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John Galsworthy

John Galsworthy Books

Novelist

25 Plays

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Another Sheaf

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Beyond

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Five Tales

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Swan Song

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The Apple Tree

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“The stars in their courses fought against her! External opposition one could cut through or get round; but this deep spiritual unease in the loved one’s soul, that — ah! that — one could not reach; and the unreachable could not be pushed away, cut through, or circumvented. She looked up at the stars that fought against her. Did the ancients really believe that, or was it, with them, as with her, just a manner of speaking? Did those bright wheeling jewels on the indigo velvet of all space really concern themselves with little men, the lives and loves of human insects, who, born from an embrace, met and clung and died and became dust? Those candescent worlds, circled by little offsplit planets — were their names taken in vain, or were they really in their motions and their relative positions the writing on the wall for men to read? No! That was only human self-importance! To his small wheel man bound the Universe. Swing low, sweet chariots! But they didn’t! Man swung with them — in space. . . . .”

“Religion was nearly dead because there was no longer real belief in future life; but something was struggling to take its place - service - social service - the ants creed, the bees creed.”

“Art is the one form of human energy in the whole world, which really works for union, and destroys the barriers between man and man. It is the continual, unconscious replacement, however fleeting, of oneself by another; the real cement of human life; the everlasting refreshment and renewal. For, what is grievous, dompting, grim, about our lives is that we are shut up within ourselves, with an itch to get outside ourselves. And to be stolen away from ourselves by Art is a momentary relaxation from that itching, a minute's profound, and as it were secret, enfranchisement.”

“The Forsytes were resentful of something, not individually, but as a family; this resentment expressed itself in an added perfection of raiment, an exuberance of family cordiality, an exaggeration of family importance, and the sniff. Danger so indispensable in bringing out the fundamental quality of any society, group, or individual was what the Forsytes scented; the premonition of danger put a burnish on their armour. For the first time, as a family, they appeared to have an instinct of being in contact, with some strange and unsafe thing.”

“Looking back on the long-stretched-out body of one's work, it is interesting to mark the endless duel fought within a man between the emotional and critical sides of his nature, first one, then the other, getting the upper hand, and too seldom fusing till the result has the mellowness of full achievement. One can even tell the nature of one's readers, by their preference for the work which reveals more of this side than of that.”

“How to save the old that's worth saving, whether in landscape, houses, manners, institutions, or human types, is one of our greatest problems, and the one that we bother least about.”

“The bicycle... has been responsible for more movement in manners and morals than anything since Charles the Second. Under its influence, wholly or in part, have blossomed weekends, strong nerves, strong legs, strong language... equality of sex, good digestion and professional occupation - in four words, the emanicipation of women.”

“The young man who, at the end of September, 1924, dismounted from a taxicab in South Square, Westminster, was so unobtrusively American that his driver had some hesitation in asking for double his fare. The young man had no hesitation in refusing it.”

“Love is not a hot-house flower, but a wild plant, born of a wet night, born of an hour of sunshine; sprung from wild seed, blown along the road by a wild wind. A wild plant that, when it blooms by chance within the hedge of our gardens, we call a flower; and when it blooms outside we call a weed; but, flower or weed, whose scent and colour are always, wild!”