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“I would suggest you and whomever you love stay off the ocean for the next tide," she said as calmly as she could. "What...?" Argent searched Ariel's eyes, huge and aquamarine, clear as the seas in Hyperborea. She must have found something there. Blue anger? Or perhaps it was just Ariel's confidence: the calm assumption that she could back up insane statements with an even more insane reality. The eyes of a queen.”

“This is the Canyon of Dendros. This is the Field of Akeyareh, where ancient mer warriors fell in the battles against the Titans. Their bodies drifted to the seafloor and their bones turned the sand white. This is the Cleft of Neptune's... uh... 'Back,' a valley with hot geysers and occasional magma flows. This is the Mound of Sartops, where our priests and artisans tend to live; it looks out into the great depths of the ocean- some say to infinity. I know this map like the ribs in my tailfin." If she had her tail right now, it would be tipping and thwapping the water in consternation. Kicking her foot didn't seem the same somehow.”

“Her thoughts spun. There were objects in the window of a shop that she couldn't quite fathom: possibly candy, possibly gems and crystals. There were so many alien things about this world she still didn't know. There were so many more things in the rest of the world, both above and below the sea, that were yet to be discovered.... "You okay, Ariel? You seem a little, I dunno, worried or spacey or something," Scuttle said. "I just... I was just thinking about past choices and future possibilities." "Huh. Deep stuff. Well, the world's your oyster after today.”

“Father, I've ruled, and while I might be good at it, I don't like it. I want to do what I've always wanted to do." She pointed out at the dark ocean. "Explore. Meet new people. Learn new languages. Discover new things and the artists who make them. I want to find out what happened to the Hyperboreans. I want to reengage trade with the Tsangalu. I want to know if there's anyone else out there like Ursula..." Triton- and Sebastian, and Flounder- shuddered. "Maybe they're not all like her," she said quickly. "Father, the world of the mer has been getting smaller and smaller, consumed with ourselves and our own arts, thoughts, and philosophies for far too long. Humans have conquered most of the Dry World- we need to unite the World Under the Sea, for survival if nothing else.”

“Hey, check this out," Eric said, pulling up his sleeve and holding out his arm. The name Ariel was written out- in mer runes! It circled his arm like the sort of band a warrior would wear, and glistened with oil he had rubbed into it. "Eric! What did you do?" "What? Don't you like it?" "I love it, but..." "Until we have wedding rings, I thought it was a nice permanent commitment. Argent did it! Sebastian helped me with the letters." "It... must have hurt." "You have no idea. That's how much I love you," he said, kissing her on the forehead.”

“The nautilus shell was exquisite, brown and white and perfectly striped. The math that lay like a dazzling creation spell over all who lived in the sea showed clearly in the spiral, each cell as great as the sum of the two previous sections. Everything in the ocean was a thing of beauty and numbers, even in death. Mermaids could live for a long time, but their bodies became foam that dissipated into nothing when they died. The poor little mollusk who lived in this shell had a very short life, but his shell could last for centuries. Ariel sighed and brushed her fingers over it, feeling strangely melancholy despite the triumph she literally held in her hands. Years of being mute could be swept away in a second. Years of frustration, years of silent crying, years of anger. And then what? If she destroyed it, what would it change?”

“She sang. Wordless hymns of the sea: immediate, extemporized passages about waves and sunlight and tides and the constant, beautiful pressure of water on everything. The glory of seaweed slowly swaying, the delicious feeling that foretold a storm in the Dry World and turbulence below. The music came out of her without pause, driven by years of observing, seeing, listening, enjoying, experiencing the world and unable to express it. The wonder and sadness of being alive. The joy of being a mermaid; the pain of being the only one like herself- the only mermaid who had been mortal, temporarily, and then lost everything.”

