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John Edgar Wideman

John Edgar Wideman Books

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“I really love James Joyce, Dubliners and other work. And I was interested in the way the dash was used in English topography - in his work particularly - and I realized there was no compulsion to use those ugly dot-dot curlicues all over the place to designate dialogue. I began to look around, and found writers who could make transitions quite clear by the language itself. I'm a bit of a maverick now. I'm always trying to push the medium.”

WayTryingLooksUseUsedFoundLanguageBitsClearUglyI RealizedDialogueMediumsTransitionCompulsionAlways TryingDotsJoyceMaverickTopography
Author:John Edgar Wideman
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“When you're at the basketball court watching a game, one person may be talking about a fight he had with his wife, another is talking about the last hard-on he got, someone else is talking about the presidential election. The language and the tone and the voice - I'd love to be able to capture that spontaneity.”

MayPersonsHardAbleLastsFightingGamesLanguageVoiceTalkingWifeBasketballElectionCourtPresidentialToneCaptureSpontaneityPresidential ElectionBasketball Court
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“My grandfather had asked me many times whether I'd like to come to South Carolina with him. He wanted to introduce me to our people down there and I didn't want to go. In those days, the South was still a place where black kids were lynched. Something horrible could happen to you. I've had that feeling my whole life.”

PeopleWantStillsWholeFeelingsHappensKidsWantedBlackSouthWhole LifeHorribleIntroducingGrandfatherMy GrandfatherCarolinaSouth Carolina
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“Books are an attempt to control something that's uncontrollable. That's one of the beauties of African American life. There was this thing called slavery and adjustments were made. It literally destroyed millions, but it didn't destroy the inner lives of all the people who experienced it. There are still horrible things that go on because of the myth of race, but we don't have to succumb totally. If I had only a negative side of things to present, I think I would have much less of a drive to do it. Because what would be the point?”

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“Our thoughts, our language, are always at a distance from whatever they're trying to describe. We're dreamers and - since we only have one life, and if we screw up we can get in a world of trouble - we're very intense dreamers. That's the beauty and the terror of being human beings: We just have these symbolic languages, these dreams, and that's all it ever is. There is no American or Frenchhistory. There are all these dreams that are floating around. People construct them and fight with them and criticize them, and the world goes on. I don't think the stars pay much attention.”

PeopleThinkingWorldTryingDreamFightingLanguageAttentionTroubleDistanceTerrorIntenseCriticizeDreamerBeing Human
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“Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.”

WayChildrenPlayUseKidsRememberLanguageSoundMagicHavensWallSkinsForgottenTendenciesRhythmReleaseBuriedRhymeRepetitionFormationTumblingHidden MeaningLanguage WordsAlliterationTumbling DownAbracadabra
Author:John Edgar Wideman
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