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Khaled Hosseini

Khaled Hosseini Books

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The Kite Runner

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Sea Prayer

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“Sé que aún eres pequeña, pero quiero que lo sepas y lo comprendas desde ahora—le dijo un día—. El matrimonio puede esperar; la educación no. Eres una niña muy, muy inteligente. De verdad, lo eres. Puedes llegar a ser lo que tú quieras, Laila. Lo sé. Y también sé que, cuando esta guerra termine, Afganistán te necesitará tanto como a sus hombres, tal vez más incluso. Porque una sociedad no tiene la menor posibilidad de éxito si sus mujeres no reciben educación, Laila. Ninguna posibilidad.”

“There is only one sin, only one, and that is theft. Every other sin is a variation of theft. When you kill a man, you steal a life. You steal his wife's right of a husband, you rob his children of a father. When you lie you steal someone's right to truth. When you cheat, you steal the right to fairness. There is no more wretched act than stealing. A man who takes what is not his to take, be it life or a loaf of naan, I spit on such a man. And if I ever cross paths with him, God help him.”

“She likes that they have a bathroom, not an outhouse but an actual bathroom, with a toilet that flushes, a shower, and a sink too, with twin faucets from which she can draw, with a flick of her wrist, water, either hot or cold. She likes waking up to the sound of Altona bleating in the morning, and the harmlessly cantankerous cook, Adiba, who works marvels in the kitchen. Sometimes, as Laila watches Tariq sleep, as her children mutter and stir in their own sleep, a great big lump of gratitude catches in her throat, makes her eyes water.”

“Maybe this is necessary. Maybe there will be hope when Bush's bombs stop falling. But she cannot bring herself to say it, not when what happened to Babi and Mammy is happening to someone now in Afghanistan, not when some unsuspecting girl or boy back home has just been orphaned by a rocket as she was. Laila cannot bring herself to say it. It's hard to rejoice. It seems hypocritical, perverse.”

“war. Or, rather, wars. Not one, not two, but many wars, both big and small, just and unjust, wars with shifting casts of supposed heroes and villains, each new hero making one increasingly nostalgic for the old villain. The names changed, as did the faces, and I spit on them equally for all the petty feuds, the snipers, the land mines, bombing raids, the rockets, the looting and raping and killing.”

“I sat against one of the house’s clay walls. The kinship I felt suddenly for the old land... it surprised me. I’d been gone long enough to forget and be forgotten. I had a home in a land that might as well be in another galaxy to the people sleeping on the other side of the wall I leaned against. I thought I had forgotten about this land. But I hadn’t. And, under the bony glow of a halfmoon, I sensed Afghanistan humming under my feet. Maybe Afghanistan hadn’t forgotten me either. I looked westward and marveled that, somewhere over those mountains, Kabul still existed. It really existed, not just as an old memory, or as the heading of an AP story on page 15 of the San Francisco Chronicle. Somewhere over those mountains in the west slept the city where my harelipped brother and I had run kites. Somewhere over there, the blindfolded man from my dream had died a needless death. Once, over those mountains, I had made a choice. And now, a quarter of a century later, that choice had landed me right back on this soil.”

“That summer, Titanic fever gripped Kabul. People smuggled pirated copies of the film from Pakistan- sometimes in their underwear. After curfew, everyone locked their doors, turned out the lights, turned down the volume, and reaped tears for Jack and Rose and the passengers of the doomed ship. If there was electrical power, Mariam, Laila, and the children watched it too. A dozen times or more, they unearthed the TV from behind the tool-shed, late at night, with the lights out and quilts pinned over the windows. At the Kabul River, vendors moved into the parched riverbed. Soon, from the river's sunbaked hollows, it was possible to buy Titanic carpets, and Titanic cloth, from bolts arranged in wheelbarrows. There was Titanic deodorant, Titanic toothpaste, Titanic perfume, Titanic pakora, even Titanic burqas. A particularly persistent beggar began calling himself "Titanic Beggar." "Titanic City" was born. It's the song, they said. No, the sea. The luxury. The ship. It's the sex, they whispered. Leo, said Aziza sheepishly. It's all about Leo. "Everybody wants Jack," Laila said to Mariam. "That's what it is. Everybody wants Jack to rescue them from disaster. But there is no Jack. Jack is not coming back. Jack is dead.”

“I blinked and the smile was gone. But it had been there. I had seen it. “Do you want me to run that kite for you?” His Adam’s apple rose and fell as he swallowed. The wind lifted his hair. I thought I saw him nod. “For you, a thousand times over,” I heard myself say. Then I turned and ran. It was only a smile, nothing more. It didn’t make everything all right. It didn’t make anything all right. Only a smile. A tiny thing. A leaf in the woods, shaking in the wake of a startled bird’s flight. But I’ll take it. With open arms. Because when spring comes, it melts the snow one flake at a time, and maybe I just witnessed the first flake melting. I ran. A grown man running with a swarm of screaming children. But I didn’t care. I ran with the wind blowing in my face, and a smile as wide as the Valley of Panjsher on my lips. I ran.”

“Your mother, she used to be adventurous then, and... so *alive*. She was just about the liveliest, happiest person I'd ever met." He smiled at the memory. "She had this laugh. I swear it's why I married her, Laila, for that laugh. It bull-dozed you. You stood no chance against it." A wave of affection overcame Laila. From then on, she would always remember Babi this way: reminiscing about Mammy, with his elbows on the rock, hands cupping his chin, his hair ruffled by the wind, eyes crinkled against the sun.”

“Laila remembered how Mammy had dropped to the ground, how she’d screamed, torn at her hair. But Laila couldn’t even manage that. She could hardly move. She could hardly move a muscle. She sat on the chair instead, hands limp in her lap, eyes staring at nothing, and let her mind fly on. She let it fly on until it found the place, the good and safe place, where the barley fields were green, where the water ran clear and the cottonwood seeds danced by the thousands in the air; where Babi was reading a book beneath an acacia and Tariq was napping with his hands laced across his chest, and where she could dip her feet in the stream and dream good dreams beneath the watchful gaze of gods of ancient, sun-bleached rock.”

“Miriam is never very far. She is here, in these walls they've repainted, in the trees they've planted, in the blankets that keep the children warm, in these pillows and books and pencils. She is in the children's laughter. She is in the verses Aziza recites and in the prayers she mutters when she bows westward. But mostly, Miriam is in Laila's own heart, where she shines with the burning radiance of a thousand suns.”

“It's the whistling," Laila said to Tariq, "the damn whistling, I hate more than anything." Often it happened at dinner, when she and Babi were at the table. When it started, their heads snapped up. They listened to the whistling, forks in midair, unchewed food in their mouths. Laila saw the reflection of their half-lit faces in the pitch-black window, their shadows unmoving on the wall. The whistling. Then the blast, blissfully elsewhere, followed by an expulsion of breath and the knowledge that they had been spared for now while somewhere else, amid cries and choking clouds of smoke, there was a scrambling, a bare-handed frenzy of digging, of pulling from the debris, what remained of a sister, a brother, a grandchild. But the flip side of being spared was the agony of wondering who hadn't.”

“With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when [she] would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by [his] name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion--like the phantom pain of an amputee.”