“Mermaid queens didn't often have a reason to move quickly. There were no wars to direct, no assassination attempts to evade, no crowds of clamoring admirers to avoid among the merfolk. In fact, slowness and calm were expected of royalty. So Ariel found herself thoroughly enjoying the exercise as she beat her tail against the water- even as it winded her a little. She missed dashing through shipwrecks with Flounder, fleeing sharks, trying to scoot back home before curfew. She loved the feel of her powerful muscles, the way the current cut around her when she twisted her shoulders to go faster. She hadn't been this far up in years and gulped as the pressure of the deep faded. She clicked her ears, readying them for the change of environment. Colors faded and transformed around her from the dark, heady slate of the ocean bottom to the soothing azure of the middle depths and finally lightening to the electric, magical periwinkle that heralded the burst into daylight. She hadn't planned to break through the surface triumphantly. She wouldn't give it that power. Her plan was to take it slow and rise like a whale. Casually, unperturbed, like Ooh, here I am. But somehow her tail kicked in twice as hard the last few feet, and she exploded into the warm sunlit air like she had been drowning. She gulped again and tasted the breeze- dry in her mouth; salt and pine and far-distant fires and a thousand alien scents.”

“Queen Ariel held the nautilus and considered thoughtfully. But the little mermaid didn't think. She acted. Before she realized fully what she was doing Ariel had smashed the nautilus on a sharply faceted rock. It didn't break like a normal shell. It shattered like a human vessel. Shards flew in all directions equally, unhampered by gravity or luck. Ariel pitched forward. She choked, no longer breathing the air of the Dry World. Her arms flailed up like a puppet's. Her torso whipped back and forth, pummeled by unseen forces. Something flew into her mouth, up her nose, and suffused her entire body with a heat that threatened to burn. It rushed into her lungs and expanded, expelling whatever breath she had left, pushing blood to her extremities, pushing everything out that wasn't it, leaving room for nothing else. Ariel collapsed. It was over. It was like the thing, whatever it was, had been absorbed by her body and had now dissipated into her blood and flesh. She took a breath. Her heart started beating again. She hadn't been aware it had stopped. She coughed. A few grains of sand came out. And then she sang.”

“She had the voice of the gods, some had said. The sort of voice that could lure landlubbers to sea and sailors to their deaths, a voice that could launch a thousand ships. She had the voice of the wind and the storm and the crash of the waves and the ancient speech of the whale. She had the voice of the moon as it glided serenely across the sky and the stars as they danced behind. She had the voice of the wind between the stars that mortals never heard, that rushed and blew and ushered in the beginning and end of time.”

“If Eric had just listened to his heart and not someone else's singing, none of this would have happened. He had fallen in love with the voiceless red-haired girl. He was just too stupid and obstinate to recognize it. He loved everything about her. Her smile, the way she moved, the way she took delight in everything around her. She was impulsive, unmannered, willing to get dirty, a little strange, and extremely hands-on. And beautiful. So different from all the princesses and ladies his parents had introduced him to.”

“Don't even consider it, young lady." Ariel raised an eyebrow at him incredulously. Young lady? In the years that had passed since the duel with the sea witch, she had aged. Not dramatically, but far more than a mostly immortal mermaid should have. There was something about her eyes- they were deeper, wiser, and wearier than when she was a young mer who had never been on dry land. Her cheeks weren't quite as plump anymore; the angles of her face were more pronounced. Sometimes she wondered if she looked like her mother... aside from her own unreliable memories, the only physical evidence of the former queen was a statue in the castle of her and Triton dancing together. But it was all pale milky marble, no colors at all. Dead. Ariel's hair no longer flowed behind her as it once had; handmaidens and decorator crabs kept it braided and coiffed, snug and businesslike under the great golden crown that sat on her temples, like the gods wore. Small gold and aquamarine earrings sparkled regally but didn't tinkle; they were quite understated and professional. Her only real nod to youth was the golden ring in the upper part of her left ear. "Young lady," indeed.”

“No one has ever been able to stop you from doing anything you wanted anyway- even when it costs you dearly." For a moment, Ariel felt her old self surface, the urge to grin and plant a kiss on the little crab's back. He was right. She did have a habit of swimming in where angels feared to tread. No one could dissuade her once her mind was fixed. And it had cost her dearly. What could it cost her this time?”

