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John Boyne

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Famous John Boyne Quotes

“And what did I do, only slip my hand inside his own and say that maybe he should hold my hand instead for a while, and I can see the look on his face even to this day. The shock and the desire. Oh, I loved the power I had over him! The power I could sense in myself! You won't understand this but it's something that every girl realizes at some point in her life, usually when she's around fifteen or sixteen. Maybe it's even younger now. That she has more power than every man in the room combined, because men are weak and governed by their desires and their desperate need for women but women are strong. I've always believed that if women could only collectively harness the power that they have then they'd rule the world. But they don't. I don't know why. And for all their weakness and stupidity, men are smart enough to know that being in charge counts for a lot. They have that over us at least.”

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Book:The Heart's Invisible Furies
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“And, you'll forgive me for sounding immodest, but i know that i'm good-looking. Throughout my life, both men and women have made their interest in me obvious. But I can't control any of that. It was simply the way I was born. Ultimately, it means nothing. I could have a heart of stone for all they know. I could be a psychopath or a sociopath. Not all monsters look like the Elephant Man, and not everyone who looks like the Elephant Man is a monster.”

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Book:A Ladder to the Sky
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“But once, in his anger, Aidan had asked me whether I thought I had wasted my life, and I had told him no. No, I had not. But I had been wrong. And Tom Cardle has been right. For I had known everything, right from the start, and never acted on any of it. I had blocked it from my mind time and again, refused to recognize what was staring me in the face. I had said nothing when I should have spoken out, convincing myself that I was a man of higher character. I had been complicit in all their crimes, and people had suffered because of me. I had wasted my life. I had wasted every moment of my life. And the final irony was that it had taken a convicted pedophile to show me that in my silence, I was just as guilty as the rest of them.”

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Book:A History of Loneliness
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“Actually, they were very strange parents,' I told her. 'Neither of them were what you might call conventional people. And they had an extremely peculiar approach to parenting. Sometimes I felt as if I were little more than a tenant in their house, as if they weren't entirely sure what I was doing there. But they never mistreated me, nor did they ever do anything to hurt me. And perhaps they loved me in their own way. The concept itself might have been slightly alien to them.' 'And did you love them?' 'Yes, I did,' I said without hesitation. 'I loved them both very much. Despite everything. But then children usually do. They look for safety and security, and one way or another Charles and Maude provided that.' (p. 556)”

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Book:The Heart's Invisible Furies
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“(Cyril and Alice talking about Maude Avery and her books) 'I occasionally get letters from students asking for help with their theses.' 'And do you offer it?' 'No. It's all there in the books themselves. There's nothing much I can add that would be of any use to anyone.' 'You're right,' said Alice. 'So why any of them feel the need to talk about their work in public or give interviews is beyond me. If you didn't say what you wanted to say in the pages themselves, then surely you should have done another draft.' (p. 271)”

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Book:The Heart's Invisible Furies
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“Oh, I hate him,' she said, and I noticed a flush of colour come into her cheeks and the manner in which the fingers of her left hand dug into her palm, as if she wanted something to take away the pain. 'I absolutely detest him. Afterwards, I didn't feel very much at all for a week or two. I suppose I was in shock. But then the fury rose and it hasn't subsided since. Sometimes I find it difficult to control. I think it was around the time that everyone stopped asking me whether I was all right, when lives went back to how they had been before. Had he been in Dublin I might well have gone over there, broken down his door and stabbed him as he slept. Fortunately for him, he was in Madagascar with his lepers.' (p. 268)”

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Book:The Heart's Invisible Furies
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“Where do [writers] get [their] ideas? And the answer is that no one knows where they come from and nobody should know. They evolve in the air, they float down from some mysterious heaven and we reach and grab one, to grasp in our imagination, and to make it our own. One writer might overhear a conversation in a cafe and a whole novel will be built from that moment. Another might see an article in a newspaper and a plot will suggest itself immediately. Another might hear about an unpleasant incident that happened to a friend of a friend in a supermarket . . . .”

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Book:A Ladder to the Sky
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“To my surprise, she knelt down by the side of the grave. "Do you remember me, Father Monroe?" she asked quietly. "Catherine Goggin." "You threw me out of the parish in 1945 because I was going to have a child. You tried to destroy me but you didn't. You were a terrible monster of a man and wherever you are you should feel shame for the way you lived your life." She looked as if she wanted to rip the stone out of the ground with her bare hands and break it over her knee but finally, breathing heavily, she stood up and moved on. I couldn't help but to wonder what might have happened to her if the priest had shown her compassion instead of cruelty, had he intervened with my grandfather and helped him realize that we all make mistakes. If the parish had rallied behind my mother instead of casting her out.”

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Book:The Heart's Invisible Furies
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“So you don't like it here then?" asked Bruno. "You think it's as bad as I do?" Maria frowned. "It's not important," she said. "What isn't?" "What I think." "Well, of course it's important," said Bruno irritably, as if she was just being deliberately difficult. "You're part of the family, aren't you?" "I'm not sure whether your father would agree with that," said Maria, allowing herself a smile because she was touched by what he had just said.”

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Book:The Boy in the Striped Pajamas
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“I started reading Dickens when I was about 12, and I particularly liked all of the orphan books. I always liked books about young people who are left on their own with the world, and the four children's books I've written feature that very thing: children that are abandoned by their families or running away from their families or ignored by their families and having to grow up quicker than they should, like David Copperfield - having to be the hero of their own story.”

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Author:John Boyne
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“I like reading books about kids where there weren't really many adults, where they didn't need an adult to come and solve the problems for them. They could use their own ingenuity, use their own talents to solve whatever the issue was. And I like that still. I think that children want to read about heroic children. They don't want to read about children that have to be saved all the time.”

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Author:John Boyne
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“I like the idea of standalone novels. I always found with series of books, it's something that publishers love obviously because they can make a lot of money and they build an audience from book to book, but I don't like that as a writer. I prefer the idea of just telling a story, completing it within your book, and moving on and not forcing a child to read eight of them.”

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Author:John Boyne
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“With the adult ones, I feel I need to get as deep inside the psychology of a character as I can, and that needs to be first-person. In the children's books, I feel I need some distance. I don't want to be the nine-year-old at the center of the story. I need to have some type of narrative voice.”

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Author:John Boyne
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“I don't change the language for children books. I don't make the language simpler. I use words that they might have to look up in the dictionary. The books are shorter, but there's just not that much difference other than that to be honest. And the funny thing is, I have adult writer friends [to whom I would say], "Would you think of writing a children's book?" and they go, "No, God, I wouldn't know how." They're quite intimidated by the concept of it. And when I say to children's books writers, would they write an adult book, they say no because they think they're too good for it.”

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Author:John Boyne
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“I am frustrated by celebrities who decide to write children's books because they think it's easy. That drives me crazy. It's frustrating because it's unfair to children. Because they'll get a lot of attention, they'll get a lot of marketing budget and so on just because they're a celebrity - the Madonnas, the Ricky Gervaises, the Russell Brands.”

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Author:John Boyne
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“I hope for so much from every book I read. And time and again, I find myself disappointed. I look across my bookshelves and see hundreds of titles which in my memory seem merely mediocre or second-rate. Only occasionally does a novel appear for which I feel a lasting passion, a book that I think could in time become a classic.”

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Author:John Boyne
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