... and my friend said, "Well, why don't you just go and see?" And I hear that in my head all the time now: "Why don't you go and see?"”

“My general approach to writing fiction is that you try to have as few conceptual notions as possible and you just respond to the energy that the story is making rather than having a big over plan. I think if you have a big over plan, the danger is that you might just take your plan and then you bore everybody. I always joke that it's like going on a date with index cards. You know, at 7:30 p.m. I should ask about her mother. You keep all the control to yourself but you are kind of insulting to the other person.”

“If you have a friend, what's the best way you can experience her beauty? It's to really accept her. She's weird in this way, I accept it. She's hard to talk to, I accept it. Then that person eventually will come all the way out into the sun. I think it's the same way with our talent. We say, "Look, I'm not going to judge you. I'm going to try to use you in the very best way."”

“I think it is time for a new pride in the intellectual life, and a new impatience with people who take pride in ignorance, or somehow use "elite" to mean "person who has taken the time to know" and then are eager to dismiss, say, striving, or the notion that improving one's self out of difficult conditions is a noble thing.”

“My view is that our minds are incredibly powerful animals that are, during life, kept somewhat in check by the load of our bodies. Once that load is gone (or so some ancient texts teach us) the mind is like a horse off the tether. So the habits we get into here might have something to do with what happens to us afterwards. An exciting but harrowing idea, given the everyday state of my mind. But also hopeful, since that's something a person can work with.”

“This whole literary game of trying to put yourself in the shoes of your opponent is good for everybody. It leaves you more open-hearted, it gives you a more accurate vision of the other person, because it's more based on curiosity than projection. In the end if you do have to fight, you're better equipped to fight. Also it doesn't leave you damaged at the end, it doesn't leave you hateful or malformed by your own anger.”

“And so, a prediction, and my heartfelt wish for you: as you get older, your self will diminish and you will grow in love. YOU will gradually be replaced by LOVE. If you have kids, that will be a huge moment in your process of self-diminishment. You really won't care what happens to YOU, as long as they benefit. That's one reason your parents are so proud and happy today. One of their fondest dreams has come true: you have accomplished something difficult and tangible that has enlarged you as a person and will make your life better, from here on in, forever.”

“A work of art is something produced by a person, but is not that person — it is of her, but is not her. It’s a reach, really — the artist is trying to inhabit, temporarily, a more compact, distilled, efficient, wittier, more true-seeing, precise version of herself — one that she can’t replicate in so-called ‘real’ life, no matter how hard she tries. That’s why she writes: to try and briefly be more than she truly is.”