“She ran her hand through a shell bowl absently, letting the trinkets slide through her fingers. Mostly they weren't cut or polished the way a human jeweler would treat them: they sparkled here and there out of a chunk of brownish rock. A single crystal might shine like the weapon of a god- but be topped by the lumpy bit where it had been prized out of a geode. Ariel regarded the stones with fascination. Of course they were beautiful. Yet she still found the bits and baubles from the human world, made by humans, far more alluring. Why? Why couldn't she be content with the treasures of the sea the way the ocean had made them? What was wrong with them that they had to be altered, or put on something else, or framed, or forced in a bunch onto a necklace, in perfect, unnatural symmetry?”

“She could sense the approach of land- taste when the waters changed, feel when currents turned cool or warm- but it didn't hurt to keep an eye on the shore now and then, and an ear out for boats. The slap of oars could be heard for leagues. Her father had told tales about armored seafarers in days long past, whose trireme ships had three banks of rowers to ply the waters- you could hear them clear down to Atlantica, he'd say. Any louder and they would disrupt the songs of the half-people- the dolphins and whales who used their voices to navigate the waters. Even before her father had enacted the ban on going to the surface, it was rare that a boat would encounter a mer. If the captain kept to the old ways, he would either carefully steer away or throw her a tribute: fruit of the land, the apples and grapes merfolk treasured more than treasure. In return the mermaid might present him with fruit of the sea- gems, or a comb from her hair. But there was always the chance of an unscrupulous crew, and nets, and the potential prize of a mermaid wife or trophy to present the king. (Considering some of the nets that merfolk had found and freed their underwater brethren from, it was quite understandable that Triton believed humans might eat anything they found in the sea- including merfolk.)”

“Then she bit into the pie. It was all those tastes she remembered from before. Fatty, doughy flour crust. Cheese. Spices and flavors that spoke of foreign Dry World places. And, she supposed, the overwhelming taste of onion. Green, and not unlike certain seaweeds. But stronger. The baker just watched her as she chewed and enjoyed. Ariel stopped. Didn't people eat the things they paid for? She looked around and saw that no one else was gulping down their treats immediately. There went the old Ariel again. Impulsive.”

“She picked up a roundish thing from the ground and shook the sand off. It was the top of an old ceramic jar, once painted bright blue and gold. The humans had so many jars. And amphorae. And vases. And vessels. And kegs. And tankards. So many... things... to put other... things in. Merfolk rarely had a necessity to store anything beyond the occasional rare and fancy comestible, like the sweet golden-wine they used to trade for when she was a child. Merfolk ate when they were hungry, almost never had the need to drink anything, and rarely had a reason to store food for the future. She dropped the lid and sighed, drifting over to the rock she used to perch on while admiring her collection. Things, so many things. Things she never found out the proper use for in her short time on land. Because she had been too busy mooning over Eric. In some ways, that was the part of the seagull's story that bothered her the most. She could not believe the reaction her traitor heart had when the bird mentioned his name. Eric. Eric remembered something? He wrote an opera about it? About her? It wasn't just the flattery of it, though. If Eric remembered enough to compose music about it... would he remember her, too? A little? She remembered him far too often. Despite the fact that her life had been ruined because of her pursuit of Eric, when she closed her eyes to go to sleep, her last thoughts were often still of him. Or when a perfectly handsome, reasonably amusing (and mostly immortal- not an irrelevant point) merman tried to win her affections, and all she could think about was how his hair might look when it was dry. Would it bounce, like Eric's?”

“Her voice had been such an important part of her life before. The merfolk celebrated her for it. Her father excused her occasionally questionable behavior because of it. Eric loved the girl who rescued him, because of her singing... But... ... she'd never really enjoyed singing for anyone else. In fact, she hated audiences. She sang because she liked to sing. She just... felt... something, and had to sing it. If she were happy, or sad, or angry... she would go off by herself and sing to the coral, sing to the seaweed, sing to an audience of sea snails or tube worms (who listened, but never commented). Most of her mergirlhood had been spent swimming around, exploring, singing to herself. Making up little stories in her head and then putting them into song.”

