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Lauren Oliver

Lauren Oliver Quotes

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Famous Lauren Oliver Quotes

“Maybe you can afford to wait. Maybe for you there's a tomorrow. Maybe for you there's one thousand tomorrows, or three thousand, or ten, so much time you can bathe in it, roll around it, let it slide like coins through you fingers. So much time you can waste it. But for some of us there's only today. And the truth is, you never really know.”

“In my dream I know I am falling. But there is no up or down, no walls or sides or ceilings, just the sensation of cold and darkness everywhere. I am so scared I could scream. But when I open my mouth, nothing happens. And I wonder if you fall forever and never touch down, is it really still falling? I think I will fall forever.”

“I know what the problem is, of course. The disorientation, the distraction, the difficulty focusing - all classic Phase One signs of deliria. But I don't care. If pneumonia felt this good I'd stand out in the snow in the winter with bare feet and no coat, or march into the hospital and kiss pneumonia patients”

“Are you sure that being like everybody else will make you happy?" "I don't know any other way." "Let me show you." And then we're kissing. Or at least, I think we're kissing—I've only seen it done a couple of times, quick closed-mouth pecks at weddings or on formal occasions. But this isn't like anything I've ever seen, or imagined, or even dreamed: this is like music or dancing but better than both.”

“I know the rules. I've been living here longer than you have." He cracks a smile then. He nudges me back. "Hardly." "Born and raised. You're a transplant." I nudge him again, a little harder, and he laughs and tries to catch hold of my arm. I squirm away, giggling, and he stretches out to tickle my stomach. "Country bumpkin!" I squeal, as he grabs out and wrestles me back onto the blanket, laughing. "City slicker," he says, rolling over on top of me, and then kisses me. Everything dissolves: heat, explosions of color, floating.”

“That’s just the kind of thing that kids do to each other. It’s no big deal. There’s always going to be a person laughing and somebody getting laughed at. It happens every day, in every school, in every town in America—probably in the world, for all I know. The whole point of growing up is learning to stay on the laughing side.”

“I’m Hana,” Hana says. “And this is Lena.” She jabs me with an elbow. I know I must look like a fish, standing there with my mouth gaping open, but I’m too outraged to speak. He’s lying. I know he’s the one I saw yesterday, would bet my life on it. “Alex. Nice to meet you.” Alex keeps his eyes on me as he and Hana shake hands. Then he extends a hand to me. “Lena,” he says thoughtfully. “I’ve never heard that name before.”

“For a second we just stand there in silence. Then, suddenly, Alex is back, easy and smiling again. “I left a note for you one time. In the Governor’s fist, you know?” I left a note for you one time. It’s impossible, too crazy to think about, and I hear myself repeating, “You left a note for me?” “I’m pretty sure it said something stupid. Just hi, and a smiley face, and my name. But then you stopped coming.” He shrugs. “It’s probably still there. The note, I mean. Probably just a bit of paper pulp by now.”

“When I’m running, there’s always this split second when the pain is ripping through me and I can hardly breathe and all I see is color and blur—and in that split second, right as the pain crests, and becomes too much, and there’s a whiteness going through me, I see something to my left, a flicker of color […]—and I know then, too, that if I only turn my head he’ll be there, laughing, watching me, and holding out his arms. I don’t ever turn my head to look, of course. But one day I will. One day I will, and he’ll be back, and everything will be okay. And until then: I run.”

“I keep having the urge to cross my hands over my chest, to cover up my breasts, to hide. I'm suddenly aware of how pale I look in the sunshine, and how many moles I have spotting up and down my chest, and I just know he's looking at me thinking i'm wrong or deformed. But the he breathes, 'Beautiful' and when his eyes meet mine I know that he really, truly means it.”

“And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry.”

“I didn't even know a heart could beat so loudly...it reminds me of an Edgar Allen Poe story we had to read in one of our...classes...it's supposed to be a story about guilt and the dangers of civil disobedience, but when I first read it I thought it seemed kind of lame and melodramatic. Now I get it, though. Poe must have snuck out a lot when he was young.”

“The thing is, you don't get to know. It's not like you wake up with a bad feeling in your stomach. You don't see shadows where there shouldn't be any. You don't remember to tell your parents you love them or--in my case--remember to say good-bye to them at all.”

“Could it be? Samantha Kingston? Home? On a Friday?” I roll my eyes. “I don’t know. Did you do a lot of acid in the sixties? Could be a flashback.” “I was two years old in 1960. I came too late for the party.” He leans down and pecks me on the head. I pull away out of habit. “And I’m not even going to ask how you know about acid flashbacks.” “What’s an acid flashback?” Izzy crows. “Nothing,” my dad and I say at the same time, and he smiles at me.”

“For the first time in my life I actually feel sorry for Carol. I'm only seventeen years old, and I already know something she doesn't know: I know that life isn't life if you just float through it. I know that the whole point- the only point- is to find things that matter, and hold on to them, and fight for them, and refuse to let them go.”