“ARIEL! You're SINGING!" An explosion of grey and white feathers landed on the beach next to them. As soon as he recovered himself, Scuttle threw his wings around her in a gull-y embrace. "I am," she said, stroking his head. "Oh, it's so good to hear you," Scuttle said with a sigh. "It does my old heart... It's just the best." Ariel smiled. There was something specifically beautiful about what he had said: It's so good to hear you. He didn't say anything about her singing, just that it was good to hear her voice. He was genuinely pleased just that she had her voice back- whatever she chose to do with it. This is a friend.”

“There was also an amazing scent of fresh-baked... something. Baking wasn't a thing under the sea. When Ariel lived at the castle with Eric she had tried breads, cakes, pies, rolls, and sweets, and found them all mystifying (though delicious). They were like nothing she had ever eaten before and sometimes came to her plate still warm, which was also an odd way to eat food. Eric had bought her twelve different kinds of pie at a fancy shop in town and laughed as she had a bite of each, savoring.”

“The fairy let her go and pulled aside a piece of bright gold-and-pink silk hanging on the wall. Behind it was the fairy's own private room. She had a soft bed of bright green moss with several iridescent feathers for a counterpane. A shelf mushroom served as an actual shelf displaying an assortment of dried flowers and pretty gewgaws the fairy had collected. There was a charming little dining table, somewhat bold in irony: It was the cheery but deadly red-and-white amanita. The wide top was set with an acorn cap bowl and jingle shell charger. In the corner, a beautifully curved, bright green leaf collected drops from somewhere in the celling much like the water barrel did, but this was obviously for discreet fairy bathing. An assortment of tiny buds, rough seeds, and spongy moss were arranged neatly on a piece of gray driftwood nearby to aid in cleansing.”

“The broth was nearly clear and colorless, singing with notes of the sea- and Belle had never actually been to the sea. When she broke her bread to dip, the crust shattered, the crumb inside moist to the point of almost being a custard. The terrine was so rich she managed only one tiny demitasse spoonful. She and her father didn't eat fancily but they ate well enough and even had meat once or twice a week. The herbs that still flourished in her mother's garden spiced up dishes more than it seemed like they should have. They supped well, like all Frenchmen and women. But even Christmas was nothing compared to this. Belle suddenly realized she was shoveling it all in like a character from one of those stories who was tricked into eating magic food until he exploded or grew too large to escape. And a slightly more down-to-earth part of her spoke up warningly, in what she liked to pretend was her mother's voice: You are, at the very least, going to have an extremely upset stomach from this rich new food.”

“Coming back to the village through the snow, under the dark cloudy skies, Belle felt like she had been away for a lifetime. She had, in fact, never left the village by herself before this. There were a couple of overnight trips to fairs with her father, and once or twice during mushroom season they got swept up in the fury and spent a few nights in the forest, gathering morels and truffles and camping out. But that was all, and always with Papa.”

“Moths, large and white and fluttering in a manner just a little too bat-like, came out of hiding to revel in this unexpected dismissal of day. So too did fireflies: Rapunzel squealed in delight when, like tiny candles, they twinkled in slow, unhurried loops around grass. "Is this your mother's magic?" she shrieked, clawing at Gina's arm. " ARE THOSE FAIRIES ?" "No, those are lightning bugs, Princess," Flynn said with a sigh. "In-sects. Whose butts glow." "Right. I'm an idiot," Rapunzel said, trying to get one to land on her. "Because in real life, fairies aren't real but witches are." "Touché," he said good-naturedly, with a bow. Rapunzel felt her chest flutter.”

“Now directly above her, transiting the meridian, was the new crescent moon. No longer a chalky white, it was as silver as a piece of polished jewelry, somehow shining and sparkling despite the fact that it should have been nearly invisible that close to the sun, traveling through his bright day. "Oh, how pret---" Rapunzel started to say, but then she was distracted because her hair began to glow. Just like when she killed the chickens-- but more. Brilliantly, with the white light of the diamonds of her (Flynn's) crown, with the whiteness she imagined the foam of a midnight sea would look like. She picked up a hank of hair and let it hang from her hands; it was like holding molten silver chains or all the distant rivers seen from her tower, gathered up together by some unimaginable fairy-tale giant.”

“Her hair glowed. It shimmered and shone and pulsed, the full length of it flowing behind Rapunzel and lighting up the undersides of the trees and throwing soft illumination on all the paler leaves and mushrooms, gleaming for a moment where it hit a drop of dew or sap. The moths who had fled returned, like a fluttering train of silken flowers on a long, magical wedding veil, following the mesmerizing river of silver light.”

“The woods were definitely changing. Aurora and Phillip could no longer see the sky at all because of the ancient tall trees that stretched far overhead. Pines and other shaggy-barked species shot a hundred feet straight up on massive trunks, some of which were as thick around as a small house. The canopies that spread out at their tops blocked out most of the sun; only a rare dappled shaft made it through. But it didn't feel claustrophobic. The absence of light kept the underbrush low: moss on ancient fallen logs, puddles of shade flowers, mushrooms and tiny lilies. It was airy and endless like the largest cathedral ever imagined.”

“He looked around for a plank he could lay down between the rooftops for her to walk across. But before he could think of some way of changing the subject- or staying on this one- the girl had found a pole of her own and leapt nimbly across to him. Far, far more gracefully than he had. Her robes swirled around her as she landed like a queen of the djinn alighting on the golden sands on the desert. "I learn pretty quickly," she said with mock haughtiness. Aladdin was once again speechless. What sort of rich girl was this? One who could leap like a mountain goat and play crazy at a moment's notice? Who had never seen poverty before and now, confronted with it, thought about it quietly rather than making rash statements? Who didn't care that Aladdin was a thief, except when he applied different standards to her? He was a loner, not a hermit; he had known other girls. Morgiana the Shadow, Abanbanu the tailor's daughter, Nefret with the strange green eyes, who came from the desert when the moon was new to trade trinkets from faraway lands. None of them was like this girl.”

“Oh yes, that's the clockwork crocodile. Now free from its previous task, the toy beast sought its way downstream to find other people in need of help. And, I daresay, we might have use of a clockwork crocodile somewhere along the way- against pirates, maybe? One particular crocodile-fearing pirate?" Tinker Bell stared at her friend in newly discovered admiration- and the teeniest bit of horror. You've changed, girl. Wendy smiled as she pushed the boat away from the bank. There was more to her than just manners and wishing, as her little fairy friend had pointed out. A whole world of Never Land was inside Wendy... with beasts as well with fairies.”

“Silverware was marching like little soldiers down the long length of the table toward Belle. Pieces of china were shoving each other precariously out of the way, vying to be in the single place setting in front of her. Little pots of mustard and chutney and other condiments hopped one after another off the shelves lining the room, landing surprisingly intact on silver trays. Too many things were moving around the room- things that shouldn't have been moving at all. It was dizzying, and more than a little ominous. "Really, this isn't necessary..." Belle said, getting ready to bolt. A fresh boule, the cracks in its crust emitting amazing-smelling steam, was carried to her by a spidery basket with alarming silver legs.”

“Try the gougères," Lumière interrupted, popping one into her mouth before she could continue. It was warmed by his flame and melted on her tongue- nothing at all like the perfectly good but usually rock-hard ones she and her father baked. "Ohhh..." she couldn't help saying. "It's been so long since we had a guest!" Mrs. Potts danced around on the table happily, somehow managing to fold a napkin with her spout-nose. She tossed it into Belle's lap: a swan shape that gracefully unfolded as it fell, almost like it was flying. Belle shrank back, worried it was actually going to fly. "I can't imagine why," she muttered. And then she was distracted by the food. Piles of it. More than a feast- a banquet. There was a whole leg of lamb, multiple terrines and soufflés, three soup courses, a delicate fish in white wine broth, an orange ice in between to clear the palate... There was a water glass, a golden glass for red wine, a crystal one for white, and a saucer for consommé. There were seven forks of descending size and different numbers of tines, the last three whose use she couldn't even begin to work out.”

“She sprang out of bed, the ornaments in her hair tinkling and jingling, making tiny versions of the noises of the chimes above her. And that was Rapunzel's most striking beauty: her hair. Bound in plaits and whorls and buns and knots and twists as tightly as she could manage. Some of the braids were so long they hung in loops that she put her arms through; they hung at her sides like giant sleeves or tippets from an ancient dress. Decorating all of this were dozens of charms-- also silver, like her hair, but some with exotic stones like lapis and turquoise. Bells, tiny moons, hands, suns, six-pointed stars, eyes, and anything else Mother Gothel could lay her hands on at her daughter's request. By these amulets Rapunzel definitely tried to control her hair, bind her hair, disempower her hair, and unenchant her magic hair.”

“Gothel had told her that cutting her hair would kill her. The Goodwife said that was nonsense; it would only affect her powers, if anything at all. And come to think of it, Rapunzel did lose the occasional hair when it caught on something, or when she was combing it out. The dead hairs turned a dull brown, and it used to panic her when she was little. Did it take a day off her life? A month? A year? She thoughtfully wrapped a lock of hair around her fingers. Biting her lip, she brought the shears up.... "Rapunzel? What are you doing? No!" Flynn had quietly come in (and had paused at the door, preparing to say something theatrical) but immediately dropped all playing. He ran over and grabbed her hands, holding them away from her. "What... oh," Rapunzel said, confused and taking a moment to figure out what he was doing. "You thought I was going to hurt myself. You didn't hear what the Goodwife said? Cutting my hair won't kill me." "Oh. No, I did not hear that," Flynn said, collapsing against the edge of the workbench. But he didn't let go of her right hand. "Maybe when the group learns something important like that, you could let me in on it? You know, keep me in the loop?" "Sorry," she said, a little chagrined. "I guess this looked really bad, didn't it?" "You have no idea, Rapunzel, I... I think I died a little when I saw that." He opened his mouth, trying to say something else. Was he going to go into full funny Flynn Rider mode? Or was he actually going to say something serious? Rapunzel could hardly breathe, waiting to see. And then he kissed her. It wasn't like the night before, when there was a pause and a feeling of expectation. He took her face in his hands and pressed his lips to hers. With desperation, maybe as if she really had almost died. Rapunzel shivered-- and for the slightest moment panicked that it was her magic activating. But it wasn't... When he stopped, she reached up and touched his lips gently. She didn't want the moment to end. "I don't want to lose you," he whispered. "But if I have to... I'd rather it be to your happy ending than to..." "Brigands and mercenaries, or a hair-related death, I know. You do care, Flynn Rider!”

“A different serving boy came out with a basket of steaming hot bread and, in the Gaulic fashion, little tubs of sweet butter. Eric preferred olive oil, but along with all the other terrible things going on in the castle, Vanessa had embraced Gaulic culture with the tacky enthusiasm of a true nouveau riche. "I do so love baguettes, my dear, sweet, Mad Prince. Don't you?" she said with a sigh, picking up a piece and buttering it carefully. "You know, we don't have them where I come from." "Really? Where you come from? What country on Earth doesn't have some form of bread? Tell me. Please, I'd like to know." "Well, we don't have a grand tradition of baking, in general," she said, opening her mouth wider and wider. Then, all the while looking directly at Eric, she carefully pushed the entire slice in. She chewed, forcefully, largely, and expressively. He could see whole lumps of bread being pushed around her mouth and up against her cheeks. The prince threw his own baguette back down on the plate in disgust. She grinned, mouth still working. "Your appetite is healthy, despite your cold," he growled. "Healthy for a longshoreman. Where do you put it all? You never- seem- to- gain- a -pound." "Running the castle keeps one trim," she answered modestly.”

“He caught her staring at him and gave her a sly look. "Super impressed with being with a real live criminal, huh?" he asked, smiling with surprisingly nice white teeth. "I'm super impressed with anyone who can fight and knows these woods and the world so well. I guess Gina does, too." "Yes, Gina." He frowned. "She's kind of a weirdo. Nice weirdo, mind you. But very, very odd." A flurry of thoughts winged their way through Rapunzel's head like a confused flock of birds on a late summer test flight. She couldn't separate the different feathered things out. She was also puzzled by the look on Flynn's face: he raised his eyebrows and sort of gazed at her, turning his head so it was a little sideways. He smiled so that his lips stretched wide at the corners but remained partially closed over his teeth. Obviously it was some sort of expression Gothel didn't make but that other people commonly used. So she tried to copy him. "What are you doing?" Flynn asked. "I 'on't ow," Rapunzel responded, keeping her lips in the same half position. "'at are oo oing?" "Okay, you're kind of a weirdo, too. No wonder you two get along so well," Flynn said, shaking his head and dropping the look. "Usually the smolder works on all the ladies." "Oh, you were trying to..." Rapunzel began to giggle. Books #27 and #28 were tales of knights and damsels and adventures--- with more than a touch of romance. Flynn looked offended. "No, please try again!" Rapuunzel begged. "Oh, the mood's gone. Forget it," he said, rolling his eyes. But he smiled-- a real smile this time, a natural one.”

“They wanted me to not have any hope of returning, so they royally ordered her to tell me all that." "Then why give you anything with the royal sigil on it?" Flynn asked quietly. "If they didn't want you to know who you were? Like your pretty red bracelet there. Tirulian red coral, handwrought chain, pure gold clasp-- yes, yes, I totally sized it up. And the royal sun on the back." Rapunzel looked at her bracelet in wonder. The little sun, constant companion of her childhood, in mobiles, embroidered on her clothing, on the little gifts Gothel sometimes gave her, the crown... That was the symbol of the royal house? Her whole life had been hints of the truth, everywhere!”

“The king raised an eyebrow at Flynn, who saluted him as best he could. "Isn't that Flynn Rider, the very wanted thief?" he demanded in a rich, rolling voice. "The one who stole the goblet? And the crown?" "No, dear," the queen said, wiping her eyes. "Our daughter just told you: that's Eugene. Who saved her. No relation at all to that other man." She gave Flynn a sharp look and the corner of her lips twitched into a hastily smothered smile. Flynn blinked in surprise.”

“Forget your magic mirror," she decided to say. "If I lived here, I would spend my whole life in here, reading." "They're just... books...." He carefully lit the candelabra at the front and placed Lumière on the floor, dismissing him. "Just books? That's like saying Alexandria is just a library." She ran over to the closest shelf and tilted her head, reading the titles. "You don't understand. I don't understand how you don't understand. Look- here's an ancient text in Greek about astronomy... and next to it is everything Galileo Galilei ever wrote!! This whole section is about the stars and planets and the entire universe!" The Beast stood, looking slightly embarrassed, scratching the back of his neck with his hand. Belle grabbed a book and ran over to him, shoving it in his face. "Up until this man, Copernicus, everyone thought the entire universe rotated around the earth- that we were the center of it all." She flipped open to a page that had an engraving of planets and their paths, little callouts to their names and the length of their orbits. "Thanks to men like him and Tycho Brahe and Kepler, we now know nothing revolves around the earth- except the moon.”

“Why is a raven like a writing desk?" she prompted. "I don't know, why?" he asked gamely. "No- you asked me that, last time. I never figured out the answer myself. But I asked everyone when I woke up- er, came back to Angleland, and even read a great many books on puzzles and riddles to try and solve it. So now I have several answers. So tell me which one is right!" She began counting on her fingers. "One: because they both have quills dipped in ink." Her audience just looked at her gravely. Alice hurried on to the next. "Two: the American author, Mr. Edgar Allan Poe, wrote on both." The Dodo and the Gryphon looked at each other and shrugged helplessly. "And three- my friend Charles came up with this- because each can produce a few notes, tho' they are very flat!”